Another in our series of Demo Discs for Bass.
One of the special qualities this album has is AMAZINGLY well-defined, punchy, deep BASS — the kind you just never hear on most records (or most pressings of this album for that matter).
The bass is typically bloated on most copies of this album, something that is especially true for the MoFi. When you get a copy with note-like, properly balanced bass, the whole album works. Bass is the foundation of the music. When the bass is blubbery and ill-defined, the music itself sounds blurred. It loses its focus.
It’s also very dynamic and punchy. The kick drum sounds exactly right — there’s a room around it, just exactly as you would hear it if you were in the studio with the band! It took a copy like this to show us what an amazing pop recording it is.
So few copies we ran across in our shootout had that “jump out of the speakers” sound we knew was possible from our previous shootouts of the album. When finally one did, boy did it ever. What a knockout. Hot Stampers? They’re on fire!
If you have a big speaker system and have taken advantage of the audio revolutions we discuss throughout the site, this is the kind of record that can help you chart your progress. When a record like this blows everything you’ve ever heard out of the water, you are definitely on the right track! (more…)