Top Engineers – Bones Howe

The Fifth Dimension – Live!!

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  • Live!! finally makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it on all FOUR sides
  • Bones Howe once again engineered, which means you can be sure the tonality is correct from top to bottom and the breath of life is captured beautifully in the midrange
  • The sound here is rich and full-bodied with much less grain and much more Tubey Magic than every other copy we played
  • Hal Blaine on the drums, Joe Osborne on bass and Larry Knechtel on keyboards – not too shabby!
  • 4 stars: “The performance offers an adequate sampling of the 5D’s classics and concurrent pop songs that attendees would likely be familiar with.”

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The Association – Insight Out

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  • An outstanding pressing of Insight Out, with solid Double Plus (A++) sound or BETTER throughout
  • The Tubey Magical sound, the lively, tight playing by The Wrecking Crew, not to mention some killer Chart Topping ’60s pop, make this THE Association album to own
  • With this copy the Sound of the Sixties will fill your room like never before – wall to wall, floor to ceiling, with layers upon layers of analog depth
  • These original Gold Label stereo pressings are potentially the best sounding, with the ideal balance of richness and transparency
  • POTENTIALLY – again, the label is no guarantee of top quality sound, only proper cleaning and careful shootouts can do that
  • “The harmonies and choruses are among the most beautifully textured singing in a rock outfit this side of the Beach Boys.”

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The Fifth Dimension – Portrait

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  • Portrait makes its Hot Stamper debut with superb Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • The sound here is especially rich, smooth, and sweet, as well as more Tubey Magical than every other copy we played outside of our shootout winner
  • You can thank legendary engineer and producer Bones Howe, the man behind the amazing recordings of The Association, The Turtles and even the likes of Tom Waits(!)
  • Quiet vinyl for a vintage Bell Sound pressing – to be sure, not many survived in this kind of audiophile playing condition
  • 4 stars: “The Age of Aquarius, the 5th Dimension’s fourth album, was the group’s commercial peak… The 5th Dimension were the successors to the L.A. vocal group mantle passed on by The Mamas and the Papas… their work had a sheen and a zest that sometimes contrasted with the original tone of the material.”

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Tom Waits – Foreign Affairs

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  • With Triple Plus (A+++) Shootout Winning sound or close to it on both sides, this copy had some of the best sound we have ever heard for the album
  • This early pressing was hard to fault – it will put Tom Waits right between your speakers, with a batch of great session players behind and to the side, all playing live in the studio
  • “The album contains more ballads than most of his records do, but they were the most effective vehicles for the kind of storytelling he was trying to get to. Produced and engineered by Bones Howe, Foreign Affairs was recorded live in studio by a quintet that included West Coast jazzmen Jack Sheldon on trumpet, saxophonist Frank Vicari, bassist Jim Hughart, and drummer Shelly Manne.

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Ornette Coleman – The Art of the Improvisers

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  • With a nearly Triple Plus (A++ to A+++) side one and a seriously good Double Plus (A++) side two, this copy will be very hard to beat – exceptionally quiet vinyl too
  • Engineered by the team of Tom Dowd (whose work you surely know well) and Phil Iehle – the pair recorded some of Coltrane’s most iconic albums for Atlantic: Giant Steps (1960) and Coltrane Jazz (also in 1961)
  • 5 stars in Downbeat – Allmusic notes: “It’s an understatement to say that Ornette Coleman’s stint with Atlantic altered the jazz world forever, and Ornette on Tenor was the last of his six LPs (not counting outtakes compilations) for the label, wrapping up one of the most controversial and free-thinking series of recordings in jazz history… far ahead of its time.”

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Tom Waits – Small Change

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A distinguished member of the Better Records Rock and Pop Hall of Fame

This is a wonderful album, considered by many to be Waits’s masterpiece. He’s backed with a real jazz combo here, including Lew Tabackin on sax and the great Shelley Manne on drums. Bones Howe does a great job gettin the kind of beatnik-jazz sound out of these songs that they need. On a copy like this, the presence and clarity are absolutely stunning!

According to Wikipedia, when asked in interview by Mojo magazine in 1999 if he shared many fans’ view that Small Change was the crowning moment of his “beatnik-glory-meets-Hollywood-noir period” (i.e. from 1973 to 1980), Waits replied:

Well, gee. I’d say there’s probably more songs off that record that I continued to play on the road, and that endured. Some songs you may write and record but you never sing them again. Others you sing em every night and try and figure out what they mean. “Tom Traubert’s Blues” was certainly one of those songs I continued to sing, and in fact, close my show with. (more…)

Tom Waits – Nighthawks At The Diner

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A distinguished member of the Better Records Rock and Pop Hall of Fame

A stunning Top Copy of this Tom Waits classic! A superb recording, with much credit due to Waits’ constant collaborator Bones Howe who produced and engineered. It’s a live-in-the-studio romp through Los Angeles with Waits playing the role of tour guide, and the results are wonderful.

At its best, this album has the immediacy and energy of a real live performance, but the typical copy just doesn’t bring it to life. This one is a big step up on all four sides, with the kind of life and clarity we just don’t hear often enough! Side two in particular has the kind of superb clarity and three-dimensional soundstage that puts you right there in the studio.

This album was recorded live at The Record Plant back in 1975, and, while I can’t be certain, it sure seems there are no overdubs or post-performance additions. There’s a touch of hardness to the vocals at times, but it was on every copy we played and it’s obviously on the tape. It’s the kind of sound we hear on Johnny Cash records and it just seems like a by-product of the microphones these guys used. It doesn’t seem to far a reach to imagine that an iconoclast like Waits might prefer an old-timey microphone sound that doesn’t soften or smooth his vocal style. (For those in search of buttery vocals, there’s usually an Al Stewart record or two on the site. This ain’t the one for you.) (more…)

Tom Waits – The Heart of Saturday Night

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A distinguished member of the Better Records Rock and Pop Hall of Fame

Amazing Triple Plus (A+++) sound on both sides! This music ain’t for everyone, but when you find good sounding Tom Waits pressings like this one the sonics can be out of this world. It’s tough to find clean copies of this stuff these days and even tougher to find ones that really deliver the way this one does. Bones Howe sure knew how to record this kind of music, and a copy like this will really let you appreciate his work.  (more…)

Tom Waits – Heartattack and Vine – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame

One of the better copies of Heartattack and Vine we’ve ever heard! We enjoy listening to the music of Tom Waits here because the music and sound can be excellent. His albums are certainly a nice change of pace from the stuff that’s usually on our table. We had quite a few copies of this one and none of the other ones were in a league with this bad boy. The sound is very rich and full with incredible immediacy to the vocals. You just couldn’t get the vocals to sound any better than they do on this copy. (more…)

Tom Waits – Blue Valentine – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame

TWO GREAT SIDES on this wonderful album — A++ for the first and A+++ for the second! Both sides have a wonderful bottom end — check out all the WEIGHT to that rich, meaty bass. Many copies we played had a tendency to sound somewhat dull, but this one has all the extension up top you need. The overall sound is rich, full, sweet and warm. The strings have texture, the voice has lots of breath, and I just don’t think you could find a better sounding copy.

Drop the needle on Romeo Is Bleeding for some of the best music on here. When you’ve got the kind of bass definition that this copy offers, the sound for that song can be killer, as it is here. (more…)