TAS Super Disc List

Dire Straits – Love Over Gold

More Dire Straits

More Love Over Gold

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

MASTER TAPE SOUND ON BOTH SIDES! This copy is a FLUKE — we guarantee you have never heard a copy sound even remotely this good. We sure haven’t, and we’ve probably played fifty or more. This copy found itself running way ahead of the pack and never looked back. Two A+++ sides back to back — what are the chances?

Telegraph Road does something on this LP that you won’t hear on one out of twenty pressings: It ROCKS. It’s got ENERGY and DRIVE. (more…)

David Crosby – If I Could Only Remember My Name…

More David Crosby

If I Could Only Remember My Name

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

BEYOND TRIPLE TRIPLE! This Top Copy had a side one that blew us away enough to earn FOUR Pluses!

Here it is, folks… a TRUE ROCK DEMO DISC! A White Hot Stamper copy such as this will show you why we’ve long considered it one of the All Time Top Ten Rock Albums for Sound and Music. You will not believe how Tubey Magical and three-dimensional this album can be when you have a pressing with this kind of sound. The harmonic complexity and extension on the acoustic guitars are absolutely stunning!

Please note that the grading scale pictured above only goes up to three pluses, as that is our standard top grade. Every now and then we’ll hear a side of an album we know well that goes beyond our expectations and our ref copies to earn a fourth plus. This side one did just that! (more…)

Chet Atkins In Hollywood

More Chet Atkins 

More Chet Atkins In Hollywood 

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A distinguished member of the Better Records Rock and Pop Hall of Fame

This Minty looking RCA Victor LP has an AMAZING SIDE TWO backed with a great side one. Side two is full of the tubey magic that’s missing from the Classic Records version and it has a wonderfully extended top end. Side one lacks some of the top end extension found on side two but the first track has that tubey Nashville sound that we love here at Better Records. The rest of the side is pretty damn good as well.

Harry Pearson put this record on his TAS List of Super Discs. (more…)

TAS List Thoughts on Albeniz – Where on The List Is This Record?

More of the music of Isaac Albeniz (1860-1909) 

More TAS List Thoughts on Albeniz 

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Another nail in the coffin for HP’s TAS List. The fact that questionable entries such as Reiner’s Pines of Rome make the cut, and an amazing recording such as this doesn’t, should tell you everything you need to know concerning the value of such an incomplete list.

This is truly DEMONSTRATION QUALITY SOUND! Records simply do not get any more spacious, open, transparent, rich and sweet.

Our Hot Stamper Classical Pressings will be dramatically more transparent, open, clear and just plain REAL sounding, because these are all the areas in which heavy vinyl pressings tend to fall short in in our experience.


Further Reading

Check out our new section: The Better Records Hall of Fame for Orchestral Music.

We have a section for all the Classical Records we have reviewed on the site to date.

We also have a section for all the Heavy Vinyl Classical Records we have reviewed on the site.

We have a number of Commentaries specifically addressing issues we’ve encountered when playing classical recordings.

Chet Atkins – Caribbean Guitar

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More Caribbean Guitar 

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A distinguished member of the Better Records Rock and Pop Hall of Fame

This RCA Living Stereo LP has an A++ side two! It’s rich, warm and sweet with great transparency and clear transients — if it had just a bit more top it would be right up with the very best copies. Side one is not quite up to the same standards, and is very noisy. The vinyl plays about Mint Minus Minus on side two, but its a rare copy that plays any quieter.

Harry Pearson put this record on his TAS List of Super Discs.

This is one of Chet Atkins’ best albums. Sonically it’s right up there with The Other Chet Atkins and the Hollywood album. It seems like Bill Porter just doesn”t know how not to make an amazing sounding Living Stereo recording. Everything the guy touches is GOLD! (more…)

Gershwin / All the Works for Orchestra / Slatkin / Siegel

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Hall of Shame 3 Record set that had us asking: Why would anyone want to own this awful set? TAS List or no TAS List, the performances are much too slow for my taste.

TRACK LISTING

Concerto in F
Cuban Overture 
Lullaby (Version for String Orchestra)
Catfish Row (Suite from “Porgy and Bess”)
An American in Paris
Promenade
Rhapsody in Blue
Second Rhapsody
“I Got Rhythm” Variation

The Reiner Sound – Reviewed in 2010

More Maurice Ravel

More Rachmaninoff / The Reiner Sound / Reiner / CSO

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Wow, the first nice Reiner Sound on Shaded Dog to make it to our site. Why? Because the few copies we’ve run across that looked decent enough to clean and play were just too noisy to enjoy. Not many copies have survived the bad turntables of their day with all their top end and inner grooves intact, but we’re proud to say that this one has! 

This former TAS List record really surprised us on two counts. First, you will not believe how DYNAMIC the recording is. Of all the classical recordings we’ve played lately I would have to say this is THE MOST DYNAMIC of them all. (more…)

Bernard Herrmann – The Mysterious Film World Of..

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More The Mysterious Film World Of…

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

An OUTSTANDING RECORDING — with a huge three-dimensional stage, open, clear, extended up top and down low — the sound on this White Hot Side One is nothing short of AMAZING. And side two isn’t far behind! 

Side one boasts some wonderful material from Mysterious Island and Jason and the Argonauts. Who else but Herrmann could have orchestrated such phantasmagorical goings on?

The Three Worlds Of Gulliver Suite takes up all of side two. The complete score from which the suite is taken can be found on the original Herrmann album The Three Worlds of Gulliver, a long-time and extremely rare member of the TAS Super Disc List. (more…)

Joni Mitchell – Wild Things Run Fast

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More Wild Things Run Fast

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  • Outstanding Double Plus (A++) sound on both sides, this copy has Joni rockin’ like you will not believe
  • Her last great record – fortunately for us audiophiles it’s spacious, open and powerful with present vocals and solid bass
  • Relatively quiet, Mint Minus to Mint Minus Minus throughout – they don’t come any quieter in our experience
  • “On her first new studio album of original material in five years, Joni Mitchell achieved more of a balance between her pop abilities and her jazz aspirations, meanwhile rediscovering a more direct, emotional lyric approach. The result was her best album since the mid-’70s.”

One of our favorite Joni Mitchell albums and one of the few good reasons to listen to new music in the ’80s. (more…)

Classic Records Stops Making Bad Records But Acoustic Sounds Picks Up Where They Left Off

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DATELINE 8/29/2010

Classic Records has officially gone under. They will not be missed, not by us anyway, except for this reason: to borrow a line from Richard Nixon, I guess we won’t have Classic Records to kick around anymore. We’ve been beating that dead horse since the day they started back in 1994. There are scores of commentaries on the site about their awful records for those who care about such things.

The last review we wrote for the remastered Scheherazade, which fittingly ended up in our Hall of Shame, is one in which we awarded it an equally fitting sonic grade of F.

TAS Superdisc List to this day? Of course it is!

With every improvement we’ve made to our system over the years, their records have somehow managed to sound progressively worse. (This is pretty much true for all Heavy Vinyl pressings, another good reason for our decision to stop carrying them in 2010.) That ought to tell you something. Better audio stops hiding and starts revealing the shortcomings of bad records. At the same time, and much more importantly, better audio reveals more and more of the strengths and beauty of good records.

(Which of course begs the question of what actually is a good record — what it is that makes one record good and another bad — but luckily for you dear reader, you are actually on a site that has much to say about those very issues. Every Hot Stamper commentary is fundamentally about the specific attributes that make one copy of a given album better than another, and how much of them you’re getting for your money with the unique pressing on offer.)

There are scores of commentaries on the site about the huge improvements in audio available to the discerning (and well-healed) audiophile as I’m sure you’ve read by now. It’s the reason Hot Stampers can and do sound dramatically better than their Heavy Vinyl or Audiophile counterparts: because your stereo is good enough to show you the difference.

With Old School equipment you will continue to be fooled by bad records, just as I and all my audio buds were fooled twenty and thirty years ago. Audio has improved immensely in that time. If you’re still playing Heavy Vinyl and Audiophile pressings there’s a world of sound you’re missing. We would love to help you find it.

One Hot Stamper just might be all it takes to get the ball rolling.

 

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Oh no, someone is going to keep pressing Classic’s shitty records! And selling them!

And wouldn’t you know it’s the same guys who’ve been making bad records since before Classic got into the game.

I advised them to dump them in a landfill but they apparently had other ideas.

So now it’s one stop shopping for all the bad sounding Heavy Vinyl you might be foolish enough to buy. Or perhaps you were misguided by the ridiculous comments and reviews pedaled on audiophile websites extolling the virtues of these pressings.

Don’t believe a word of it. You can count the good sounding records put out by these guys on one hand.  I honestly cannot think of one I would have in my house to tell you the truth.