It seems as though Bill Porter just doesn’t know how not to make an amazing sounding Living Stereo recording. Everything the guy touches is GOLD! Need a refresher course in tubey magic after playing too many modern recordings or remasterings? These records are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — it’s all here.
I suppose we owe a debt of gratitude to Harry Pearson for pointing out to us with his TAS List what a great record this is, although I’m pretty sure anybody playing this album would have no trouble telling after a minute or two that this recording is very special indeed.(more…)
The last time I played the Classic I thought it was a smeary mess, as awful as their awful Scheherazade (both shamefully on the TAS List as I recall). If I were to play it today I’m guessing it would join the other Classic Records entries in our Hall of Shame.
I love Fiedler’s performance and the 1954 two track RCA Living Stereo sound but finding an original Shaded Dog pressing in clean condition under $500 with the right stampers (something above 10 as a rule) is all but impossible nowadays.
If you want to go that way more power to you.
This 1954 2-track recording is RCA’s first stereo recording of the work. 1954. Can you believe it? Two mics and two channels and it blows away 99% of all the classical recordings ever done! Some old record collectors and tube lovers say classical recording quality ain’t what it used to be. This record proves it.
A stunning UK import copy with Triple Plus (A+++) sound or close to it from beginning to end
Incredibly big, punchy, dynamic, transparent and musical throughout – you won’t believe it
These top quality copies of Love Over Gold are far more natural than the any pressing you have ever heard
“Certainly a quantum leap from the organic R&B impressionism of the band’s early LPs and the gripping short stories of Making Movies, Love Over Gold is an ambitious, sometimes difficult record that is exhilarating in its successes and, at the very least, fascinating in its indulgences.” – Rolling Stone
We pick up every clean copy we see of this album, domestic or import, because we know from experience just how good the best pressings can sound. What do the best copies have? REAL dynamics for one. And with those dynamics you need rock solid bass. Otherwise the loud portions simply become irritating. A lack of grain is always nice — many of the pressings we played were gritty or grainy. Other copies that were quite good in most ways lacked immediacy and we took serious points off for that.(more…)
With Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second, this copy of Cat Stevens’ brilliant third album will be very hard to beat
So transparent, open, and spacious, nuances and subtleties that escaped you are now revealed as never before
When you play I Wish I Wish and I Think I See The Light on this vintage pressing, we think you will agree with us that this is one of the greatest Folk Rock albums of them all
“A delight, and because it never achieved the Top 40 radio ubiquity of later albums, it sounds fresh and distinct.”
So many copies excel in some areas but fall flat in others. This one has it ALL going on — all the tubey magic, all the energy, all the presence and so on. The sound is high resolution yet so natural, free from the phony hi-fi-ish quality that you hear on many pressings.(more…)
DEMO DISC SOUND for this TAS List Shaded Dog, with each side earning an A++ grade and playing relatively quietly!
This is a BIG one folks, as most of you probably know already. It is not easy to find copies of this album with excellent sound and fairly quiet surfaces on both sides, and if you don’t believe me than I encourage you to try. The violin is so sweet and full of rosiny texture here. The whole string section is full of Living Stereo magic. The soundstage is wide and deep, the overall sound rich and warm. The midrange is nothing short of magical.
This is the kind of Golden Age recording that makes us audiophiles lose it. It’s one of the few legitimate reasons to take the TAS Super Disc List seriously in the first place. HP put records like this on the audiophile map and we owe him a debt of gratitude for having done so. Our musical lives are remarkably richer for it.(more…)
A superb original stereo copy with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally QUIET vinyl for this album too
A record that has its share of problems, but if you’ve got the system for it (huge, heavily tweaked, fast, free from obvious colorations and capable of tremendous resolution), this copy is sure to impress
A TAS List favorite that sounds amazing on a the right early pressing and dramatically better than any Heavy Vinyl reissue that’s we know of
“The more recognizable and certainly more straightforward side of Bacharach is here, too, on the Dusty Springfield smash ‘The Look of Love.’ This is one of Bacharach’s best soundtracks…”
The space is big and the sound relatively rich (although the sound does vary quite a bit from track to track). The vocals have notably less hardness than most and the orchestra is not as brash as it can be on so many of the copies we audition. Huge amounts of Tubey Magic as well, which is key to the best sounding copies, and critical to The Look of Love. The sound needs weight, warmth and tubes or you might as well be playing a CD.(more…)
THE ULTIMATE PSYCH ROCK DEMO DISC! Both sides are shockingly transparent with tight bass, silky highs, full-bodied vocals and TONS of Tubey Magic.
No CD ever made could compete with the amazing analog sound of a record like this, and after twenty five years of that technology failing to do its job I’m pretty sure no CD (or SACD, or any other digital media for that matter) ever will.
These stampers are different from the ones I used to think were the best about ten or twelve years ago. For a long time I didn’t play this record, and then a while back, when this whole Hot Stamper thing took off, I grabbed my personal hot copy and a bunch of others, cleaned them up and did a big shootout.(more…)
MASTER TAPE SOUND ON BOTH SIDES! This copy is a FLUKE — we guarantee you have never heard a copy sound even remotely this good. We sure haven’t, and we’ve probably played fifty or more. This copy found itself running way ahead of the pack and never looked back. Two A+++ sides back to back — what are the chances?
Telegraph Road does something on this LP that you won’t hear on one out of twenty pressings: It ROCKS. It’s got ENERGY and DRIVE.(more…)
BEYOND TRIPLE TRIPLE! This Top Copy had a side one that blew us away enough to earnFOUR Pluses!
Here it is, folks… a TRUE ROCK DEMO DISC! A White Hot Stamper copy such as this will show you why we’ve long considered it one of the All Time Top Ten Rock Albums for Sound and Music. You will not believe how Tubey Magical and three-dimensional this album can be when you have a pressing with this kind of sound. The harmonic complexity and extension on the acoustic guitars are absolutely stunning!
Please note that the grading scale pictured above only goes up to three pluses, as that is our standard top grade. Every now and then we’ll hear a side of an album we know well that goes beyond our expectations and our ref copies to earn a fourth plus. This side one did just that!(more…)
This Minty looking RCA Victor LP has an AMAZING SIDE TWO backed with a great side one. Side two is full of the tubey magic that’s missing from the Classic Records version and it has a wonderfully extended top end. Side one lacks some of the top end extension found on side two but the first track has that tubey Nashville sound that we love here at Better Records. The rest of the side is pretty damn good as well.