A distinguished member of the Better Records Rock and Pop Hall of Fame.
With THE BEST side one we have ever played, backed with a side two that’s very nearly as good, this is a very special copy indeed! This copy was getting everything right on side one. Wide and deep stage, smooth but textured strings, background vocalists who take breaths, room around the piano, clear attack, it’s all here.
Harry Pearson put this record on his TAS List of Super Discs. More about that later.
As for the sound of this copy, warm is right. This is some of the smoothest, most natural sound we’ve heard on a Mancini record. Listen to the cello on side 1, track 4, to hear the kind of tubey magic we rave about on old records. Those of you with good tube equipment (and/or the right transistor equipment, truth be told) know how rich and sonorous bowed string instruments can sound — this is a perfect example of it. Those with with more transistory sound in their systems will not be able to fully appreciate the lovely sonority, but if you take this record to a place that has top quality equipment, whether it be a friend’s house or a stereo store, you will undoubtedly hear what I mean. It’s a sound you can’t forget, and it’s all but disappeared from modern recordings and modern (read: heavy vinyl) pressings.
Classic Records, now thankfully defunct, has been producing records for fifteen years that are almost completely devoid of the tubey magic we’re talking about. Records like this show you precisely what the Classic pressings are getting wrong — if your stereo can reproduce the difference. (more…)