Top Producers – Brian Eno

Talking Heads – Fear of Music

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  • This Talking Heads LP boasts solid Double Plus (A++) sound or BETTER from start to finish
  • I’d be hard-pressed to name another group from the era who put out more groundbreaking yet accessible records than the Talking Heads
  • Producer Brian Eno wasn’t shy about adding multiple layers of effects and processing; the texture of Eno’s synthesizers gives the music depth and character
  • 4 1/2 stars: “…the music is becoming denser and more driving… with lyrics that match the music’s power… its better songs are as good as any Talking Heads ever did”

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Talking Heads – More Songs About Buildings and Food

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  • This pressing boasts very good Hot Stamper sound from the first note to last – exceptionally quiet vinyl too
  • With Eno producing and Rhett Davies engineering, every track is (psycho) killer – truly this is a Must Own from 1978
  • 5 stars: “Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing.”

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Brian Eno and David Byrne – My Life In The Bush Of Ghosts

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  • An outstanding pressing of My Life In The Bush Of Ghosts with solid Double Plus (A++) sound or close to it throughout – exceptionally quiet vinyl too
  • Both sides here are spacious, full-bodied and Tubey Magical with a solid bottom end and driving rhythmic energy
  • Rick Wright of Pink Floyd noted that the album “knocked me sideways when I first heard it – full of drum loops, samples and soundscapes. The way the sounds were mixed in was so fresh, it was amazing.”
  • 5 Stars: “… a whirlwind 45 minutes of worldbeat/funk-rock … it’s a tremendously prescient record for the future development of music during the 1980s and ’90s.”

If you like Remain in Light as much as we do here at Better Records, you will surely have a blast with this record. I’ve been a big fan of the album since the day it came out. As an added bonus, it’s a much better recording than Remain in Light — sweet and spacious, not hard and brittle the way that can album can be, especially on the first track. (more…)

U2 – The Joshua Tree

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  • An outstanding pressing with solid Double Plus (A++) sound or BETTER throughout – exceptionally quiet vinyl too
  • Big and rich, with correct tonality from top to bottom, strong bass and plenty of space – this copy sounded just right to us
  • Stunning sound for the album’s biggest hits, including With Or Without You, I Still Haven’t Found What I’m Looking For, and Where the Streets Have No Name
  • 5 stars: “With the uniformly excellent songs… the result is a powerful, uncompromising record that became a hit due to its vision and its melody. Never before have U2’s big messages sounded so direct and personal”

The soundstage is huge, and the overall quality of the recording is big and bold. Most copies of this album are either thin, shrill and aggressive — like most U2 albums — or thick and veiled. This one is smooth and natural sounding, with the added benefit of some deep punchy bass! (more…)

Talking Heads – Remain In Light – A Tough Title to Play

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This is a record that’s going to demand a lot from the listener, and we want to make sure that you feel you’re up to the challenge. If you don’t mind putting in a little hard work, here’s a record that will reward your time and effort many times over, and probably teach you a thing or two about tweaking your gear in the process (especially your VTA adjustment, just to pick an obvious area most audiophiles neglect).

A word of caution: Unless your system is firing on all cylinders, even our hottest Hot Stamper copies — the Super Hot and White Hot pressings with the biggest, most dynamic, clearest, and least distorted sound — can have problems . Your system should be thoroughly warmed up, your electricity should be clean and cooking, you’ve got to be using the right room treatments, and we also highly recommend using a demagnetizer such as the Walker Talisman on the record, your cables (power, interconnect and speaker) as well as the individual drivers of your speakers.

This recording ranks high on our Difficulty of Reproduction Scale. Do not attempt to play it using any but the best equipment.

It took a long time to get to the point where we could clean the record properly, twenty years or so, and about the same amount of time to get the stereo to the level it needed to be.

It’s not easy to find a pressing with the low end whomp factor, midrange energy and overall dynamic power that this music needs, and it takes one helluva stereo to play one too.

As we’ve said before about these kinds of recordings — Ambrosia; Blood, Sweat and Tears; The Yes Album; Dark Side of the Moon, Led Zeppelin II — they are designed to bring an audio system to its knees.

If you have the kind of big system that a record like this demands, when you drop the needle on the best of our Hot Stamper pressings, you are going to hear some amazing sound .

Talking Heads – Remain In Light – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

HOT STAMPERS DISCOVERED AT LAST! We’ve been trying to find a great sounding copy of this album forever, and this is the week we finally succeeded. It takes an exceptional pressing to get all the elements correct — the funky bottom end; the processed, multi-tracked vocals; the Brian Eno production weirdness and so on.

This is a brilliant album but a typically problematic record. Most copies get some things right but fail miserably in other areas. There are smeary copies that can’t deliver the punchy bottom you need, grainy copies that make the vocals painful to listen to, and plenty of copies that are just too dark or flat sounding for anyone to enjoy. Note that the first track on both sides will sound the worst. The sound gets better, though, as you get further into the album. (more…)

Talking Heads – Remain In Light on Ridiculously Bad Rhino Vinyl

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Sonic Grade: F

The Rhino Heavy Vinyl reissue of this album was Dead On Arrival the minute it hit my turntable. No top, way too much bottom, dramatically less ambience than the average copy — this one is a disaster on every level.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins. 

Eno – Taking Tiger Mountain by Strategy – Listening in Depth

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Presenting another entry in our extensive Listening in Depth series.

This album is all about sound, pure sound itself if you will: the sound of the instruments, their textures, and the textures of the soundscape Eno has created for them.

With the subtle harmonics of Eno’s treated sounds captured onto vinyl intact, the magic of the experience far exceeds just another batch of catchy songs with clever arrangements. It truly becomes an immersive experience; sounds you’ve never heard in quite that way draw you into their world, each sound more interesting than the next.

Only these British originals sound like they are made from fresh master tapes on rich, sweet tubey-magical, super high resolution cutting equipment.



In-Depth Track Commentary

Side One

(Which, by the way, is BRILLIANT from the opening guitars of Burning Airlines to the never-ending chirping crickets of The Great Pretender. I mean that literally: on these early British pressings the run-out groove has the sound of the crickets embedded in it so that the crickets chirp until you pick up the arm, much in the same way that Sgt. Pepper has sound in the run-out groove at the end of A Day In The Life.)

Burning Airlines Give You So Much More

Pure Pop for Now People. Listen to all those multi-layered harmonies! They’re sweet as honey, and only the best British copies get them to sound that way. You can make out practically every voice. This is what we mean by Midrange Magic. (more…)

Eno – Taking Tiger Mountain by Strategy

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A distinguished member of the Better Records Rock Hall of Fame.

This is Eno’s Masterpiece as well as a Desert Island Disc for yours truly. On the right pressing this is a Twisted Pop Demo Disc like nothing you have ever heard. If you have a big speaker and the kind of high quality playback that is capable of unraveling the most complicated musical creations, with all the weight and power of live music, this is the record that will make all your audio effort and expense worthwhile.

That’s the kind of stereo I’ve been working on for forty years and this album just plain KILLS over here.

Art Rock

That being said, it may not be the kind of thing most music loving audiophiles will be able to make much sense of if they have no history with this kind of Art Rock from the ’70s. I grew up on Roxy Music, 10cc, Eno, The Talking Heads, Ambrosia, Supertramp, Yes and the like, bands that wanted to play rock music but felt shackled by the chains of the conventional pop song. This was and still is my favorite kind of music. (more…)

Talking Heads’ Masterpiece – More Songs About Buildings and Food

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More Songs About Buildings and Food

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  • Take Me to the River rocks like you won’t believe
  • Eno produced, Rhett Davies engineered, every track is (psycho) killer – a Must Own from 1978
  • 5 stars: “Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing.”

If you thought you’d never hear a truly great pressing of this album, here’s the copy that will prove you wrong and rock your world doing it! The top end is extended and sweet, the bottom end is big and punchy, and the overall sound is as rich and full-bodied as you could expect from this zany art-rock.

The vocals have the kind of presence that put David Byrne right there in your living room, and not under a blanket or behind the speakers as most of the pressings we played were wont to do.

Top Notch ’70s Art Rock

I don’t think these guys ever put together a better group of songs. The ultimate pressings of Little Creatures go a step further sonically, but the best copies of this one can sound incredible, if not quite Demo Disc worthy. (more…)