Top Artists – The Doobie Brothers

The Doobie Brothers – Takin’ It To The Streets

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
  • With the awesome Michael McDonald contributing a batch of great songs, not to mention some Blue Eyed Soul-ful vocals, this has long been a favorite Doobies album here at Better Records
  • Credit must go to Donn Landee for the full-bodied, rich, smooth, oh-so-analog sound of Hot Stamper pressings such as this one
  • 4 1/2 stars: “…shows off the new interplay and sounds that were to carry the group into the 1980s, with gorgeous playing and singing all around.”

Who in his right mind thought this record could sound this good? We’ve been buying pressings for years, with very little to show for it. Most copies have no real top or bottom; that’s what separates the men from the boys on Takin’ It to the Streets. That shrunken, flat, two-dimensional, lifeless, compressed, midrangy sound you’re so used to hearing on Doobies Brothers albums is the rule, and these sides are the exceptions.

Why go to all the trouble? Because we love the album! This is the first album to feature Michael McDonald’s infusion of white soul into what was otherwise just another radio-friendly boogie rock band, and ’70s soul is precisely the Doobies sound we love here at Better Records.

Most copies of this record are such a letdown, it’s hard to imagine that many audiophiles could be bothered to take it seriously. But they should; the band cooks on practically every song, and the writing is some of their best, with essential Doobies tracks like Losin’ End and It Keeps You Runnin’ and no real dogs in the bunch. (more…)

The Doobie Brothers – Livin’ On The Fault Line

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  • An excellent copy that earned Double Plus (A++) sonic grades on both sides – it’s big, rich and solid
  • Exceptionally quiet vinyl too – we can’t find them any quieter
  • The best songs here can hold their own with anything from Minute by Minute and Takin’ It to the Streets
  • A sophisticated, soulful pop album from the Michael McDonald era with far too many great songs to list
  • 4 stars: “Some of the most challenging and well-developed music of the band’s career.”

If you’re a fan of this brand of sophisticated, soulful pop music, this is as good an album as any from the Michael McDonald era. We think the best songs here can hold their own with anything from Minute by Minute and Takin’ It to the Streets. And with Hot Stamper sound, now you can actually enjoy the album as an audiophile quality recording. (more…)

The Doobie Brothers – What Were Once Vices Are Now Habits

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  • A superb pressing with nearly Triple Plus (A++ to A+++) sound from top to bottom – just shy of our Shootout Winner
  • Forget the cardboardy reissues and whatever crappy Heavy Vinyl pressing they’re making now – if you want to hear all the Tubey Magic and energy of these recordings, you need a vintage Hot Stamper pressing like this one
  • Black Water was the big hit on their breakthrough fourth album, and it sounds wonderful here – Eyes of Silver and Another Park, Another Sunday are killer too
  • “The Doobies team up with the Memphis Horns for an even more Southern-flavored album than usual…”

These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the kinds of prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

These songs sound every bit as good now as they did thirty-plus years ago when they came out. Better, because we can clean these old records and play them so much better than we could back then. I’ll be the first to admit that back in the day I was a bit of a snob when it came to bands like this. Too mainstream. Too radio-friendly.

Now I realize that the best of this kind of pop rock has stood the test of time very well. One listen and we think you’ll agree: this is good music that belongs in your collection. (more…)

Michael McDonald – If That’s What It Takes

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  • Insanely good Shootout Winning Triple Plus (A+++) sound from start to finish for Michael McDonald’s Masterpiece and on fairly quiet vinyl to boot
  • Both of these sides are incredibly clean, clear, spacious and dynamic with excellent clarity, tons of energy and a big punchy bottom end
  • One of the All Time Great Jeff Porcaro Drum Exhibition Records (with the equally amazing Steve Gadd handling the other tracks)
  • Some of the best Pop Rock engineering of all time, courtesy of Lee Herschberg and Donn Landee
  • 4 1/2 stars on Allmusic – more importantly, this is a dramatically better album than anything the Doobies ever released

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The Doobie Brothers – Stampede

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  • With two seriously good Shootout Winning Triple Plus (A+++) sides, this was far better than every other copy we played it against
  • Both of these sides are incredibly rich and full-bodied, with lots of deep punchy bass and excellent separation – thanks Donn Landee
  • Contains contributions from such guest musicians as Maria Muldaur, Ry Cooder, and Curtis Mayfield
  • 4 1/2 stars on Allmusic: “The Doobie Brothers’ rootsiest album to date, Stampede was virtuoso soulful countrified rock of a gritty nature, crossing over into blues as well as reaching back to a raw, traditional rock & roll sound that wouldn’t have sounded too out of place 20 years earlier.”

The average copy of this album is compressed and congested, recessed and veiled, grainy and thin; in other words, it sounds like an old Doobie Brothers album. It takes a copy like this to show you just how good the Master Tape must really be. And if we hadn’t had plenty of copies to play with, we would never have found this one! (more…)

Compromised Versus Purist Recordings – If It’s About the Music, the Choice Is Clear

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[This commentary is from circa 2010]

A while back one of our good customers wrote to tell us how much he liked his Century Direct to Disc recording of the Glenn Miller big band, one of the few really amazing sounding direct discs that contains music actually worth listening to. Which brought me to the subject of Hot Stampers. 

Hot Stamper pressings are almost always going to be studio multi-track recordings, not live Direct to Discs. They will invariably suffer many compromises compared to the purist approach of an audiophile label trying to eliminate sources of distortion in the pursuit of the highest fidelity.

But when they do that, they almost always FAIL. How many Direct Discs sound like that Glenn Miller? A dozen at most. The vast majority are just plain AWFUL. I know, I’ve played practically every one ever made. For more than a decade that was my job.

Thankfully that is no longer the case, although we do have a handful of direct discs that we still shootout, such as The Three, Glenn Miller, Straight from the Heart and the odd Sheffield. (more…)

The Doobie Brothers / The Captain and Me – Nautilus Debunked

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Sonic Grade: D

Another Half-Speed Mastered Audiophile Pressing Debunked and another We Was Wrong listing to boot.

We actually recommended the Nautilus Half-Speed in the old days, but the last time we played one (mid-2007) the sound was Pure Audiophile BS — compressed to death and totally whomp-free.

The average domestic copy is terrible too, but that’s no excuse now is it?

The Doobie Brothers Minute By Minute – Nautilus Reviewed

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Sonic Grade: D

A Hall of Shame pressing and another Half Speed debunked.

You may remember reading on the site that we used to like the Nautilus Half-Speed of this title. Playing our Nautilus copy against the better domestic pressings made us wonder what the hell we must have been smoking. The Nautilus was awful — veiled and compressed, with a lightweight bottom end. (The Nautilus of Threshold of a Dream is another one we used to like and boy does that record sound awful these days.)

Maybe we had played a better copy years ago, or maybe we had played some really bad domestics back then, who can say? A lot of water has gone under the bridge since then. All we can say for now is that our Hot Stampers are going to blow that audiophile piece of junk — and any other pressing of the album that might exist — right out of the water. (Or your money back.)

And the gold CD too of course. I have never in my life heard a CD sound like this record does, and I don’t think anyone else has either. CDs do some things reasonably well, but few of them have the kind of richness, sweetness and tubey magic that the best vinyl copies of this album do, cleaned right and played on a proper stereo of course. (more…)

The Doobie Brothers – Stampede

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The average copy of this album is compressed and congested, recessed and veiled, grainy and thin; in other words, it sounds like an old Doobie Brothers album. It takes a copy like this to show you just how good the Master Tape must really be. Most copies don’t even hint at the sound you will hear on this record. And if we hadn’t had plenty of copies to play with, we would never have known, now would we?  (more…)

The Doobie Brothers – Takin’ It To The Streets – MoFi Reviewed

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Sonic Grade: B

Another MoFi LP reviewed.

This is an IMMACULATE Mobile Fidelity LP with EXCELLENT SOUND. I’m surprised how good this copy is. The mids and highs are close to Right On The Money (ROTM). The bass is not as deep and well defined as it should be, but that’s the fault of Half-Speed mastering, not MOFI. One of their best titles. And quite rare to boot.