- This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
- With the awesome Michael McDonald contributing a batch of great songs, not to mention some Blue Eyed Soul-ful vocals, this has long been a favorite Doobies album here at Better Records
- Credit must go to Donn Landee for the full-bodied, rich, smooth, oh-so-analog sound of Hot Stamper pressings such as this one
- 4 1/2 stars: “…shows off the new interplay and sounds that were to carry the group into the 1980s, with gorgeous playing and singing all around.”
Who in his right mind thought this record could sound this good? We’ve been buying pressings for years, with very little to show for it. Most copies have no real top or bottom; that’s what separates the men from the boys on Takin’ It to the Streets. That shrunken, flat, two-dimensional, lifeless, compressed, midrangy sound you’re so used to hearing on Doobies Brothers albums is the rule, and these sides are the exceptions.
Why go to all the trouble? Because we love the album! This is the first album to feature Michael McDonald’s infusion of white soul into what was otherwise just another radio-friendly boogie rock band, and ’70s soul is precisely the Doobies sound we love here at Better Records.
Most copies of this record are such a letdown, it’s hard to imagine that many audiophiles could be bothered to take it seriously. But they should; the band cooks on practically every song, and the writing is some of their best, with essential Doobies tracks like Losin’ End and It Keeps You Runnin’ and no real dogs in the bunch. (more…)