Blues Rock, British

British Blues Rock

Rod Stewart – Every Picture Tells A Story

More of the Music of Rod Stewart

  • You’ll find solid Double Plus (A++) grades on both sides of this vintage Mercury pressing
  • If you’re a fan of big drums in a big room, with jump-out-of-the-speakers sound, this is the album for you
  • The drum solo in “(I Know) I’m Losing You” is one of the best reasons any red-blooded audiophile should have big dynamic speakers, a big room, and enough power to drive them to very loud levels
  • Top 100 album, and Rod’s best music and best recording by far – nothing can touch it
  • 5 stars: “It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • f the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • On big speakers at loud levels, this is a Demo Disc of the highest order

This is a superb recording, and on a pressing like this, it is a Demo Disc with little competition (if you have the kind of system designed to play these sorts of records).

Not too many of our Hot Stamper titles are going to ROCK the way this one can. We put it in a class with Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least. In other words, no album rocks harder.

The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the show-stopping “(I Know) I’m Losing You”, is clearly out of his mind.

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)

Robin Trower – Long Misty Days

More Rock and Pop

  • Trower’s fourth solo studio album debuts on the site with STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last – remarkably quiet vinyl too
  • This glorious early UK pressing is huge, rich and powerful, with guitar solos that soar like few others you’ve heard
  • If you want to make your speakers disappear, this is the album that can do it
  • Brilliant engineering by Geoff Emerick at George Martin’s AIR studios – it’s shocking to contemplate the idea that he became an even better recording engineer in the 70s, post-Abbey Road (for which he won a Grammy!)

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Deep Purple – In Rock

  • Both sides of this early UK pressing have stunning sound for the band’s 1970 Classic, earning Shootout Winning Triple Plus (A+++) grades or close to them
  • Only the Brit Harvest LPs such as this one seem to be made from the actual master tape, and it sure ain’t hard to hear the difference that mastering from a fresh, real master tape makes
  • In our experience, these import pressings are the only way to hear the band with the big, rich, Tubey Magical sound they’re famous for
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “Deep Purple’s soon to be classic Mark II version made its proper debut and established the sonic blueprint that would immortalize this lineup of the band on 1970’s awesome In Rock.”
  • If you’re a fan of the band, this classic from 1970 belongs in your collection.
  • We think 1970 was one of the greatest years ever for popular music, and you will be pleased to know that we have compiled a handy list of Must Own Albums from 1970 to celebrate our love for these wonderful releases

The best pressings give you exactly what you want from this brand of straight ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.) (more…)

Jeff Beck – Truth

More of the Music of Jeff Beck

  • A vintage reissue pressing of Beck’s debut LP with two killer Nearly Triple Plus (A++ to A+++) sides, just shy of our Shootout Winner – fairly quiet vinyl too
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks, Ken Scott!
  • This pressing embodies the “big rock sound” that we go crazy for here at Better Records
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • Problems in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

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The Rolling Stones – Let It Bleed

More of the Music of The Rolling Stones

  • With solid Double Plus (A++) sound on both sides, here is an outstanding All Analog pressing showcasing the Stones at the peak of their rock and roll powers
  • “Love In Vain” is one of the best sounding Stones songs ever recorded – the acoustic guitar harmonics and the rich WHOMP of the snare prove indisputably that Glyn Johns is one of the engineering greats
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • Top 100, 5 stars – Jason McNeil wrote that Beggars Banquet and Let It Bleed are “the two greatest albums the band’s (or anyone’s) ever made.” [Add Sticky Fingers to complete the ultimate Stones Trilogy.]
  • This is a Must Own album from 1969, one that should have a place in any audiophile’s pop and rock section

This is, in our humble opinion, the second or third best record the Stones ever made. (Sticky Fingers is Number One, and either this or Beggar’s Banquet comes in a strong second.) With this wonderful early domestic pressing we can now hear the power and the beauty of the recording itself, a fact that we consider the very definition of a Hot Stamper.

Killer Stones Sound

Both sides have more ambiance, more life, and more presence than you probably dreamed possible. Take the sound of “You Can’t Always Get What You Want” to pick just one example. The breathtaking transparency of this copy allows you to pick out each voice in the intro. The vocals on the other songs are no less present, full-bodied and breathy.

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Bad Company – Straight Shooter (UK Press)

More of the Music of Bad Company

  • A Straight Shooter like you’ve never heard, with KILLER Shootout Winning Triple Plus (A+++) sound or close to it from first note to last – fairly quiet vinyl too
  • If you’re playing this one good and loud, you’ll feel like you’re in the room with the boys as they kick out these classic riff-driven jams
  • Take it from us, it is not easy to find a copy like this that’s doing just about everything right, with the weight, balance and energy this music needs to rock
  • 4 stars: “Vocalist and songwriter Paul Rodgers wrote two acoustic-based rock ballads that would live on forever in the annals of great rock history: ‘Shooting Star’ and the Grammy-winning ‘Feel Like Makin’ Love.'”

The sophomore jinx is nowhere to be found on this album. In fact, you could make a pretty good case that this is actually a better album than their debut. The best pressings of this Bad Company classic have ROCK ENERGY that cannot be beat. (more…)

Eric Clapton – August

More of the Music of Eric Clapton

  • Clapton’s 1986 release makes its debut on the site, with STUNNING Shootout Winning Triple Plus (A+++) sound throughout this vintage Duck pressing – exceptionally quiet vinyl too
  • We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market.
  • “Phil Collins and Eric Clapton joined together for a second collaborative effort with the November 1986 release August. They shared producing chores as Collins pop sensibilities combined with Clapton’s blues/rock foundation to provide a solid and satisfying listening experience… It remains a good effort by one of rock music’s guitar gods.”

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The Rolling Stones – Self-Titled

More of the Music of The Rolling Stones

  • You’ll find solid Double Plus (A++) sound from first note to last on this outstanding pressing of The Stones’ 1964 release – exceptionally quiet vinyl too
  • We guarantee there is dramatically more richness, fullness and presence on this copy than others you’ve heard, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
  • This is the real, honest sound of the early, early Stones
  • “The Stones’ debut knocked The Beatles from the chart summit… They were on their way.” – BBC Review
  • If you’re a fan of the early Stones, their debut from 1964 belongs in your collection.

The best word I could use to sum up both the sound and the music on this record is HONEST. If you want to hear how early Rolling Stones records sound when they sound right, this is the ticket. This is the real sound of the early, early Stones.

Probably what any modern engineer would want to do to the album would only end up making it worse. It is what it is and that’s good enough for us. Since the tapes are now more than 60 years old, no modern reissue will sound remotely as good as this one.

The Stones wanted their stuff to sound like the old Blues albums they grew up on and revered, and with that sound in mind you can’t argue that they didn’t succeed here.

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Cream – Wheels Of Fire

More of the Music of Cream

  • Cream rocks on these vintage UK import pressings with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it on sides one and two, and solid Double Plus (A++) sound or close to it on sides three and four
  • The power and energy of these live sides is off the charts — punchy, open, and spacious with bass and WHOMP you have never experienced for this music, guaranteed (particularly on side three)
  • Everything you’d want sonically from a live Cream recording is present on this copy – big-time presence, an abundance of life, tonal correctness, and loads of Tubey Magic (also particularly on side three)
  • Those of you looking for a White Hot copy with Triple Plus (A+++) sound on both the studio disc and the live disc will be disappointed to learn (as we were) that no such copy came out of our most recent shootout, making this one of the best copies we can offer this time around
  • 4 stars: “…[Eric] Clapton is at a peak here, whether he’s tearing off solos on a 17-minute ‘Spoonful’ or goosing ‘White Room’ toward the heights of madness. But it’s the architect of ‘White Room,’ bassist Jack Bruce, who, along with his collaborator Peter Brown, reaches a peak as a songwriter…. [I]n many ways Wheels of Fire is indeed filled with Cream’s very best work.
  • If you’re a fan of Clapton and the band, this RSO UK import from 1968 belongs in your collection.

It’s exceptionally difficult to find even decent sounding copies of this album. We’ve played SCORES of original domestic copies, original imports, and all kinds of reissues over the years, and it’s very rare to find a copy that sounds this good on all four sides. (more…)

Led Zeppelin – In Through The Out Door

More of the Music of Led Zeppelin

  • You’ll find solid Double Plus (A++) sound throughout this vintage copy of Zep’s final release
  • It’s all here: huge amounts of rock-solid bass, grungy guitars, breathy, natural vocals, and jump-out-of-the-speakers presence and energy
  • “Fool In The Rain” and “All My Love” are two of the best, and best sounding, tracks on the album
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • “The album’s opening number, ‘In the Evening,’ with its stomping rhythms and heavy, staggered riffs, suggests that Zeppelin haven’t deviated from their course, but by the time the rolling shuffle of ‘South Bound Suarez’ kicks into gear, it’s apparent that they’ve regained their sense of humor.”
  • If you’re a Zep fan, this title from 1979 is surely a Must Own
  • The complete list of titles from 1980 that we’ve reviewed to date can be found here.

This may not be Zep’s best album, but there are some great songs here, and the music really works when the sound is this good. (more…)