Hot Stamper Pressings of the Music of Bob Dylan Available Now
This vintage copy of Infidels could not be beat. Big and rich, with correct tonality from top to bottom, strong bass and plenty of space, this copy sounded just right to us.
Our post-it notes tell the album’s story. (By the way, if you like reading our post-it notes, we’re putting more and more of them on the blog these days. We talk about the importance of taking notes as part of the shootout advice we share. This post will help you with the basics.)

Side One
Track Three
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- Big and full
- Not too nasal
Track One
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- Big bass
- Weighty and rich
- Has some breath
Side Two
Track One
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- Rich bass and drums
- Spacious breathy vocals
- No hardness
What We Learned
What do these notes have to tell us, other than this is a much better recording than it’s given credit for?
On side one, the vocals have a tendency to get nasally, sounding like Dylan is singing through his nose, not his mouth, a common problem with Dylan records from every era.
Also. when we say “has some breath, ” that basically means that most pressings on side one are not especially breathy in the mids, but this one is better in that department.
Not that the original grade was “at least 2,” and after going through all the copies, it turned out nothing could be beat this one. Some breath was probably more breath than any other side one we played.
On side two, the sound had “no hardness, ” and again, that simply means plenty of copies, maybe all the other copies, suffered from hardness in the vocals. “At least 2” turned into our Shootout Winner when no other copy could beat it.
Who Knew?
Has any other audiohile reviewer ever said a kind word about this album, other than us of course?
Not that I know of.
And we’re as guilty as any of them in assuming that 1983 was not a good year to be recording Dylan and expecting audiophile quality sound.
But we were proven wrong once again, by the only method that can possibly be relied upon to supply the truth: experimentation.
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