Paul Demond’s superb 1975 release makes its Hot Stamper Debut with Shootout Winning Triple Plus (A+++) sound or close to it throughout
Huge amounts of three-dimensional ambience, along with boatloads of Tubey Magic
Credit goes to Rudy Van Gelder once again for the huge space that the superbly well-recorded group occupies
4 stars: ” Paul Desmond reverted back to the relaxed quartet format that suited him well in the past… [this album] sparked a Desmond renaissance where he regained a good deal of the witty spark and erudite cool of his collaborations with Hall…
CTI is better known for the funky grooves of artists like Stanley Turrentine, Ron Carter and Deodato, but this album features mature adult jazz from Dave Brubeck’s former sideman, Paul Desmond.
It’s a lovely album, but if your pressing doesn’t have all the magic we could forgive you for not giving the music the credit it deserves. Unless your copy has a lot of energy and good amounts of richness and fullness, you probably wouldn’t give the music a second thought.
When you hear a copy like this, it’s an entirely different story. Fans of Contemporary label jazz are sure to get a lot out of this one.(more…)
Getz’s superb 1962 release finally arrives on the site with outstanding Double Plus (A++) stereo sound or BETTER from start to finish – and the vinyl plays about as quietly as any vintage Verve ever does
Speakers Corner produced an unimpressive remaster on Heavy Vinyl years ago, and there are probably plenty of newer pressings that have come out since then, but none of them can begin to compete with the All Analog sound of this very pressing
4 stars: “Fresh from the sudden success of Jazz Samba and “Desafinado,” Stan Getz asked the 28-year-old, strikingly gifted Gary McFarland to arrange a bossa nova album for big band as a follow-up. Getz is always his debonair, wistful, freely-floating self, completely at home in the Brazilian idiom that he’d adopted only a few months before.”
This surprisingly good sounding collaboration finally arrives on the site with outstanding Double Plus (A++) sound or BETTER throughout
Three-dimensional space and ambience, with Tubey Magic by the boatload – guaranteed to be one of the better sounding Chet Baker albums you’ve heard, and probably the best of his later period
Another triumph for Rudy Van Gelder and his “live-in-the-studio” jazz sound – like most of his recordings (at least those from the ’60s on), this album still sounds fresh today, even after 38 years
4 stars: “For what would be his final CTI date, he was matched with guitarist Jim Hall, flutist Hubert Laws and a fine rhythm section for two jazz standards… Throughout, Sebesky’s charts favorably showcase Baker’s lyrical trumpet, making this a recommended LP…”
With a Triple Plus (A+++) shootout winning side two and a better than Double Plus (A++ to A+++) side one, this copy on the lovely Blue and Green Atlantic stereo label is practically as good as it gets
No reissue in our shootout could touch it, and where are you going to find an early pressing like this one in audiophile playing condition?
Tom Dowd engineered, which is why the best copies of the album sound so damn good – Dowd recorded many of the best Coltrane albums in the early ’60s
4 1/2 stars: Sonny Stitt forged his own approach to playing bebop out of the sound and style of Charlie Parker, so this tribute album was a very logical project… Stitt, who mastered bebop and could play hot licks in his sleep, is in top form… making this an essential item for straight-ahead jazz fans…”
We found STUNNING sound for Sonny Rollins’ classic LP The Bridge this week, and as you might have guessed from the image to the left, it wasn’t on an original pressing! It’s beyond tough to find copies of this album on any label these days, but we had a big stack of pressings from different eras and auditioned them in a big shootout. We’ve paired up our best side one with our best side two to create this killer White Hot Stamper 2-pack. (more…)
CTI is better known for the funky grooves of artists like Stanley Turrentine, Ron Carter and Deodato, but this album features mature adult jazz from Dave Brubeck’s former sideman. It’s a lovely album, but if your pressing doesn’t have all the magic we could forgive you for not giving the music the credit it deserves. Unless your copy has a lot of energy and good amounts of richness and fullness, you probably wouldn’t give the music a second thought.(more…)