- For Duke makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound on the second side mated with outstanding Double Plus (A++) sound on the first of this original M&K Real Time pressing – exceptionally quiet vinyl too
- Tubier, more present, more alive, with more of that “jumpin’ right out of the speakers” quality that only The Real Thing (The Real Thing being An Old Record) ever has
- “. . . this album features a true all-star lineup. Each artist solos in this heartfelt tribute session. . . one of those rare albums that you can enjoy over and over without losing your smile.”
As an interesting side note, this album was recorded on location. The other M&K Direct to Disc record that I like was also recorded on location. Most of the M&K Direct to Discs were recorded in the showroom of the stereo store that Miller and Kreisel owned, which, like any showroom, was carpeted and draped. This is why almost all their records sound “dead”. This was their intention, of course. They wanted the sound to be “live” in your living room. I prefer to hear the kind of ambience that would be found in a real location, and so I have never been much of a fan of their label.
This record, however, gives you both that Direct Disc immediacy and freedom from distortion, as well as the live ambience of the location — the best of both worlds.
- With two Nearly Triple Plus (A++ to A+++) sides, this copy of Flamenco Fever is close to the BEST we have ever heard, right up there with our Shootout Winner
- The sound is breathtakingly real – you are there in the club with the flamenco guitarist, his drummer, and a trio of stomping, clapping dancers
- This is a Direct to Disc Demo Disc like nothing you’ve heard – when you turn up the volume on this bad boy the natural acoustic space in the room becomes huge and palpable
- If you have the power to drive big speakers, the dynamics and bass transients of this copy might just rock your world, literally
This M&K Direct to Disc SMOKED the copy we played it against — the difference was NIGHT and DAY! The sound is smoother, sweeter, and richer than we are used to hearing for this album. There’s lots of space around the drums, and the tuba sounds tonally Right On The Money.
You aren’t going to believe how DYNAMIC this copy is — when Fatha’s really pounding on the keys, you’re gonna jump out of your chair! The overall sound is clean, clear, lively, and super transparent. The edgy, hard piano sound that plagued our lesser copy is nowhere to be found.
One of the BEST Direct to Discs on M&K! This is especially good jazz piano music; Earl Hines plays up a storm on this album. The opening track, Birdland, with just a high hat, a tuba and Fatha on piano is worth the price of the disc alone.
Near Mint UHQR JVC Test Record in a white generic jacket.
The RAREST of the RARE! I’ve never even seen one offered for sale!
For those of you who do not know the complete story, basically the UHQR — the ultra high quality record — was invented by JVC as a test to see how good the ultimate vinyl pressing could sound. It was thicker, had a longer pressing cycle, and other technological improvements, all with the goal of making the ultimate lp.
Mobile Fidelity produced limited editions of eight titles on UHQR, and both Reference and Telarc produced one each.
Apparently tests were done by others as well, because here we have some m&k recordings on UHQR. I believe they are not known to exist — until now. I bought them from m&k myself a few years back, along with some flamenco fevers and a box full of unplayed for dukes. That was a good day for better records!
Anyway, obviously the price you see reflects the collectability of such a unique pressing, not necessarily the musical or sonic qualities it may possess. If you want to be not just the first but the only person to own such a pressing, this is your opportunity to do so. (more…)
This is one of the all time great Pablo sleepers.
Why is no one else writing about records like these? The music is wonderful and the sound is top drawer on the best copies. If you’ve tried and failed with other Pablo Zoot Sims records, fear not: this title is one of the best we have ever played, musically and sonically.