Top Artists – John Coltrane

Miles Davis – Green Haze (‘The Musings of Miles’ and ‘Miles’)

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More Recordings by Rudy Van Gelder

  • Spacious, sweet and positively dripping with ambience – talk about Tubey Magic, the liquidity of the sound here is positively uncanny
  • This Prestige Two-Fer simply combines two complete Miles Davis titles recorded by Rudy Van Gelder in 1955 – ‘The Musings of Miles’ and ‘Miles’
  • 4 stars: “… it is for the excellent rhythm sections and the playing of Miles Davis that this two-fer is highly recommended.”
  • If you’re a fan of Miles, this All Tube MONO Recording from 1955 belongs in your collection.
  • The complete list of titles from 1955 that we’ve reviewed to date can be found here.

This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

John Coltrane – A Love Supreme

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More Jazz Recordings Featuring the Saxophone

  • This vintage Impulse Stereo copy is close to the BEST we have ever heard, with two STUNNING Nearly Triple Plus (A++ to A+++) sides, just shy of our Shootout Winner – remarkably quiet vinyl too
  • One quality that stood out to us on this reissue pressing was just how ENERGETIC the best of them can be, and this one clearly qualifies as one of the best copies we have ever played
  • Tubier, more transparent and more dynamic than practically all other copies, with plenty of that “jumpin’ out of the speakers” quality that only The Real Thing (an old record) ever has – thanks RVG!
  • Full-bodied and tonally correct from top to bottom – this copy IS guaranteed to bring Coltrane’s music to life in a way few pressings can
  • 5 stars: “One of the most important records ever made, John Coltrane’s A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years.”
  • If you’re a Coltrane fan, this Impulse title from 1965 is clearly one of his best, and one of his best sounding
  • The complete list of titles from 1965 that we’ve reviewed to date can be found here.

The original Impulse pressings on the brown and orange label are the best, right?

Not in our experience. We think that plays into one of the biggest canards in all of record collecting, that the first pressings are always the best sounding.

For this album, having sampled a large group of pressings from every era, we found the originals to be inferior to the best reissues we played. Naturally the ones we offer here as Hot Stampers will be the best of those reissue pressings. We are not the least bit worried that this vintage Impulse LP won’t beat the pants off of any original as well as any reissue you may have heard. And of course it is guaranteed to be dramatically better sounding than any Heavy Vinyl pressing produced by anyone, anywhere, at any time.

The Sound

This record is ALIVE! When you hear a record like this, you don’t need to play the 180 gram reissue to know that an early pressing such as this one is just going to murder it.

If you know anything about this music, you know that Coltrane is blasting away here and it is a thrill to hear him playing with such passion to be sure.

The clarity you will hear on this pressing does not come at the expense of brightness or thinness of any kind. In fact, just the opposite is the case, the sound is so rich and tubey you will be practically bowled over by it.

The extension on both ends of the frequency spectrum is one of the qualities that often sets the better copies apart from the pack. All the top end and the deep bottom end weight and fullness that are so essential to the sound are simply not to be found on most pressings — but here they are.

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John Coltrane – Another in a Very Long Line of Disappointing Rhino Remasters

More of the Music of John Coltrane

Reviews and Commentaries for the Music of John Coltrane

Sonic Grade: D

Mastered by Kevin Gray, this record has what we like to call ”modern” sound, which is to say it’s clean and tonally correct for the most part, but it’s missing the Tubey Magic the originals and the good reissues both have plenty of.

In other words, it sounds too much like a CD.

Any properly-mastered, properly-pressed ’70s copy on the red and green label will be richer, fuller, sweeter, and just plain more enjoyable than this 180 gram version. It’s below average, which means it merits a D.

That said, “Giant Steps” is not an easy record to find in good condition, because any serious jazz lover would have played it plenty. It is inarguably one of John Coltrane’s greatest achievements.  (more…)

Miles Davis / Kind of Blue – An Album We Are Clearly Obsessed With

Hot Stamper Pressings of Kind of Blue Available Now

Reviews and Commentaries for Kind of Blue

Hot Stampers of Miles’s Albums Available Now

Kind of Blue is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.

Some highlights include:

Kind of Blue checks a lot of boxes for us here at Better Records.

  1. It’s a Core Jazz Title, one that belongs in any serious audiophile’s record collection
  2. It’s a Jazz Masterpiece
  3. It’s a Personal Favorite
  4. It was recorded by one of the greats, Fred Plaut
  5. It was produced by another one of the greats, Teo Macero
  6. It was recorded at Columbia’s famed 30th Street Studio
  7. And some of the greatest jazz artists of their day played on it:

Bass – Paul Chambers

Drums – Jimmy Cobb

Piano – Bill Evans

Piano – Wynton Kelly

Tenor Saxophone – John Coltrane

Alto Saxophone – Cannonball Adderley


John Coltrane Quartet – Ballads

More John Coltrane

Reviews and Commentaries for the Music of John Coltrane

  • Ballads makes its Hot Stamper debut with outstanding solid Double Plus (A++) sound or BETTER throughout this vintage Impulse Stereo copy
  • Full-bodied, energetic, and tonally correct from top to bottom, this pressing is guaranteed to bring Coltrane’s music to life – it’s possible that you would not own any Coltrane record that sounds as good as this one
  • The sound is everything that’s good about Rudy Van Gelder’s recordings – it’s present, spacious, full-bodied, Tubey Magical, dynamic and, most importantly, ALIVE in the way that modern pressings never are
  • 4 stars: “[A] perfectly fine album of Coltrane doing what he always did — exploring new avenues and modes in an inexhaustible search for personal and artistic enlightenment. [H]e’s introspective and at times even predictable, but that is precisely Ballads’ draw.”

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Miles Davis – Kind of Blue on the 6 Eye Label in Stereo

More on Kind of Blue

Hot Stampers of Miles’s Albums Available Now

  • With superb Double Plus (A++) grades or BETTER on both sides, this vintage Columbia 6-Eye Stereo pressing has Demo Disc sound – sound that’s guaranteed to make you want to take all of your remastered pressings and dump them off at the Goodwill
  • After auditioning a Hot Stamper Kind of Blue like this one — a pressing that captures the sound of this amazing group like nothing you have ever heard — you may be motivated to add a hearty “Good riddance to bad audiophile rubbish!”
  • KOB is the embodiment of the big-as-life, spacious and timbrally accurate 30th Street Studio Sound Fred Plaut was justly famous for
  • Space, clarity, transparency, and in-the-room immediacy are some of the qualities to be found on this pressing
  • It’s guaranteed to beat any copy you’ve ever played, and if you have the new MoFi pressing, please, please, please order this copy so that you can hear just how screwy the sound of the remaster is
  • 5 stars: “KOB isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence.”
  • If you’re a fan of the jazz Davis, Adderley and Coltrane were playing circa 1959, this album belongs in your collection.
  • The complete list of titles from 1959 that we’ve reviewed to date can be found here.

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Sonny Rollins – David Turner Was Taking Care Of Business in 1978

More of the Music of Sonny Rollins

Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

The complete Tenor Madness album is found here, with big, full-bodied, MONO jazz sound at its BEST, courtesy of the great one, Rudy Van Gelder

This is what classic ’50s jazz is supposed to sound like – they knew how to do these kinds of records forty years ago, and those mastering skills are in short supply nowadays, if not downright extinct

The transfers from 1978 by David Turner are in tune with the sound of these recordings – there’s not a trace of phony EQ on this entire record

This Two-Fer includes all of Tenor Madness and most of Work Time and Tour De Force.

Top jazz players such as Ray Bryant, John Coltrane, Red Garland, Kenny Drew, Max Roach and Paul Chambers can be heard on the album.

If you want all the tubey magic of the earlier pressings, a top quality pressing of the real Tenor Madness album on Prestige is going to give you more of that sound.

David Turner’s mastering setup in the ’70s has a healthy dose of Tubey Magic, but it can’t compete in that area with the All Tube cutting chains that were making records in the ’50s and ’60s.  Without one of those early pressings around to compare, we don’t think you’re going to feel you are missing out on anything in the sound with best copies.

And where can you find an early Prestige pressing with audiophile playing surfaces like these?   (more…)

John Coltrane – Soultrane

More John Coltrane

  • This Prestige “stereo” pressing boasts outstanding Double Plus (A++) sound on both sides – reasonably quiet vinyl too
  • It may say stereo on the cover, but this album is pure, glorious MONO, with sound that is full-bodied, relaxed, Tubey Magical and tonally correct
  • Here is the palpable jazz energy, the life of the music, that’s sure to be missing from whatever dead-as-a-doornail Heavy Vinyl pressing is being stamped out these days
  • “… a classic of the 20th century jazz canon and an essential point of reference in Coltrane’s own tumultuous career…. this is the album on which Coltrane first emerged as the primary innovator of the jazz world, wielding an astonishing technical virtuosity and a blinding vision of the possibilities of the tenor sax.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


This is a mono recording that has supposedly been reprocessed into stereo. Rudy Van Gelder did the mastering, and my guess is he decided to leave the sound mono and simply not tell anyone. Who can blame him? He engineered it in mono, so why fix what ain’t broke because they printed the cover and the label with the word “stereo” on them in order to generate more sales?

We’re lucky he did. The OJC reissues of this title are awful, and whatever Heavy Vinyl they’re churning out these days is probably every bit as bad. Without these excellent ’60s and ’70s reissues, all that we would have available to do our shootouts with would be the originals. At one to three thousand dollars each for clean copies, few of which could ever be found anyway, that makes for a shootout whose costs could simply never be justified.

So our thanks go to Rudy for doing a good job!

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Standard Coltrane – If You’re Looking for the Best Sound…

More of the Music of John Coltrane

Reviews and Commentaries for the Music of John Coltrane

Hot Stamper Pressings that Sound Better on the Right Reissue

As you may have guessed by now, remastered is a bit of a dirty word around these parts. Most remastered records we play, from The Beatles to John Coltrane to ZZ Top, sound to us like pale imitations of the real thing, whether the real thing is an original or a reissue from back in the day.

But only a fool could fail to appreciate how correct and lively the best copies of this remastered record sound, and we’re no fools here at Better Records. We judge records by one and only one criterion: how they sound. We pay no mind to labels, record thicknesses, playback speeds, mastering speeds or anything else you can read about on audiophile websites.

We’re looking for the best sound. We don’t care where it comes from.

On that basis we awarding side two of this copy the award for The Best Sound on Standard Coltrane. No other pressing of the album could do what this side two was doing. And the good news is that side one was nearly as good, making this the first and best copy to ever hit the site.

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John Coltrane / Coltrane’s Sound – Forget the ’70s Reissues

More of the Music of John Coltrane

Recordings that Sound Their Best on the Right Early Pressing

This is yet another superb Tom Dowd recording of Coltrane in his prime, with support from the brilliant McCoy Tyner and Elvin Jones.

Just forget the later Red and Green Atlantic pressings. Every one we’ve ever played was flat, dry, and thin. They sound like the cheap reissues that Atlantic churned out in the ’70s. Don’t get me wrong; there are some good sounding records on the Red and Green label, but you really have to know what you are doing — or be really lucky — to find them.

We’ve played them by the score, and found relatively few winners among a slough of losers. If you want to take your chances on some, knock yourself out, more power to you, but expect to come up with nothing to show for your time and money almost every time. That’s been our experience anyway.

And be very thankful if you happen to run into one of these early Atlantic stereo pressings, especially if it plays as quietly as this one does. Few Classic Coltrane albums survived the jazz lovers of the day and their awful turntables


FURTHER READING

This record sounds best this way:

In Stereo

On the Right Domestic Pressing 

On the Right Early Pressing