Top Arrangers – Claus Ogerman

Frank Sinatra – Francis Albert Sinatra & Antonio Carlos Jobim

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  • With KILLER Shootout Winning Triple Plus (A+++) sound or close to it from start to finish, this original stereo pressing of Sinatra and Jobim’s sublime collaboration could not be beat
  • We concluded notes about this amazing side one with the following: “So tubey and present. Perfect.”
  • A Must Own for Sinatra fans, but one that has a marked tendency to be noisy, as many of the owners of the album loved it and played it to death
  • The presence and three-dimensional space of the recording have the power to transport the Chairman of the Board and his Brazilian buddy right into your listening room
  • This is a magical album from start to finish, one of a handful of a Must Own Sinatra releases, and my personal favorite of all his recordings
  • 4 1/2 stars: “After a few plays, the album begins to slowly work its way underneath a listener’s skin, and it emerges as one of his most rewarding albums of the ’60s.”
  • We’ve recently compiled a list of records we think every audiophile/music-lover should get to know better, along the lines of “the 1001 records you need to hear before you die,” with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. This is a good example of a record audiophiles should make an effort to get to know better

This is, in our opinion, one of the two best sounding Sinatra album on Reprise (the other being September of My Years from 1965). The recording is so rich, sweet, and Tubey Magical, you would think it was prime Capitol period Sinatra — but it’s not, obviously; it just sounds that way.

If you like romantic music, you will be hard-pressed to find a better album than this one. The song “Quiet Nights Of Quiet Stars” perfectly encapsulates the mood of this album. My favorite track here is “Dindi.” Sinatra is the king of lost loves, and the song “Dindi” offers him another opportunity for regret. Nobody does it better than Frank. It’s a cliche to say he wears his heart on his sleeve, but the man made a career out of it. If the cliche fits…

Whatever you do, don’t waste your money on Kevin Gray’s mediocre cutting of the album. I gave it a C- years ago for sound, but these days I suspect it might get an F. A lot of his stuff does.

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George Benson – Breezin’

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  • Superb sound throughout this vintage pressing, with both sides earning Double Plus (A++) grades or BETTER
  • Tubey Magical richness and plenty of note-like bass are two of the important qualities that separate the winners from the also-rans, but smooth, grain-free, present vocals for “This Masquerade” are a big part of the best pressings too, so make that three important qualities
  • This copy will blow the doors off your old copy or any MoFi pressing — guaranteed!
  • It’s got all the elements this smooth masterpiece needs to come to life today, almost 50 years later if you can believe it
  • You hear right into the music, something that is only possible on the most transparent copies – exactly the quality that the modern Heavy Vinyl reissue cannot reproduce
  • Marks and problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • If like us you’re a fan of jazz guitar, this is a killer album from 1976 that belongs in your collection.

This album features the huge hit “This Masquerade” and lots of other strong material as well. Benson is at the top of his game, with blazing guitar lines accompanied by his scat vocals at many times. No one else ever did music like this so well again, in our humble opinion.

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A.C. Jobim – Ramone and Ogerman Work Their Magic

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Reviews and Commentaries for the Music of Antonio Carlos Jobim

Although I have been a big fan of this album at least since the 90s, it took us years to get around to doing a shootout. We were pleasantly surprised at just how well recorded this album is.

Credit engineer Phil Ramone for correctly capturing the sound of every instrument here: the guitars, piano, flutes, strings, drums, percussion instruments — everything has the natural timbre of the real thing. I used to think this recording erred on the bright side, but not the Hot Stamper copies. They are tonally Right On The Money. (When the balance lacks lower midrange the sound gets lean, which causes the strings to seem brighter than they really are, a not uncommon problem with some of the pressings we played.)

Claus Ogerman

The string arrangements by the phenomenally talented producer/arranger Claus Ogerman surely contribute a great deal to the beauty of this music, and much of its “feel.”. This is the man who made Francis Albert Sinatra & Antonio Carlos Jobim such an original and powerful departure in Sinatra’s body of work. He continued to work with Jobim on a number of follow-up albums, including A Certain Mr. Jobim (1967) and Wave (1967). From 1963-67 he arranged some 60-70 albums for Creed Taylor’s Verve and then went on to work with him extensively at CTI.

And what would “Breezin’” be without Ogerman’s lush strings? Not to be too uinkind, but probably just another George Benson album.

His Best Album

I’m a HUGE fan of Jobim’s music. In my opinion this is the best album he ever made. If you find yourself loving these syncopated beats, you owe it to yourself to check out Sergio Mendes’ music. He did wonderful arrangements of many of Jobim’s songs, and the sound (at least on the Hot Stamper pressings) is out of this world! Astrud Gilberto does wonderful versions too, but her records are very difficult to find in audiophile condition. Believe me, we’ve tried.

Many Distinct Pressings

We’ve played a ton of different versions, including imports, originals, reissues (all stereo), and one lone mono, which was so ridiculously bad sounding we tossed it right out of the competition and into the trade pile.

For those of you playing along at home, we are not going to be much help to you in finding your own Hot Stampers. Every version had strengths and weaknesses and all are represented in the listings we will be putting up on the site.

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A.C. Jobim – The Composer of ’Desafinado’ Plays

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  • You’ll find stunning Nearly Triple Plus (A++ to A+++) sound throughout this original Verve Stereo pressing – just shy of our Shootout Winner
  • Both of these sides are clean, clear and dynamic yet still full of rich, warm 1963 Tubey Magical Analog sound
  • We love the music of Antonio Carlos Jobim here at Better Records and we think this album is his best – no serious Jazz Collection should be without it
  • Marks and problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “A dozen songs, each one destined to become a standard — an astounding batting average.”

We’re big fans of Jobim here at Better Records, and this pressing was close to the best from our recent shootout. We had a wonderful time listening to a big pile of pressings — the sound (and music) were out of this world. We were shocked at just how well recorded this album is.

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Antonio Carlos Jobim – Wave

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  • Wave FINALLY returns to the site after about a ten year absence, here with excellent Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • Both of these sides are remarkably full-bodied, natural and present, with tight bass and lots of space around all of the players
  • We love the music of Antonio Carlos Jobim here at Better Records and we think this album is one of his best — no serious jazz collection should be without it
  • 5 stars: “When Creed Taylor left Verve/MGM for his own label under the auspices of A&M, he quickly signed Antonio Carlos Jobim and they picked up right where they left off with this stunningly seductive record, possibly Jobim’s best.”

This vintage A&M/CTI pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

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Bill Evans / Symbiosis – One of the Few MPS Pressings with (Potentially) Top Sound

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  • An outstanding copy of Evans’ wonderful 1974 album accompanied by symphony orchestra with solid Double Plus (A++) sound or BETTER throughout
  • We dropped the needle on a copy years ago and heard wonderful audiophile sound right from the get-go
  • Bigger, richer, more Tubey Magical, with more extension on both ends of the spectrum and more depth, width and height than most other copies we played
  • We are not big fans of the MPS label — most of their stuff, especially the Oscar Peterson records they made, is not very good — but we sure liked this one
  • “… a special and unique entry in Evans’ huge catalog… Not your “typical” Bill Evans album–but that’s what makes SYMBIOSIS such a fine, gently challenging listen.”
  • If you’re a Bill Evans fan, this 1974 release might be a perfect fit for your collection.

On the best copies the strings have wonderful texture and sheen. If your system isn’t up to it (or you have a copy with a problem in this area), the strings might sound a little shrill and possibly grainy as well, but I’m here to tell you that the sound on the best copies is just fine with respect to string tone and timbre. You will need to look elsewhere for the problem. (more…)

Astrud Gilberto – The Shadow Of Your Smile

The space is HUGE and the sound so rich. The vocals have dramatically less hardness and the orchestra sounds right for once. Prodigious amounts of Tubey Magic as well, which is key to the best sounding copies. The sound needs weight, warmth and tubes or you might as well be playing a CD.

If you don’t like at least some reverb on your vocals, this album is probably not for you. The standard recording approach for Male and Female Vocals in the ’50s and ’60s was to add reverb to them. Sometimes it sounds right and sometimes it’s too much. For “too much” play some of Nat King Cole’s records from the era to hear what I mean. (Try “Those Lazy-Hazy-Crazy Days of Summer” from 1963 if you want a good place to start.)

Like any processing of the sound in the studio — compression, limiting, reverb, EQ, etc. — it can be used with taste and discretion and make the recording better, or it can be overdone and ruin everything. For our part we think Astrud Gilberto’s recordings use reverb more or less tastefully. And of course there sure aren’t going to be any versions of this music coming along any time soon without the added echo. Getting the reverb to sound right is one of the things a good Hot Stamper has to do on a record like this. (more…)

Sammy Davis Jr. – Sammy’s Back On Broadway

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Sammy Davis, Jr. Albums We’ve Reviewed

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  • Sammy’s Back On Broadway comes to the site with shootout winning Triple Plus (A+++) sound or close to it on both sides
  • Rich, smooth, and shockingly Tubey Magical, the sound on this 1965 Reprise Tri-Color Steamboat pressing is Hard To Fault (HTF)
  • Some of the best sound and music we’ve ever heard from the man – this is an album that proves Sammy was more than a member of The Rat Pack
  • 4 stars: “Although the 1965 album was filled with concurrently modern selections, the mixture of enduring classics and lesser-known material further exemplifies the artist’s impeccable taste and performance style.”

There are an awful lot of bad sounding Sammy Davis, Jr. records out there. We must have played at least a half dozen hard, honky, sour sounding copies before we ran into this forgotten gem. (Dean Martin’s albums are the same way; maybe one out of ten sound good and the rest are just terrible.) (more…)

Sammy Davis Jr. – The Nat King Cole Song Book

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Sammy Davis, Jr. Albums We’ve Reviewed

  • A superb sounding original stereo copy with solid Double Plus (A++) sound or very close to it on both sides – exceptionally quiet vinyl too!
  • Bigger and richer, with lovely Tubey Magic and breathy vocals, this Tri-Color Reprise pressing lets us hear Sammy at the peak of his powers performing some of Nat’s most memorable songs
  • 4 Stars: “Alongside Cole’s collaborator, Billy May, and notable jazz arranger Claus Ogerman, Davis and company turned in one of the finest and most underrated efforts.”

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Wes Montgomery – Willow Weep For Me

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  • Wes Montgomery’s superb posthumous release finally makes its Hot Stamper debut, with Shootout Winning Triple Plus (A+++) sound from start to finish
  • The stereo sound here is Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
  • Assembled using additional material from the live Smokin’ at the Half Note sessions, this collection served as the perfect memorial to Montgomery’s musical genius
  • Grammy Award Winner for Best Jazz Instrumental Album, Individual or Group
  • “… what you will hear, bathed in winds or not, is prime, mature Wes Montgomery stretching out in full, with unbelievable confidence in his ear and technique at all times…”

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