- Both the two big jammers are on this killer side one: Should I Stay or Should I Go and Rock the Casbah – you’ve never heard them sound like this!
- Glyn Johns produced and mixed Combat Rock, so its sonic credentials are certainly in order
- If you’re a fan of meaty bass, grungy guitars and punchy drums, this is the copy for you
- …its finest moments — “Should I Stay or Should I Go,” “Rock the Casbah,” “Straight to Hell” — illustrate why the Clash were able to reach a larger audience than ever before with the record.”
Full and natural, energetic and high-res, no other copy came close. A stunning copy, absolutely as good as it gets for this punk classic.
Most of the other copies we played failed in one of two ways: if they weren’t too bright, they were dead as a doornail. But this copy knocked them all out with correct tonal balance and tons of energy. (more…)
More of the Music of Steely Dan
More of the Music of The Clash
A new customer had this to say about his first Hot Stamper purchase:
Super fucking happy with my two purchases: Combat Rock and Can’t Buy a Thrill. Tubey excellence!
One of our good customers had this to say about some Hot Stampers he purchased recently:
Thanks so much for London Calling. Despite having a fair few brilliant records with magic ability to release prodigious amounts of energy (Led Zeppelin, Chicago, BST etc.) I was blown away by the energy captured on this double set and I never thought it would sound soooo good sonically.
I was living in London from 1978 and remember well what a noise this album made. I had it on double cassette and played it constantly, never bought the vinyl at the time but did buy the CD later. I never got the same buzz from the CD and to be honest they didn’t really sound all that good which I put down to the recording. One of my mates at the time was Nick Simonon, the bass player’s younger brother, so I knew they could play really well when they wanted to.
You get to thinking that you’re just getting old and things like London Calling were heard through the heightened emotions of youth and, well, sex and drugs and rock and roll as Mr Dury said. The absolutely brilliant, and I imagine rare, White Hot Stamper has put paid to that, witness a 58 year old singing badly at the top of his lungs as he pogos around the living room! (more…)
- Truly stunning sound, with shootout winning Triple Plus (A+++) sound on all four sides
- A shockingly well-recorded album that comes to life with the combo of a great copy and a hi-res, full-range system
- Five stars in the AMG: “A stunning statement of purpose and one of the greatest rock & roll albums ever recorded.”
AUDIOPHILE SOUND FOR THIS PUNK ROCK CLASSIC?! You better believe it, baby! The sound here is superb for all four sides.
What really sets this album apart sonically is The Clash’s use of reggae and dub influences. You can really hear it when you tune in to the bottom end; your average late ’70s punk record won’t have this kind of rich and meaty bass, that’s for sure. Drop the needle on The Guns Of Brixton (last track on side two) to hear exactly what I’m talking about. On a Hot Stamper copy played at the correct levels (read: quite loud!) the effect is positively HYPNOTIC.
Bill Price engineered and as we like to day, he knocked this one out of the park. The best sounding record from 1979? I have the feeling it just might be.
Nobody would have accused The Clash of being an audiophile-friendly band, but a copy like this might make you think twice about that! We had a blast doing this shootout and we hope whoever takes this home has just as much fun with it. (more…)