Music Genres

Loggins & Messina – Self-Titled

More of the Music of Loggins and Messina

  • An outstanding copy of the duo’s sophomore release with solid Double Plus (A++) sound from start to finish
  • This pressing allows the music to be totally involving, with breathy voices; clear, natural picking on the strings of the guitars and mandolins; choruses that get good and loud – everything you want from this band is here and more
  • L & M are famous for putting plenty of bass on their recordings, but the trick is to find the pressing that actually keeps that bass tightly under control, like this one
  • 4 1/2 stars: “The first full-fledged L & M album found the duo in good form as songwriters, with Messina turning in the sparkling ‘Thinking Of You,’ and the two collaborating on the hit single ‘Your Mama Don’t Dance’ and ‘Angry Eyes.'”
  • If you’re a Loggins and Messina fan, any of the first four albums are Must Owns. This, their second album, released in 1972, is clearly one of their best, and a record I have never tired of in the fifty years I’ve been listening to it.

We’re big fans of this band, not only for their music but also because their recordings are so good. We know this album about as well as anyone can, having done countless shootouts for it over the years. When it’s good, it’s really good, and it doesn’t take a pair of golden ears to hear it.

What we have here is the perfect example of a top quality analog studio pop recording. It’s rich, sweet, and dynamic, with the kind of sound that has practically disappeared from the face of the earth. Not to worry though; it can still be found on certain pressings from the ’70s, the ones that we put so much time and effort into auditioning. Why shouldn’t we? It’s where the BEST SOUND is. (more…)

Bryan Ferry – Bete Noire

More of the Music of Bryan Ferry and Roxy Music

  • Bete Noire returns to the site for the first time in years, here with INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them throughout this early Reprise pressing
  • Both sides of this hit-packed 1987 Ferry LP are big, rich and tubey – dramatically fuller than practically all of the others we played
  • “Kiss & Tell” and “The Right Stuff” are two of the bigger bangers here, and they both sound the way they should – big and clear
  • 4 stars: “Bete Noire sparkles as the highlight of Ferry’s post-Roxy solo career… Here, his trademark well-polished heartache strikes a fine balance between mysterious moodiness and dancefloor energy…”

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Charlie Byrd – Hollywood Byrd

More of the Music of Charlie Byrd

  • Hollywood Byrd appears on the site for only the second time ever, here with solid Double Plus (A++) grades or close to them throughout this original Stereo 360 pressing
  • Forget the later pressings — none of them can compete with the right originals on this title
  • This side one is remarkably transparent, rich, spacious, sweet and tubey, and side two is not far behind in all those areas
  • Columbia records produced by Teo Macero in the 60s have consistently open, natural sound – this one recorded in 67 is no exception (particularly on side oine)

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Miles Davis – Filles de Kilimanjaro

More of the Music of Miles Davis

  • With KILLER Shootout Winning Triple Plus (A+++) grades on both sides, this copy is certainly as good as we have ever heard
  • A tough shootout, as no other copy earned a 3+ grade on either side, which simply means that when you find a top copy, it sets such a high standard that everything else ends up getting marked down
  • This Columbia 360 Label LP boasts rich, full-bodied, clear sound with the space and three-dimensionality that was difficult to find on the later pressings we played
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “… this middle ground between the adventurous bop of the mid-60s and the fusion of the late-60s is rewarding in its own right, since it’s possible to hear great musicians find the foundation of a new form. For that alone, Filles de Kilimanjaro is necessary listening.”

This is one of the all-time classic progressive jazz albums, and a copy like this allows you to appreciate the contributions of Miles and his top-notch band (Herbie Hancock, Wayne Shorter, Tony Williams and the great Ron Carter on most of the songs). This one’s not as “out there” as Bitches Brew, but it gives you a taste of the various directions these guys would take in the years to come.

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Free – Self-Titled

More Rock Classics

  • Free’s sophomore release, here with solid Double Plus (A++) grades or BETTER throughout this British Pink Rim reissue Island pressing
  • The sound is big, rich, and spacious, with an abundance of hard rockin’ energy and a solid bottom end
  • A record we have been trying to get going for five years – copies in clean condition take us years to find!
  • Only the right UK pressings had the Tubey Magical British Blues Rock sound we were looking for – the domestic pressings are made from dubs, something that A&M did most of the time for the British bands they distributed
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of the master tape, a vintage UK pressing like this one is the only way to go
  • 4 1/2 stars: “… an album that stands alongside its predecessor as a benchmark of British blues at the turn of the 1960s.”

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Kenny Loggins – Celebrate Me Home

More of the Music of Loggins and Messina

  • This vintage copy was doing practically everything right, earning INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom
  • Both sides here are rich, full and Tubey Magical with a massive bottom end and lots of space around the instruments
  • It’s also one of the only Loggins solo albums we’ve ever liked; it’s a favorite from back in the day
  • 4 stars: “Loggins is in good form throughout the record, and if even only the title track entered his readily-acknowledged canon, this has a fine, sustained mood: a soft late 70s vibe that makes it a nice artifact of its time, as well as one of his stronger records, as illustrated by its platinum status — something it achieved without any blockbuster singles.”

This killer copy shows you just how good this record can sound, which is surprisingly good, considering how many copies of the album are just plain awful. Finally, most of the grit, grain, and transitory opacity have fallen away, leaving in its place the rich, full-bodied and Tubey Magical 70s sound one would expect.

As obvious as it may sound (especially to anyone on this site), the master tape is a whole lot better than the average copy of the record would have you believe. This copy is proof positive. Without a doubt this is one of the best pressings of the album we have ever heard.

The better copies take top honors for rhythmic energy and real frequency extension both high and low. Most copies have no real top end; if you own one give it a listen and we think you’ll agree with us.

Great bass, plenty of Tubey Magic, clarity and richness — practically no other copy in our shootout could do what this one was doing.

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Roxy Music – Viva! Roxy Music

More of the Music of Roxy Music

  • Both sides of this original UK Island pressing (the first copy to ever hit the site) were doing everything right, earning INSANELY GOOD Shootout Winning Triple Plus (A+++) grades from top to bottom – fairly quiet vinyl too
  • This is an album I have been playing regularly lately and it has really grown on me over the last couple of years – a truly fine album that rewards repeated plays, as should any classic release from this incredible band
  • A tough shootout, as no other copy earned a 3+ grade on either side, which simply means that when you find a top copy, it sets such a high standard that everything else ends up falling short of the standard and must be marked down accordingly
  • Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, punchy, and full-bodied – Bryan Ferry’s leads really soar
  • A killer pressing with energy and presence that positively JUMPS out of the speakers, two of the qualities that we prize most highly in our Hot Stampers, and two of things among many that Heavy Vinyl does so poorly
  • “…Viva! is a tough, powerful document of Roxy at the peak of their live powers, featuring a fine cross-section of their best work.”

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Aretha Franklin – Spirit In The Dark


  • You’ll find outstanding Double Plus (A++) sound or BETTER throughout this vintage Atlantic pressing
  • It’s lively, open, present and natural; the soundfield is big and spacious and the bottom end is killer; Aretha fans, you won’t want to miss out on this one
  • We’ve done a ton of Aretha shootouts over the years and I’d put this one right up there with any of her titles for top quality sound
  • Our last shootout was 2020 — we simply cannot find copies of albums like these with audiophile quality surfaces, and the future does not appear to be any brighter in that respect than the present
  • 4 1/2 stars: “Spirit in the Dark was one of Aretha Franklin’s more overlooked albums from her Atlantic prime, despite the inclusion of a couple hit singles (the title track and “Don’t Play That Song”)… it’s an exuberant and remarkably consistent effort.”

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Genesis – Invisible Touch

More Rock and Pop

  • You’ll find outstanding Double Plus (A++) grades or close to them throughout this vintage UK pressing
  • We shot out a number of other imports and this one had the midrange presence, bass, and dynamics that were missing from most other copies we played (particularly on side two)
  • The sound is lively, punchy, and powerful (also particularly on side two) – with all due respect, it should murder whatever copies you may have
  • “Invisible Touch is, without a doubt, Genesis’ poppiest album, a sleek, streamlined affair…”

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Red Garland Trio – Groovy

More Jazz Recordings Featuring the Piano

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  • Boasting solid Double Plus (A++) grades or close to them, this vintage Prestige recording pressed on fairly quiet OJC vinyl was giving us the sound we were looking for on Red’s Jazz Masterpiece
  • The MONO sound is clear, spacious, relaxed, and full-bodied, with Tubey Magical richness and analog smoothness that only the better vintage pressings can offer (particularly on side one)
  • Another top jazz recording from Rudy Van Gelder – big, bold and lively (also particularly on side one), just the right sound for this music
  • 4 1/2 stars: “With bassist Paul Chambers and drummer Art Taylor, Garland has all the support he needs to wing it in a variety of directions. Recorded in that most legendary year of jazz, 1957, Garland is coming into his own in a more confident way, buoyed by his association at the time with Miles Davis.”

What makes this vintage piano trio album in mono so special? Allow me to quote a review from a few years back for a pair of recordings that Red Garland made with Miles Davis back in the mid-50s: Workin’ And Steamin’.

To the Jazz Fans of the World, we here present one of the best sounding jazz recordings we have ever had the privilege to place on a turntable. I cannot ever recall hearing a better sounding Rudy Van Gelder recording, and I have a theory as to why this tape is as good as it is: it’s MONO. It also sounds like it’s recorded completely live in the studio, direct to one track you might say. As good a recording as Kind of Blue is, I think the best parts of this album are more immediate and more real than anything on KOB.

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