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We had a handful of copies of this famous TAS List title in the backroom, so we decided it was high time to get a shootout going. We pulled all the pressings of the music (both Billy the Kid and Rodeo) we had on hand on every label and proceeded to needle-drop them in preparation for a big Copland shootout.
Much to our chagrin, almost without exception the copies of LSC 2195 were unacceptable. The sound, for the most part, was hopeless. Our notes read:
- Smeary — (more records with smeary sound can be found here),
- Dry — (more records with dry sound can be found here),
- Bright — (more records with bright sound can be found here),
- Flat — (more records with flat sound can be found here),
- Hi-Fi-ish — (more records with artificial sound can be found here),
Those records weren’t cheap. That was a lot of money down the drain. Not only can’t we sell records that sound as bad as this Living Stereo — our customers simply would not buy them — but we would never even try. Unlike other record dealers, we actually know what our records sound like. We don’t care about the reputations of the records we sell. We only care about their sound.
Some of the records on the TAS List seem better suited to the old school audio systems of the 60s, 70s and 80s than the modern systems of today.
Many of them used to sound good on those older systems, and I should know, I had an Old School stereo. Some of the records I used to think sounded good back in the day don’t sound too good to me anymore. For a more complete list of those records, not just the ones on the TAS List, click here.
What Pressings Did They Have
Whatever pressings they were playing over there at The Absolute Sound — they almost never say, which is something that has bothered me since I first started paying much attention to the list in the early-90s — I hope they were better than the Shaded Dogs we auditioned.
Who knows? Better yet, who cares? Who cares what Harry put on his TAS List all those years ago?
There are a lot of records I used to like and don’t anymore, why should he be any different? The fact that he is no longer around to change his mind is unfortunate and casts a shadow on all the records from the list that he was responsible for, a very large number.
Not that the new additions are any better. Once the Classic Records titles were added, I surmised that whaever standards had been in place back in the day had been lowered in order to accommodate the advertisers’ wishes that newly remastered pressings be recognized as Super Discs too, even the worst of them.
Live and Learn
LSC 2195 has been on the TAS List for a very long time, and we raved about a copy of the album back in 2011, but it now seems pretty clear that we were wrong.
