Top Artists – Bryan Ferry

Bryan Ferry / Boys And Girls – Two Tracks Are Key

More Albums with Key Tracks for Critical Listening

The song Valentine, the second track on side two, is a key test for that side. Note how processed Ferry’s vocals are. On even the best copies they will sound somewhat bright. The test is the background singers: they should sound tonally correct and silky sweet.

If Ferry sounds correct, they will sound dull, and so will the rest of the side. That processed sound on his vocal is on the tape. Trying to “fix” it will ruin everything.

You can be pretty sure that whatever Heavy Vinyl pressing has been made for this album that they tried to fix the hell out of it. Doubtless the result is not a pretty one. It rarely is.

On the top copies the lead on the very next track, Stone Woman, is tonally right on the money.

These two tracks, two of the best on the album, together make it easy to know if your copy is correct in the midrange.

Track two: background vocals.

Track three: lead vocal.

What could be easier?

Key Listening Test for Both Sides

The quality of the percussion is critical to much of the music here. There’s tons of it on Boys and Girls, even more than on its predecessor Avalon, and unless you have plenty of top end, presence and transparency, all that percussion can’t work its magic to drive this rhythmic music.

How About the British Pressings?

Bryan Ferry is British, as is bandmate David Gilmour and the recording and producing team headed by the amazing Rhett Davies. And yes, the recording was done at many studios, most of them overseas.

But the album is mixed by Bob Clearmountain at The Power Station and mastered by Robert Ludwig at Masterdisk, and that means the master tape was right here in America when it came time to get the sound of the tape onto vinyl.

The British pressings are made from dubs and sound like it.

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Bryan Ferry – Let’s Stick Together

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For material and sound I consider this to be the best of Bryan Ferry’s solo albums – it’s a blast from start to finish
The energy, presence, bass, and dynamic power (love that horn section!) place it well above his other side projects
4 Stars: “The title track itself scored Ferry a deserved British hit single, with great sax work from Chris Mercer and Mel Collins and a driving, full band performance. Ferry’s delivery is one of his best, right down to the yelps, and the whole thing chugs with post-glam power.”
If you’re a Roxy fan, this title from 1976 is surely a Must Own
The complete list of titles from 1976 that we’ve reviewed to date can be found here
We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Bryan Ferry’s third solo album is a good example of a record many audiophiles may not know well but should get to know better.

We shot out a number of other imports and this killer copy is As Good As It Gets. The presence, bass, and dynamics place it head and shoulders above the competition. It has what we like to call Master Tape Sound — right in every way.

As for material, he covers some early Roxy songs (brilliantly I might add); Beatles and Everly Bros. tunes; and even old R&B tracks like ‘Shame, Shame, Shame’. Every song on this album is good, and I don’t think that can be said for any of his other solo projects. Five stars in my book. (more…)

Bryan Ferry – These Foolish Things

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An outstanding copy of These Foolish Things with solid Double Plus (A++) sound from start to finish – fairly quiet vinyl too
This UK Island pressing is bigger, richer, more Tubey Magical, clearer, and with better bass – it knocked us out
Outside of the first three Roxy albums, there is simply no recording by the band that’s as good as the first three Bryan Ferry solo projects
4 stars: “Ferry for the most part looked to America, touching on everything from Motown to the early jazz standard that gave the collection its name… Wrapping up with a grand take on ‘These Foolish Things’ itself, this album is one of the best of its kind by any artist.”

We had a nice stack of British copies to play and are happy to report that this one had an unbeatable Triple Plus (A+++) side two backed with a killer Double to Triple Plus (A++ to A+++) side one, both on very quiet vinyl. Anyone who digs Roxy Music or Bowie’s Pin-Ups is going to find a lot to like here. Check out the cool cover of A Hard Rain’s A-Gonna Fall that kicks off side one!

The sound positively JUMPS out of the speakers and fills the room. There’s loads of Tubey Magic, big punchy drums, and depth to the soundfield.

We continued to find copies with no real extension up top, but this one has nice, sweet highs on both sides. It’s also clean, clear and transparent with real weight down low. (more…)

Bryan Ferry – Another Time, Another Place

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Triple Plus (A+++) on side two, Double Plus (A++) on side one, this is one of the best copies to ever hit the site
The British Island originals are the only way to go, and this one just plain trounced most of the others we played
Tubey Magical, rich, smooth, sweet – everything that we listen for in a great record is on display for everyone to hear
Allmusic: “Ferry and company, plus various brass and string sections, turn on the showiness enough to make it all fun.”

Both sides of this record are just as rich and relaxed as you would expect. The balance is correct, which means the top is there as well as the bottom, with good vocal presence throughout. (more…)

Bryan Ferry – Bete Noire

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An exceptional pressing, with Double Plus (A++) sound from first note to last
Both sides of this hit-packed 1987 Ferry UK pressing are big, rich and tubey – dramatically fuller than most of the others we played
Kiss & Tell and The Right Stuff are two of the bigger bangers here, and they both sound the way they should – big and clear
Four Stars in AMG: “Bete Noire sparkles as the highlight of Ferry’s post-Roxy solo career… Here, his trademark well-polished heartache strikes a fine balance between mysterious moodiness and dancefloor energy…”

Bigger, richer and cleaner than nearly any other copy we played. Almost no grain or congestion – just sweet, sweet sound like you have never heard on this album before.

There’s much less phony processing and grit on Ferry’s voice than on most of the copies we played. The space and ambience are likewise excellent. The sound by track two is actually quite good (track one being a bit dull as a rule). (more…)

Bryan Ferry / The Bride Stripped Bare – A Personal Favorite

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A strong copy, with a Double Plus (A++) side two and a side one that’s nearly as good
These two sides show us just what a monster rocker this album can be when it’s mastered and pressed right
I’m a big fan of the record – it’s as original and as moving as practically anything the man ever did
Bryan Ferry owned the ’70s as much as David Bowie did; they’re both artistic giants in my book
This is a Personal Favorite of yours truly
This is also a Well Recorded Album that Should Be More Popular with Audiophiles

It’s been years since I last played this album, and I’m happy, ecstatic even, to report that it sounds way better than I remember it. In the old days, I recall it sounding dry, flat and transistory. Now it’s BIG and BOLD, revealing a band that’s on fire in the studio.

These two sides show us just what a monster rocker this album can be when it’s mastered and pressed right. The reviews were mixed when the album was released in 1978 but time has been kind to it — after hearing the killer copies I would rank it up at the top with the best of Ferry’s and Roxy’s bodies of work.

We were a bit surprised to find that the domestic copies we played were clearly better sounding than the UK imports. It may be counterintuitive but these are the kinds of things you find out when doing shootouts. We have little use for intuitions (UK recording, UK pressing) and rules of thumb (original equals better). Hard data — the kind you get from actually playing the records — trumps them all. (more…)

Bryan Ferry – Boys and Girls

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You’ll find excellent Double Plus (A++) sound on both sides of this classic Ferry album from 1985
This copy was super big, full and lively with plenty of presence and bottom end weight
On this record, bigger bass and punchier drums make all the difference in the world
“Instead of ragged rock explosions, emotional extremes, and all that made his ’70s work so compelling in and out of Roxy, Ferry here is the suave, debonair if secretly moody and melancholic lover, with music to match…”

Excellent sound and quiet vinyl on both sides! If you’ve spent any time with this album, you will be blown away by how great both sides of this copy sound.

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Bryan Ferry – In Your Mind – A Real Puzzler

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This British original pressing caused me a great deal of consternation. I’ve always been a big fan of this album — so much so that I even have the CD of it in my car — and I was under the impression that the sound was quite good. But playing a few British originals like this one caused me to have my doubts. The sound was aggressive and hard. I suspected the absolute phase might be reversed, and sure enough it was. But even after correcting for the improper phase the sound is not what I would have hoped for. It’s a bit “grungy” and lacks the extreme highs that would sweeten the overall presentation.

So if you can put up with less than state of the art sound you may find yourself thoroughly enjoying this one. Side one rocks hard from start to finish, more than any other Ferry album. (more…)

Bryan Ferry / Boys And Girls – Pluses and Minuses from Way Back

More of the Music of Bryan Ferry

More of the Music of Roxy Music

This domestic pressing has STUNNINGLY GOOD SOUND on side two! It’s the best we’ve ever heard the album — super high-resolution transparency coupled with amazing immediacy. And talk about energy — the sound here positively JUMPS out of the speakers!

This side two blew our minds with its distortion-free sound, transparency and its punchy, note-like bass. The recording space is wall to wall HUGE, with amazing depth and three-dimensionality that’s only hinted at by most of the pressings we played. It’s meaty and punchy down low and there’s plenty of extension up top. (more…)