Top Artists – Miles Davis

Miles Davis – Miles In The Sky

Hot Stamper Pressings of Miles’ Albums Available Now

More Columbia 30th Street Studio Recordings

Reviews of Recordings Made at Columbia’s 30th Street Studio

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  • This outstanding Columbia pressing boasts solid Double Plus (A++) or close to it from first note to last
  • Excellent sound courtesy of Arthur Kendy’s and Frank Laico’s engineering at the famed Columbia Studio B in NYC
  • Miles here is backed by his classic ’60s All Star crew – Herbie Hancock, Wayne Shorter, Ron Carter & Tony Williams
  • “…Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion… intriguing music…”

*NOTE: On side one, a mark makes 5 light ticks at the beginning of Track 2, Paraphernalia.

We just finished a big shootout for this superb Miles Davis album and this copy was dramatically better sounding than many. Both sides have excellent bass, correct sounding brass, wonderful transparency and loads of Tubey Magic.

Many copies didn’t have the kind of transparency or openness that we heard here, which made it harder to appreciate the contributions of the different players. This one puts plenty of separation between the various instruments, so you can make sense of what each of these heavy-hitters adds to the mix. You will have a very hard time finding a copy out in the bins that sounds as good as this one!

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Miles Davis – Kind of Blue

More on Kind of Blue

Hot Stampers of Miles’s Albums Available Now

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  • With seriously good Double Plus (A++) sides, this 360 stereo pressing has Demo Disc sound – sound that’s guaranteed to make you want to take all of your remastered pressings and dump them off at the Goodwill, followed by a heartfelt “Good riddance!”
  • KOB is the embodiment of the big-as-life, spacious and timbrally accurate 30th Street Studio Sound Fred Plaut was justly famous for
  • Space, clarity, transparency, and in-the-room immediacy are some of the qualities to be found on this pressing
  • It’s guaranteed to beat any copy you’ve ever played, and if you have the new MoFi pressing, please, please, please order this copy so that you can hear just how completely they defiled the sound
  • 5 stars: “KOB isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence.”

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Miles Davis – Sketches of Spain

More Miles Davis

More Jazz Trumpet Albums

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  • This outstanding Columbia 360 Stereo pressing boasts solid Double Plus (A++) sound from first note to last
  • The good copies capture the realistic sound of Davis’s horn, the body, the breath and the bite (and not a little of the squawk as well)
  • Balanced, clear and undistorted, this 30th Street recording shows just how good Columbia’s engineers were back then
  • A couple of marks play, so this copy is being offered at a much lower price than it otherwise would have been for those of you who can tolerate the pops
  • 5 stars: “Sketches of Spain is the most luxuriant and stridently romantic recording Davis ever made. To listen to it in the 21st century is still a spine-tingling experience…”

*NOTE: On side two, two marks make 24 moderate pops one-quarter inch from the end of Track 2, Saeta, and 15 moderate pops one-quarter inch into Track 3, Solea.

On the best pressings of this masterpiece, the sound is truly magical. (AMG has that dead right in their review.) It is lively but never strained. Davis’s horn has breath and bite, just like the real thing. What more can you ask for? (more…)

Miles Davis – Workin’ And Steamin’

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  • An outstanding Double Album with solid Double Plus (A++) sound or close to it on all four sides
  • The best sounding tracks here can hold their own with ANY Miles Davis vinyl we’ve ever heard, and that’s a whole lot of Mile Davis albums
  • 5 Stars: “This two-LP set combines a pair of classic albums by the Miles Davis Quintet of 1956, the group that also featured John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones. …the music has plenty of variety and does not sound rushed. Davis’s beautiful muted statements made these two of his most popular albums.”

*NOTE: On sides one and two, a bubble makes 6 very soft thumps on Track 1, It Never Entered My Mind (side one), and Trane’s Blues (side two). On side four, a mark makes 15 light stitches at the beginning of Track 3, When I Fall In Love.

You might be surprised that a reissue can beat the originals, but one play of this pressing should be enough to remove all doubt.

To the Jazz Fans of the World, we here present one of the BEST sounding jazz recordings we have ever had the PRIVILEGE to place on a turntable. I cannot ever recall hearing a better sounding Rudy Van Gelder recording, and I have a theory as to why this tape is as good as it is: it’s MONO. It also sounds like it’s recorded completely LIVE in the studio, direct to one track you might say. As good a recording as Kind of Blue is, I think the best parts of this album are more immediate and more real than anything on KOB. (more…)

Miles Davis – Sorcerer

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  • An outstanding pressing of Sorcerer, with solid Double Plus (A++) sound or close to it from start to finish
  • Sorcerer demonstrates the big-as-life, spacious and unerringly accurate 30th Street Studio Sound Fred Plaut was justly famous for
  • 4 1/2 stars: “The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren’t placed at the forefront the way they were on the two predecessors — it all merges together, pointing toward the dense soundscapes of Miles’ later ’60s work.”

We played a bunch of these recently and this was one of the better copies we heard! It’s got more energy, more presence, and more body than many copies we heard. Drop the needle anywhere and listen to how open, transparent and spacious it is. The soundfield is HUGE — big, wide and deep! Everything sounds natural, balanced and correct. The bass has texture, the piano has weight, the brass has the right amount of bite and so on.

We had a big stack of copies for this shootout, including a bunch of 360 originals and some later Red Label pressings. You can find great sound on either label but it will probably take you quite a few copies to get there, and you’d need a serious stack to have any hope of finding two sides this good on vinyl that plays well.

And by the way, copies of classic Miles Davis albums from the ’60s are neither easy to find nor are they cheap. Hit the jazz bins at your local store and I’m sure you’ll have the same experience we’ve been having — tons of pricey modern reissues but not too many clean vintage pressings. (more…)

Miles Davis – Decoy

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  • STUNNING sound throughout with both sides earning Shootout Winning Triple Plus (A+++) grades or very close to them
  • Fans of Bitches Brew will find much to like here, and at least in most ways, this is actually a better sounding album
  • Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
  • “Mr. Davis has made tasteful creative use of synthesizers, drum machines and other modern gizmos, voicing them with saxophone, guitar and other traditional instruments without letting them dominate the music.” – NY Times

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Miles Davis Kind of Blue – Sizing Up Two Very Different Sounding Pressings from the ’70s

More on Kind of Blue

One of our good customers has started a blog which he calls

A GUIDE FOR THE BUDDING ANALOG AUDIOPHILE

Below is a link to a comparison Robert Brook carried out with a few pressings of Miles Davis’ Masterpiece, Kind of Blue.

KIND OF BLUE: Discovering the RIGHT SOUND for Miles Davis’ MASTERPIECE

Letter of the Week – Kind of Blue

More on Kind of Blue

Hot Stampers of Miles’s Albums Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Listening to Kind Of Blue. Who needs an equipment upgrade with records like these?

So true!

It’s actually one of the common faults of audiophile thinking, present company excluded, that if you can make a record like KOB sound great, you must have a good stereo system.

The opposite is true; the real test is to get difficult to reproduce recordings to sound good, not easy to reproduce recordings.

Either way, KOB is killer, and the MoFi of it is a joke, but don’t tell this guy, who appears to be rather new to this whole “reviewing” thing:

The “In” Groove

To quote the man himself, “I do a review of the best sounding copy’s [sic] of Miles Davis – Kind Of Blue. What are the copy’s [sic] you should own?

He actually does no such thing. He does not in fact review the best sounding copies, because he’s too clueless to even bother with the ’70s Red Label pressings, some versions of which happen to be our favorites.

Letter of the Week – – Kind of Blue

More on Kind of Blue

Hot Stampers of Miles’s Albums Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

Holy F*CK. Just arrived. Absolutely fantastic! All I can say is wow.

I replied:

Can you believe people take that mediocre MoFi seriously? It’s a joke next to the real thing, as you now know first hand.

And how much better is the +++ version (when they appear)?

Brian E.

Brian,

We just sold a top copy last month, pricey (!) but hearing the record go to another level is a thrill that’s hard to put a price on.

Best, TP

Letter of the Week – Digital Masters used in new vinyls strangle the sound at birth…

 

Hey Tom, 

I found out from buying into these and older Mobile Fidelity’s… New pressed vinyls… The sound left me cold… Didn’t have the warmth or integrity of the intended sound we all grew up on… And how the engineers and producers wanted us to hear them…

Digital Masters used in new vinyls IMO strangle the sound at birth… They give a lifeless sound that is rather like a CD, flat in its presentation without natural warmth, timbre.. Wooden instruments don’t sound wooden, brass doesn’t sound like brass… piano, the hardest instrument to reproduce other than the full tonal range of the human voice, that doesn’t sound the same in digital…

The FANCY term applied as a Sales Gimmick…the Magic of REMASTERED…means Jack Shit in reality, when worked in the digital domain… from digital masters! Give me analog every time!

Have you noticed how the Music Industry has now begun to go Back to full Analog chain/recording again? The trend is beginning to happen with a number of new recordings specified by the artists or producers… They recognize the power of a better sound captured in the analog process…

For me, original 50s, 60s and 70s music is preferred on first or often better ED2 pressings and wax which was quieter by the mid 70s early 80s..

The MORE I buy and listen to the HOT STAMPERS !the more I value the work and dedication you guts provide! There is no ‘bullshit’ at work here! The concept you have is CLEARLY AND DEMONSTRABLY PROVEN to anyone with a pair of ears willing to listen!

Even better… you don’t even NEED a Top End $10-20,000 record deck/cartridge to FULLY appreciate it… a quality Hi-Fi set up will STILL give you that same difference!

Even with a Hot Stamper in a condition with a little surface noise, clicks etc… the Magical sound overpowers any minor age related faults of the disc to render a beguiling listening experience!

PRICELESS hearing favourite albums in a NEW and hugely better way with the Sound itself being the ONLY CONSIDERATION Compared to a Bog Standard pressing…

Often as you have seen in recent times, I have upgraded Fave albums with TOP 3 Star Best Hot STAMPERS you have when available… replacing cheaper ones I bought 7-8 years ago! (more…)