Top Artists – Janis Joplin

Janis Joplin – I Got Dem Ol’ Kozmic Blues Again Mama!

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  • This outstanding 360 Stereo pressing boasts solid Double Plus (A++) sound from start to finish
  • This copy has the ideal combination of openness and transparency, coupled with the richness and solidity of vintage analog
  • When Janis starts singing, watch out – her voice positively JUMPS out of the speakers, something we didn’t hear her do on many of the other copies in our shootout
  • Features Try, one of Janis’s All Time Classics — and with these grades you can be sure it sounds positively amazing here

This Columbia 360 Stereo pressing is THE CURE for Dem Ol’ Kozmic Blues!

Drop the needle on the great song Try and just listen to how crisp, punchy, and BIG the drums sound.

The bottom end has real weight and the top end is silky and extended. The overall sound is rich, full, and smooth.

ENERGY is the key element missing from the average copy, but not on this bad boy (or girl if you prefer). The electric guitars are Tubey Magical and the bass is solid and punchy.

On many copies — too many copies — the vocals are pinched and edgy. Here they’re breathy and full — a much better way for Janis to sound. There’s a slight amount of grit to the vocals at times and the brass as well, but the life force on these sides is so strong that we much preferred it to the smoother, duller, deader copies we heard that didn’t have that issue.

On copy after copy we heard pinched squawky horns and harsh vocals, not a good sound for this album. Janis’ voice needs lots of space up top to get good and loud, and both of these sides have it in spades.

Few other copies had this combination of openness and transparency on the one hand, and full, rich tonality on the other. (more…)

Janis Joplin / Pearl – What Are My Options?

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Mobile Fidelity famously attempted to do a version of this album back in the ’80s that (thankfully) never made it past the test pressing phase.

Sells for big money too. Collector Mentality at its worst. And what could be sadder than collecting the awful records of that label? In the ’80s it might have made sense — I used to do it — but at some point we should make some progress in this hobby, and it does not take much audio progress before the shortcomings of the vast majority of those remastered pressings become obvious and intolerable.

There’s a Sony 180 gram reissue from Germany that’s godawful, and the later Columbia versions are a mess as well.

Stick with the early domestic pressings. If you clean and play enough of them, you most likely will find a good one.

We consider this Janis Joplin record her Masterpiece. It’s a recording that should be part of any serious popular Music Collection.

Others that belong in that category can be found here.

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Janis Joplin – Pearl

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  • Richer, clearer and more tonally correct, with more energy and presence, all qualities that help to bring this music to life
  • Janis’s vocals sound right on the money here – smooth enough to let you crank this one up good and loud without the sound getting hard and edgy
  • 5 stars: “Janis Joplin’s second masterpiece (after Cheap Thrills), Pearl was designed as a showcase for her powerhouse vocals, stripping down the arrangements that had often previously cluttered her music or threatened to drown her out.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.

Both sides are noticeably sweeter and more open up top than the average copy. Most everything that we look for in a Hot Stamper Pearl is happening on this copy: presence to the vocals; weight to the piano; texture and definition to the bass; a Tubey Magical midrange; freedom from grit and grain and so forth.

It’s not a perfect record — no copy of Pearl will ever be — but it’s better in all the ways that make the music really work. That’s what a Hot Stamper is all about!

None of this is to say that you’ll put this one on your top shelf with your Ajas and your Tea for the Tillermans, but this copy has the kind of sound you’d never guess was possible listening to the average copy. (more…)

Janis Joplin / I Got Dem Ol’ Kozmic Blues Again Mama! – Energy Is Key

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More Blues Rock Albums

More Records that Are Good for Testing Energy 

ENERGY is the key element missing from the average copy, but not on this bad boy (or girl if you prefer). The electric guitars are Tubey Magical and the bass is solid and punchy.

Drop the needle on the great song Try and just listen to how crisp, punchy, and BIG the drums sound.

On many copies — too many copies — the vocals are pinched and edgy. Here they’re breathy and full — a much better way for Janis to sound. There’s a slight amount of grit to the vocals at times and the brass as well, but the life force on these sides is so strong that we much preferred it to the smoother, duller, deader copies we heard that didn’t have that issue.

On copy after copy we heard pinched squawky horns and harsh vocals, not a good sound for this album. Janis’ voice needs lots of space up top to get good and loud, and both of these sides have it in spades.

(more…)

Big Brother & The Holding Company

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This album has got that trippy ’60s San Francisco sound, no doubt about it. Those of you who are familiar with Jefferson Airplane’s Surrealistic Pillow or the early Grateful Dead albums know what I’m talking about. Like you might expect from this mixture of blues and psychedelic rock, the sound can be a bit raw.

That’s surely the way the band wanted you to hear it, and this copy gives you, more than anything else, the right sound for this music. (more…)