KILLER sound from start to finish with both sides earning Nearly Triple Plus (A+++) grades, right up there with our Shootout Winner
Big, rich, tubey and open, this is some of the best sound Columbia achieved for its country records in the ’60s
The vocal presence and freedom from coloration will put a very real sounding Johnny Cash front and center in your listening room
“What is interesting about this album, though, is that it doesn’t just remind us of the sound of Johnny’s past, instead it points the way forward to the future, even serving as a template for his ultimate Man in Black persona.”
WOW! (Or should that be OMG?) This Columbia 360 original pressing has AMAZING DEMO DISC sound on many of its twelve tracks, tracks by some of the biggest names in country at the time. To hear Jimmy Dean sing Big Bad John or Marty Robbins’ do Devil Woman with this kind of Tubey Magical, tonally correct, rich, sweet, spacious sound is nothing less than a THRILL. The Analog sound of this pressing makes a mockery of even the most advanced digital playback systems, including the ones that haven’t been invented yet. I’d love to play this for Neil Young so he can see what he’s up against! Good Luck, Neil, you’re going to need it.
The sound on both sides is White Hot, practically faultless I might even go so far as to say.
The first three tracks on side one are AGAIG — As Good As It Gets! After that I stopped playing side one; the next three may be as good, may not be, but what I heard on those first three was clearly WHITE HOT STAMPER SOUND!(more…)
This Columbia 360 label pressing has KILLER Triple Plus (A+++) sound or very close to it on both sides
Both sides here are big, full-bodied and present with a solid bottom end and plenty of energy
“Many of these songs have become American classics–“I Walk the Line,” “Get Rhythm,” and “Folsom Prison Blues” being three instantly recognizable numbers… This is another in the numerous sets which serve as helpful introductions into Cash’s voluminous output…” – All Music
This vintage Columbia 360 label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
A great sounding vintage 360 pressing of a legendary live album – this copy earned Double Plus (A++) grades or better on both sides
Full, rich, lively and clean – Johnny Cash gets the sonic treatment he deserves here – exceptionally quiet vinyl too
So many great songs: Wanted Man, I Walk the Line, San Quentin, A Boy Named Sue, Folsom Prison Blues and more
5 stars: “…listen to “A Boy Named Sue,” … rescued by the wild-eyed, committed performance by Cash, where it sounds like he really was set on murdering that son of a bitch who named him Sue. He sounds that way throughout the record… “
We had a blast listening to this album. Cash’s banter between the songs is practically as good as the music itself!(more…)
This very nice looking original Columbia Stereo 360 Label LP has that authentic early Johnny Cash sound. We put this through our cleaning process and took a listen. The EQ on his vocals is a little bit brighter than we like but overall the album has LOTS OF TUBEY MAGIC!
“This is an outstanding album of covers of old country songs, from the familiar (Ernest Tubb, Hank Williams, George Jones) to lesser-known gems. ” AMG
An outstanding copy of this Dylan classic with solid Double Plus (A++) sound from first note to last
Rich, yet clean, clear and open, with good space around the instruments and tight, note-like bass
“Lay Lady Lay,” “To Be Alone With You,” “I Threw It All Away,” “Tonight I’ll Be Staying Here With You,” and the duet with Johnny Cash on “Girl From the North Country” have become country-rock standards
5 stars: “It’s a warm, friendly album, particularly since Bob Dylan is singing in a previously unheard gentle croon — the sound of his voice is so different it may be disarming upon first listen, but it suits the songs.”
This pressing has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.(more…)