Top Artists – Paul Desmond

Dave Brubeck Quartet – Time Further Out (Mono)

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Mono or Stereo? Both Can Be Good

  • With superb Double Plus (A++) sound throughout, this vintage 6-Eye Mono pressing will be very hard to beat – fairly quiet vinyl too
  • It’s extremely unlikely that any mono pressing will win a shootout, but just to keep us on our toes, we like to put some monos of famous albums in our shootouts from time to time to see how they measure up
  • This 2+ early pressing was the best of the bunch, and it’s guaranteed to beat the pants off any modern Heavy Vinyl pressing ever made
  • These sides are so Tubey Magical, rich, full-bodied and warm, yet clear, lively and dynamic
  • This copy demonstrates the big-as-life Fred Plaut Columbia Sound at its best – better even than Time Out(!)
  • 4 1/2 stars: “The selections, which range in time signatures from 5/4 to 9/8, are handled with apparent ease (or at least not too much difficulty) by pianist Brubeck, altoist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello on this near-classic.”
  • Mono or Stereo? Both Can Be Good

Time Further Out is consistently more varied and, dare we say, more musically interesting than Time Out.

If you want to hear big drums in a big room, these Brubeck recordings will show you that sound better than practically any record we know of. These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording.

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Dave Brubeck – Reproducing the Phenomenal Size and Space of Time Out

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Reviews of Recordings Made at Columbia’s 30th Street Studio

Spacious and transparent, this copy has the big three-dimensional soundstage that makes this record such a joy to listen to. The piano has weight and heft, the drums are big and dynamic, and everything is relaxed and sweet — in short, this copy is doing pretty much everything we want a top quality Time Out to do. 

Listen to the drums on Everybody’s Jumpin’. This album was recorded on a big sound stage and there is a HUGE room which can clearly be heard surrounding the drum kit. Add to that that some of the drums are in the left channel and some of the drums are in the right channel and you have one big drum kit — exactly the way it was intended to sound.

Size and Space

One of the qualities that we don’t talk about on the site nearly enough is the SIZE of the record’s presentation. Some copies of the album just sound small — they don’t extend all the way to the outside edges of the speakers, and they don’t seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.

Other copies — my notes for these copies often read “BIG and BOLD” — create a huge soundfield, with the music positively jumping out of the speakers. They’re not brighter, they’re not more aggressive, they’re not hyped-up in any way, they’re just bigger and clearer.

And most of the time those very special pressings just plain rock harder. When you hear a copy that does all that, it’s an entirely different listening experience.

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Dave Brubeck – Time Out

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Reviews and Commentaries for Time Out

  • This Six-Eye Stereo pressing boasts out of this world Demo Disc Sound – Time Out captures the ambience and huge space of Columbia’s studio like no other record has (with a little reverb thrown in for good measure)
  • A knockout pressing of Brubeck’s astonishingly well recorded Jazz Classic, a record that belongs in every audiophile’s collection
  • Early stereo LPs in clean condition like this one are getting awfully tough to find nowadays…
  • “Buoyed by a hit single in Desmond’s ubiquitous Take Five, Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That’s a testament to Brubeck and Desmond’s abilities as composers, because Time Out is full of challenges both subtle and overt — it’s just that they’re not jarring.”
  • If you’re a fan of Brubeck and company, this 1959 album belongs in your collection, along with quite a few others from the classic jazz era
  • The complete list of titles from 1959 that we’ve reviewed to date can be found here.

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Dave Brubeck / Time Out – We Happily Admit the Originals Are (Potentially) the Best Sounding

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Reviews and Commentaries for Time Out

Time Out is Yet Another Record We Have Been Obsessed with for a Very Long Time

This time around [2014] no other copy of Time Out could touch our good Six Eye Stereo pressings. They were simply in a league of their own.

If you’ve been with us for a long time you may remember that this was not always the case. We used to really like some 360s as I recall, as well as the original mono pressing. This time around, not so much. 

This time around most everything is different. Allow us to explain.

1. Our stereo is different; we’ve made quite a number of changes to it since our last big shootout for Time Out a few years back. We are strong proponents of Making Audio Progress.

2. We’re different; we have better (I would hope) listening skills. In fact I’m sure we listen for different qualities in a recording than we might have years ago.

3. Even more importantly, we don’t have the same pile of pressings we had years ago. They’re gone, replaced by a new batch. This new batch had some killer original pressings, some good 360s, and not much to speak of on the later labels. This comes under the heading of Moderately Helpful Title Specific Advice.

With a different batch we might have found a great sounding 360 pressing; we have to believe they exist, and we certainly can’t say that our best copy here could not have been bettered in some way. That would be foolish; anything can be bettered.

The next time we run this experiment, the results could be different.

[Update from 2021: we have run the experiment a number of times in the five yeas since this commentary was written, and the best Six Eye in the shootout has not been beaten yet. Yet.]

For us, in 2014 (and probably through 2015), this is it. This is the right sound. (more…)

Paul Desmond & Gerry Mulligan – Two Of A Mind

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More Living Stereo Recordings

  • Superb Double Plus (A++) sound from the first note to the last on this RCA pressing in glorious Living Stereo
  • Both sides here are tonally rich, and with killer Living Stereo sound, you hear both of these brilliant hornmen presented as solid and real in the soundfield as any you may have heard
  • If you’re looking to demonstrate just how good 1962 All Tube Analog sound can be, this vintage pressing may be just the record for you
  • 4 1/2 stars: “Altoist Paul Desmond and baritonist Gerry Mulligan always made for a perfect team during their infrequent collaborations. Both of the saxophonists had immediately distinctive light tones, strong wits, and the ability to improvise melodically. Highly recommended.”
  • If you’re a fan of the smooth jazz stylings of Paul Desmond, this is a Must Own Classic from 1962 that belongs in your collection.
  • The complete list of titles from 1962 that we’ve reviewed to date can be found here.

THIS is the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There actually IS a CD of this album, and YouTube videos of it too, but those of us with good turntables could care less.

And if you have an especially good turntable and the system that goes with it, we think you will find a world of difference in the sound of our Hot Stamper early pressing and any of the Heavy Vinyl records being produced of this very title.

They may be good — excellent even — but you won’t know what you are missing until you hear our record (or yours if you have an especially good one).

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Dave Brubeck Quartet / Time Further Out – What to Listen For

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Reviews and Commentaries for Time Further Out

The best copies such as this one demonstrate the big-as-life Fred Plaut Columbia Sound at its best (better than even Time Out in our opinion). These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording.

If you want to hear big drums in a big room, these Brubeck recordings will show you that sound better than practically any record we know of. 

The one standout track on this album for audiophiles is surely Unsquare Dance, what with its uncannily real sounding handclaps in 7/4. The copies that did the best job of reproducing that “flesh on flesh” sound of actual human hands clapping scored very well in our shootout.

More to Listen For

For starters listen for a fat snare and rich piano on the first track of side one. When you hear that, assuming you do, you should know you are in for a treat. Our best copies captured those two sounds brilliantly.

On the second track the clarity of the brushed snare is key to how resolving and transparent any copy is. The rich, smooth sound of Desmond’s sax balanced against the clarity of the brushes will help you make sure that the overall sound is tonally correct from top to bottom.

On side two the first track has the Wall to Wall Big Drums in a Big Room sound that positively blows our minds.

Note that in some places it sounds like the piano is overdriving its mic. We heard that sound on practically every copy we played, so we’re pretty sure it’s on the tape that way.

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The Dave Brubeck Quartet / Time Further Out – We Was Wrong

Mono Vs. Stereo

The monos we played didn’t do much for us. They tended to be thin and hard sounding, and of course much of the space of the studio disappears completely. One side of one copy did well enough I suppose but my advice would be to avoid them if you’re looking for good sound.

Previously we had written:

This Columbia Six-Eye pressing is THE BEST SOUNDING MONO COPY OF THIS ALBUM WE’VE EVER HEARD! The better Mono pressings of this album give you extra immediacy, more solidity to the drums, and energy like you wouldn’t believe. That makes the drum solo on side two sound OUT OF THIS WORLD. Most copies are congested and veiled, but not this one! The sound is spacious and transparent with wonderful presence. You will not believe how lively it is! 

Both sides are rich and full-bodied with lots of sweetness and extension up top. The energy and transparency are wonderful. The bass is a bit tubby, but that’s what you get on these vintage Six Eye pressings. It’s worth it when there’s as much tubey magic as you get on this pressing.

A classic case of Live and Learn.

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Reviews and Commentaries for Time Further Out

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Dave Brubeck – Time In from 1966

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  • You’ll find excellent Double Plus (A++) sound or BETTER on both sides of this pressing of Time In, the last album recorded in Brubeck’s “Time” series
  • This 360 Stereo pressing boasts the clean, clear, solid, lively piano sound we love about Brubeck’s records from this era
  • The best vintage pressings of Brubeck’s Columbia albums from the ’50 through the ’60s are exceptionally natural, with unerringly correct sound from top to bottom
  • 4 stars: “The last of pianist and composer Dave Brubeck’s “Time” recordings, and one of his most musically adventurous. Though it is seldom celebrated as such, this is one of Brubeck’s finest moments on Columbia.”

This vintage Columbia 360 stereo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the audience at the live show, this is the record for you. It’s what Live Jazz Recordings are known for — this sound. (more…)

Time Out – Michael Fremer Says You Should Own the Classic 45

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Reviews and Commentaries for Time Out

Michael Fremer spends two hours and ten minutes on his site going through a list of 100 All Analog In Print Reissued Records You Should Own

On this list is the 45 RPM Bernie Grundman cutting of Time Out. Fremer apparently likes it a whole lot more than we do. We think it is just plain awful. The MoFi Kind of Blue is on this same list, another pressing that is astonishingly bad, or at least very, very wrong. If you’re the kind of person who might want to give Michael Fremer the benefit of the doubt when it comes to All Analog records he thinks sound good, ones he thinks you should own, try either one of them. If you think they sound just fine, you sure don’t need me to tell you that I find them completely and utterly unlistenable.

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Dave Brubeck Quartet – Time Further Out

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Reviews and Commentaries for Time Further Out

  • You’ll find KILLER Shootout Winning Triple Plus (A+++) sound from start to finish on this original 6 Eye Stereo Pressing
  • These sides are incredibly tubey – rich, full-bodied and warm – yet clear, lively and dynamic
  • This copy demonstrates the big-as-life Fred Plaut Columbia Sound at its best – better even than Time Out(!)
  • 4 1/2 stars: “The selections, which range in time signatures from 5/4 to 9/8, are handled with apparent ease (or at least not too much difficulty) by pianist Brubeck, altoist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello on this near-classic.”

Time Further Out is consistently more varied and, dare we say, more musically interesting than Time Out.

If you want to hear big drums in a big room these Brubeck recordings will show you that sound better than practically any record we know of. These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording. (more…)