Top Artists – Paul Desmond

Dave Brubeck / Time Out – Michael Fremer Says You Should Own the Classic 45

Michael Fremer spends two hours and ten minutes on his site going through a list of 100 All Analog In Print Reissued Records You Should Own

On this list is the 45 Bernie Grundman cutting of Time Out. Fremer apparently likes it a whole lot more than we do. We think it is just plain awful. The MoFi Kind of Blue is on this same list, another pressing that is astonishingly bad, or at least very, very wrong. If you’re the kind of person who might want to give Michael Fremer the benefit of the doubt when it comes to All Analog records he thinks sound good, ones he thinks you should own, try either one of them. If you think they sound just fine, you sure don’t need me to tell you that I find them completely and utterly unlistenable.

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Dave Brubeck Quartet – Time Further Out

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Reviews and Commentaries for Time Further Out

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  • You’ll find KILLER Shootout Winning Triple Plus (A+++) sound from start to finish on this original 6 Eye Stereo Pressing
  • These sides are incredibly tubey – rich, full-bodied and warm – yet clear, lively and dynamic
  • This copy demonstrates the big-as-life Fred Plaut Columbia Sound at its best – better even than Time Out(!)
  • 4 1/2 stars: “The selections, which range in time signatures from 5/4 to 9/8, are handled with apparent ease (or at least not too much difficulty) by pianist Brubeck, altoist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello on this near-classic.”

Time Further Out is consistently more varied and, dare we say, more musically interesting than Time Out.

If you want to hear big drums in a big room these Brubeck recordings will show you that sound better than practically any record we know of. These vintage recordings are full-bodied, spacious, three-dimensional, rich, sweet and warm in the best tradition of an All Tube Analog recording. (more…)

Dave Brubeck / Time Out – Classic Records Repress on 45 Is Another in a Long String of Failures

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Reviews and Commentaries for Time Out

Sonic Grade: F

Hall of Shame pressing and another Classic Records Jazz LP debunked.

Not long ago we found a single disc from the 45 RPM four disc set that Classic Records released in 2002 and decided to give it a listen as part of a shootout. My notes can be seen above, but for those who have trouble reading my handwriting, here they are:

Big but hard

Zero (0) warmth

A bit thin and definitely boring

Unnatural

No fun

No F***ing Good (NFG)

Does that sound like a record you would enjoy playing? I sure didn’t.

But this is the kind of sound that Bernie Grundman managed to find on Classic Record after Classic Record starting in the mid-90s when he began cutting for them.

We’ve been complaining about the sound of these records for more than twenty years but a great many audiophiles and the reviewers who write for them told us we wrong.  If you have a copy of this album on Classic, at 33 or 45, play it and see if you don’t hear the problems we ascribe to it.

To see what we had to say about the 33 RPM version on Classic many years ago, click here.

Maybe we got a bad 45 and the others are better. That has not been our experience.

In these four words we can describe the sound of the average Classic Records pressing.

Not all of their records are as bad sounding as Time Out. We favorably review some of the better ones here.


A Must Own Jazz Record

We consider Time Out a Masterpiece. It’s a recording that should be part of any serious Jazz Collection. Others that belong in that category can be found here. (more…)

Paul Desmond – Pure Desmond

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More Jazz on CTI

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  • Paul Desmond’s superb 1975 release makes its Hot Stamper Debut with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • Huge amounts of three-dimensional ambience, along with boatloads of Tubey Magic
  • Credit goes to Rudy Van Gelder once again for the huge space that the superbly well-recorded group occupies
  • 4 stars: ” Paul Desmond reverted back to the relaxed quartet format that suited him well in the past… [this album] sparked a Desmond renaissance where he regained a good deal of the witty spark and erudite cool of his collaborations with Hall…

CTI is better known for the funky grooves of artists like Stanley Turrentine, Ron Carter and Deodato, but this album features mature adult jazz from Dave Brubeck’s former sideman, Paul Desmond.

It’s a lovely album, but if your pressing doesn’t have all the magic we could forgive you for not giving the music the credit it deserves. Unless your copy has a lot of energy and good amounts of richness and fullness, you probably wouldn’t give the music a second thought.

When you hear a copy like this, it’s an entirely different story. Fans of Contemporary label jazz are sure to get a lot out of this one. (more…)

Dave Brubeck – Time Changes

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More Jazz Recordings Featuring the Piano

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  • This early 360 Stereo pressing boasts Shootout Winning Triple Plus (A+++) sound on side two and outstanding Double Plus (A++) sound on side one – fairly quiet vinyl too
  • With a breathy sax, lively and present piano, and a smooth, full sounding orchestra on some of these tracks, this is just the right sound for this music
  • The legendary CBS 30th Street Studios in New York deliver another amazing Demo Disc for Dave Brubeck and his famous fellow jazzmen
  • Produced by the legendary Teo Macero, this is the fourth entry in Brubeck’s time signature series of classic jazz

Production and Engineering

Teo Macero was the producer, Fred Plaut the engineer for these sessions in Columbia’s glorious-sounding 30th Street Studio. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

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Dave Brubeck / Bossa Nova USA – Who Are We to Talk?

Another Record We’ve Discovered with (Potentially) Excellent Sound

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Who knew? Not us and not anybody else it seems. We are not aware that any of the audiophile cognoscenti have ever taken this recording seriously, but that just goes to show how uninformed — or perhaps more likely underinformed — they’ve always been.

Gems such as this sit undiscovered even after thousands of pages of audiophile record reviews have been written. Then, along come a handful of guys in Thousand Oaks, California many years later, 52 to be exact, and reveal to the world a heretofore all but unknown yet nonetheless amazing Brubeck record.

And they back up everything they say with actual records that sound as good as they say they will.

But wait just a minute. We sold an early pressing ourselves back in 2010 for $30 as a “nice sounding” record, nothing more, so who are we to talk?

Which simply goes to show that the decade we spent perfecting the Record Shootout has finally paid off for Bossa Nova U.S.A. Now we can clean them better, play them better, hear them better, and, with a big stack to work with, find one that sounds as good as this one does. (more…)

Dave Brubeck – Bossa Nova USA

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  • With two seriously good Double Plus (A++) sides, this was one of the better copies we played in our recent shootout – exceptionally quiet vinyl too
  • Clean, clear, spacious and present yet still super rich and full, this is Columbia All Tube Sound at its best
  • So rich, clear and resolving this copy in some respects best even the legendary Time Out
  • “With the popularization of bossa nova in the early ’60s, practically every recording artist had to have at least one bossa nova album. This effort by the Dave Brubeck Quartet is better than most due to the high quality of the compositions, of which the title cut is best-known.” – All Music

Believe me, we were as surprised to hear the stellar sound of this copy as you no doubt will be when you play it.

Who knew?

Not us and not anybody else it seems. We are not aware that any of the audiophile cognoscenti have ever taken this recording seriously, but that just goes to show how uninformed — or perhaps more likely underinformed — they have always been.

Gems such as this sit undiscovered even after thousands of pages of audiophile-oriented record reviews have been written. Then, along come a handful of guys in Thousand Oaks, California many years later, 52 to be exact, and reveal to the world a heretofore all but unknown yet nonetheless amazing Brubeck record.

And they actually back up everything they say with pressings that sound every bit as good as they say they will. Imagine that.

But wait just a minute. We sold an early pressing ourselves back in 2010 for $30 as a “nice sounding” record, nothing more, so who are we to talk?

Which simply goes to show that the decade we spent perfecting the Record Shootout has finally paid off for Bossa Nova U.S.A. Now we can clean them better, play them better, hear them better, and, with a big stack to work with, find one that sounds as good as this one does. (more…)

Dave Brubeck – Time Out

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Reviews and Commentaries for Time Out

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  • This Six-Eye Stereo pressing boasts out of this world Demo Disc Sound, with Shootout Winning Triple Plus (A+++) grades or close to them on both sides – Time Out captures the ambience and huge space of Columbia’s studio like no other record has
  • A knockout pressing of Brubeck’s astonishingly well recorded Jazz Classic, a record that belongs in every audiophile’s collection
  • Early stereo LPs in clean condition like this one are getting awfully tough to find nowadays…
  • “Buoyed by a hit single in Desmond’s ubiquitous Take Five, Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That’s a testament to Brubeck and Desmond’s abilities as composers, because Time Out is full of challenges both subtle and overt — it’s just that they’re not jarring.”

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Dave Brubeck – Jazz Impressions Of Japan

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  • A KILLER sounding copy and the first to ever hit the site! Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • These sides are incredibly clean, clear, spacious and full-bodied with tons of Tubey Magic and a solid bottom end
  • “Thirteen years into their tenure, the Dave Brubeck Quartet was still able to mine the creative vein for new means of expression… The sketches Brubeck and Desmond created all invoke the East, particularly the folk melodies of Japan directly, while still managing to use the Debussian impressionistic approach to jazz that kept them riding the charts and creating a body of music that, while playing into the exotica craze of the moment, was still jazz composed and played with integrity.” – All Music

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Dave Brubeck / Time Out – A Classic Case of Live and Learn

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Reviews and Commentaries for Time Out

Live and Learn

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Sonic Grade: D

When we did a shootout for this record way back in October of 2007 we took the opportunity to play the Classic Records 200 gram pressing. Maybe we got a bad one, who knows, but that record did not sound remotely as good as the real thing (6 eye or 360, both can be quite good). The piano sounded thin and hard, which was quite unexpected given the fact that we used to consider the Classic LP one of their few winners and actually recommended it.

As we said in our shootout: “We dropped the needle on the Classic reissue to see how it stacked up against a serious pressing. Suffice it to say, the real Time Out magic isn’t going to be found on any heavy vinyl reissue!”


FURTHER READING

Classic Records – Classical

Classic Records – Jazz 

Classic Records – Rock and Pop 

Heavy Vinyl Commentaries 

Heavy Vinyl Disasters 

Heavy Vinyl Mediocrities 

Heavy Vinyl Winners 

and we can’t forget this one

Bad Sounding Audiophile Records – The Complete List