- A stunning copy with all four sides earning Shootout Winning Triple Plus (A+++) grades or very close to it
- The sound throughout is clean, clear, present and spacious with lots of bottom end weight
- “John Mayall gathered together prominent musicians who had played in his bands during the past several years, including Sugarcane Harris, Eric Clapton, Johnny Almond, Harvey Mandel, Keef Hartley, and Mick Taylor… the sidemen frequently shine, especially Clapton.” – All Music
Want to find your own shootout winner? Scroll to the bottom to see our advice on doing just that.
- You’ll find outstanding Double Plus (A++) sound on both sides of this superb pressing – exceptionally quiet vinyl too
- Far more richer, smoother and livelier than most, with Tubey Magic and space you won’t believe
- The Decca UK vinyl on this superb pressing is as QUIET as we ever expect to find for this album
- 5 stars: “Bluesbreakers was Eric Clapton’s first fully realized album as a blues guitarist — more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall’s Bluesbreakers.”
This copy is guaranteed to be clearly superior to virtually all imports, all domestic pressings, whatever crappy Heavy Vinyl they’re making these days — in short, any version of this music on any format that you’ve ever played. This is it folks. They cut this one right and it doesn’t take a pair of golden ears to know it. Blues Breakers finally sounds the way you always wanted it to sound.
We’ve been searching for copies of Bluesbreakers for years — everyone wants a great copy of this Five Star Classic, the only album John Mayall ever made that we would consider a Must Own. After many, many years of experimentation and dozens of copies purchased we’ve finally discovered the British pressings that deliver the best sound we’ve ever heard for this music.
But they don’t come easy and they sure don’t come cheap, so don’t expect the floodgates to open with White Hot Stamper after White Hot Stamper hitting the site. One was it and it will be a year or two at the very least before we have a big enough stack of copies with which to do a shootout fo find another.
Until then this is a great copy that belongs in your collection, and it’s QUIET. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
With only keyboards, guitars, saxes and flutes — the absence of a drummer is especially noteworthy — the group creates a mystical, low-key atmosphere in the studio within which JM tells his stories. In other words, it’s different. When it comes to John Mayall’s recorded works, that’s not a bad thing.
We’ve auditioned a good dozen or more of his albums over the years, most of which we found interesting but not especially compelling (not at our prices anyway). He averaged about two albums a year through the ’60s and ’70s and on most of the ones we’ve played it seems that he struggled to come up with material good enough to fill them all.
That said, we took a liking to this one and proudly offer it here for the first time.
Excellent energy and vocal presence. Clear and full, with good lots of studio space.
The second and third tracks tended to sound better to us than the first by the way.
Natural and balanced, with rich and tubey 1970 sound. The second track is especially Tubey Magical and smooth in the right way. (more…)
- With two seriously good Double Plus (A++) sides, this copy was one of the best we played in our recent shootout – reasonably quiet vinyl too
- Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – these early UK stereo LPs are the only way to fly
- “Eric Clapton is usually thought of as John Mayall’s most important right-hand man, but the case could also be made for his successor, Peter Green. The future Fleetwood Mac founder leaves a strong stamp on his only album with the Bluesbreakers, singing a few tracks and writing a couple, including the devastating instrumental “Supernatural.” – All Music
This vintage Decca import pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- Two outstanding sides for what gets our vote as John Mayall’s best album – with Double to Triple Plus (A++ to A+++) sound throughout, just shy of our shootout winner
- Richer, smooth and livelier than practically any copy we heard, with Tubey Magic and space you won’t believe
- The British Decca vinyl on this amazing pressing is about as quiet as we ever expect to find for this album
- 5 stars on Allmusic: “Bluesbreakers was Eric Clapton’s first fully realized album as a blues guitarist — more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall’s Bluesbreakers.”
This copy is guaranteed to be DRAMATICALLY superior to most British and all domestic pressings, the MoFi Gold CD and every other version that you’ve ever played. This is it folks! They cut this one right. It sounds the way you always wished it would sound. (more…)
- An excellent sounding copy with solid Double Plus (A++) sound from start to finish
- This is a superb recording, something that cannot be said for most of Mayall’s output from this period (and none of his later albums in our experience)
- More importantly, this is some of the best music we have ever heard from the man – this is a uniquely special group effort
- 4 1/2 Stars: “This album also signifies a distinct departure from the decibel-drowning electrified offerings of his previous efforts, providing instead an exceedingly more folk- and roots-based confab… [Jon] Mark’s precision and tasteful improvisational skills [on acoustic guitar] place this incarnation into heady spaces.”