Top Artists – The Who

The Who – My Generation

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More Debut Recordings of Interest

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  • My Generation IS BACK and sounds better than we ever thought was possible, with KILLER Shootout Winning Triple Plus (A+++) grades or close to it on both sides of this vintage MONO import pressing – exceptionally quiet vinyl too
  • This incredible copy was just BIGGER and RICHER than just about every other we played, with rock energy to beat them all
  • If you want to hear this music EXPLODE out of the speakers and come to life the way The Who wanted you to, this record will do the trick
  • The right stampers make all the difference on this title – the average copy of this later pressing is hardly worth the vinyl it’s pressed on (we know, we’ve learned about them the hard way)
  • “An explosive debut, and the hardest mod pop recorded by anyone. [T]he Who never surpassed the pure energy level of this record”

We recently finished a shootout for this record and this copy blew away the competition. Some tracks do sound better than others, but that’s par for the course with this kind of material. On the best songs, it had all the top-end, bass and presence that was missing from other copies. I’ve never heard these songs sound better than they do here.

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The Who – Live At Leeds

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Records We Only Sell on Import Vinyl

  • A hard-rockin’ copy – this British Track pressing boasts powerful DEMO DISC sound on both sides
  • The recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
  • Drums so solid, punchy and present they put to shame 99% of the rock records on the planet
  • Cited as the best live rock recording of all time by The Daily Telegraph, The Independent, the BBC Q magazine, and Rolling Stone. In 2003, it was ranked number 170 on Rolling Stone’s list of the 500 greatest albums of all time.

Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. “Young Man Blues” on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records! Keith Moon lives on!

The bass is AMAZING on this record. Present vocals and clear guitars in both channels are key to the best copies such as this one. Most pressings do not get the guitars to jump out of the speakers the way the best can. Few copies get the highest highs and the lowest lows but this one had it going on from top to bottom.

The seven minute long “Magic Bus” that finishes out the side is The Who at their best. Rock fans will have a hard time finding a better sounding Who pressing than this one, on either side.

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Letter of the Week – “No Record I Own Ever Did That!”

This week’s letter came from a long time customer of ours, Dan. When he ordered this album he left the following note in his order comments:

“This is one of my favorite albums of all time!! One of my personal desert island discs. Can’t wait to hear it!.”

I’m not sure his ears were prepared for what was about to happen though. Read on to see what Dan thought of his Very Hot Who’s Next. 

Hey Tom,

Just listened to the Very Hot Stamper of “Who’s Next” and thought I’d drop a little note: Holy FUCK that was POWERFUL!!!

No record I own ever did that!

And I’m talking bone-rattling, earth-shaking, sock-you-in-the-gut POWERFUL. I’ve always known that The Who were one of the most intense bands in the history of rock n’ roll. Hell, everybody knows that and it’s part of the reason we love ’em so much. But with this record, I experienced the sheer physical force of their music like I NEVER have before. I couldn’t believe I heard bass notes hang in the air and resonate for long stretches. Bass notes never just hang like that! No record I own ever did that. (more…)

The Who – Who By Numbers

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More Records We Only Sell on Import Vinyl

  • An outstanding pressing with solid Double Plus (A++) sound from the first note to the last
  • Glyn Johns’ MAGIC is on display here, with open mics in a big studio space creating the 3-D Soundscapes we love
  • Features two of their most iconic songs, Slip Kid and Squeezebox, and both sound great on this copy
  • In our opinion this is the best — and best sounding — Who album released post-Quadrophenia
  • 4 Stars – Rolling Stone raves: “They may have made their greatest album in the face of [their personal problems]. But only time will tell.”
  • If you’re a Who fan, this title from 1975 is surely a Must Own.
  • The complete list of titles from 1975 that we’ve reviewed to date can be found here

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The Who By Numbers – More Bass or More Detail, Which Is Right?

With Doug Sax mastering from the real tape, you get a Rock Solid Bottom End like you will not believe. Talk about punchy, well-defined and deep, man, this record has BASS that you sure don’t hear too often on rock records. 

And it’s not just bass that separates the Men from the Boys, or the Real Thing from the Classic Reissue for that matter. It’s WEIGHT, fullness, the part of the frequency range from the lower midrange to the upper bass, that area that spans roughly 150 to 600 cycles.

It’s what makes Daltry’s voice sound full and rich, not thin and modern.

It’s what makes the drums solid and fat the way Johns intended.

The good copies of Who’s Next and Quadrophenia have plenty of muscle in this area, and so do the imports we played.

But not the Classic. Oh no, so much of what gives Who By Numbers its Classic Rock sound has been equalized right out of the Heavy Vinyl reissue by Chris Bellman at BG’s mastering house.

Some have said the originals are warmer but not as detailed. I would have to agree, but that misses the point entirely: take out the warmth — the fullness that makes the original pressings sound so right — and you of course hear more detail, as the detail region is no longer masked by all the stuff going on below it.

Want to hear detail? Disconnect your woofers — you’ll hear plenty of detail all right!

Keep that in mind when they tell you at the store that the record you brought in to audition is at fault, not their expensive and therefore “correct” equipment. I’ve been in enough of these places to know better. To mangle another old saying, if you know your records, their excuses should fall on deaf ears. (more…)

The Who – Quadrophenia

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A Member of the Prestigious “None Rocks Harder” Club

  • If you want to hear this music EXPLODE out of the speakers and come to life the way The Who wanted you to hear it. this record will do the trick
  • The sound here is so BIG, rich, and powerful it will surely make you rethink the recording itself
  • 5 stars: “Some of Townshend’s most direct, heartfelt writing is contained here, and production-wise it’s a tour de force, with some of the most imaginative use of synthesizers on a rock record.”
  • If you’re a fan of the band, this title from 1973 is clearly one of their best, and one of their best sounding
  • The complete list of titles from 1973 that we’ve reviewed to date can be found here.

We recently removed this title from our Top 100 List because it has become so difficult to get hold of clean UK copies nowadays. Who’s Next is even more difficult, but for some reason we left that one on the list, go figure.

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Who’s Next… to Remaster the Album? Our Audiophile LP Overview

The following was written in the early 2000s. Some additional commentary has been added.

Who’s Next has been remastered for audiophiles many, many times, more often than not quite badly in our opinion.

To be fair, we should point out that our opinion has changed quite a few times over the course of the last twenty years.

This then is our story.

MCA MASTERPHILE
Back in the days when I was foolishly in the thrall of half-speed mastered audiophile pressings, I thought that the MCA Masterphile was king. That was probably the mid to late ’80s.

BRITISH TRACK LABEL ORIGINALS
By the early ’90s I had discovered how good the Black Label Original British Track pressings could be and started preferring those. A bit murky but Tubey Magical, full and rich, precisely the way a good British Rock recording (Faces, Jethro Tull) should be.

JAPANESE AND GERMAN
Of course by then I had played numerous Japanese and German pressings, none of which sounded right to my ears, then or now. The Japanese did what they like to do to most of the records they master, from whatever dub tapes are sent to them: they brighten up the sound.

When I had much darker, less-revealing system, the Japanese pressing did better than most of the other pressings I played.

But it was wrong, and the better my stereo got the more wrong it sounded. This process comes under the general heading of Audio Progress 

MCA HEAVY VINYL
In 1995 the MCA Heavy Vinyl version came out, mastered by Kevin Gray. I quite liked it at the time but no longer do; it’s brightened up, opaque, airless and much of the fine detail of the recording is missing, all due to the crude cutting system Kevin employed at the time. It’s also notoriously badly pressed, resulting in stitches in the vinyl that are audible on practically every copy.
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The Who – Who’s Next

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Reviews and Commentaries for Who’s Next

  • An outstanding copy with solid Double Plus (A++) sound or BETTER throughout and vintage vinyl that’s about as quiet as we can find it
  • This pressing is every bit as quiet as our recent White Hot Stamper which went for $749, and the sonic grades are nearly the same, only one half plus lower on one side
  • This British Track pressing is guaranteed to blow your mind with its phenomenal sound — check out the BIG, BOLD, Rock ’em, Sock ’em bottom end energy
  • Compare this to any Heavy Vinyl (or other) pressing and you will hear in a heartbeat why we think The Real Thing just cannot be beat
  • 5 stars: “This is invigorating because it has. . . Townshend laying his soul bare in ways that are funny, painful, and utterly life-affirming. That is what the Who was about, not the rock operas, and that’s why Who’s Next is truer than Tommy or the abandoned Lifehouse. Those were art — this, even with its pretensions, is rock & roll.”

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The Who – Who Are You

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  • Outstanding Double Plus (A++) sound from start to finish – you’ll have a hard time finding a copy that sounds remotely as good as this one does
  • This copy has the Glyn Johns BIG, BOLD sound we demand from this famous producer/engineer
  • The title song sounds great on this killer copy — the dynamic power of the recording comes through loud and clear

*NOTE: On side one, a mark makes 8 light ticks near the end of Track 4, Sister Disco.

Big, tubey and rockin’, this copy has The Who sound we know from Who’s Next so well. Huge and pacious, with lovely three-dimensional depth, the sound has that patented Live in the Studio quality that Johns’ practically trademarked. Breathy vocals and great life and presence to every instrument, this is the way to hear it!

Forget the domestic pressings, forget the DD Labs half-speed, forget whatever lame reissues have come or will come down the pike — if you want to hear this album right, a Hot Stamper British pressing is the only way to go.

This copy has the Glyn Johns Who Sound we demand from one of the most famous producer/artist collaborations in the history of rock music. (Johns’ work with the Stones is even more legendary I would argue.)

This is certainly not the equal of the beyond brilliant Who’s Next — what is? It’s an undisputed Masterpiece — but the best songs here are certainly in that league. The title track is one I used to demo my system with twenty years ago and, with a copy like this, would be happy to again. (more…)

What Do You Hear on the Best Hot Stamper Pressings of Quadrophenia?

More of the Music of The Who

A Member of the Prestigious “None Rocks Harder” Club

They just plain ROCKED HARDER than the other copies we played. Yes, they’re bigger. Yes, they have more weight and whomp down low. Yes, they are smoother and more natural up top.

But what really sets them apart is their tremendous ENERGY. The music explodes out of the speakers and comes to life on the best copies of Quadrophenia like few records you have ever heard. When we find that kind of power and energy on a record, all other things being equal, we have a name for them: White Hot Stampers.

It’s what you’re paying for — and what you get — for the kind of money we charge.

Dynamics and Energy

The sine qua non of rock records is that they rock. The rock records that earn the highest grades here at Better Records are usually the ones that have the most energy and power. Transparency, Presence, Clarity, Tubey Magic, Sweetness and other favorites of the audiophile community are very important qualities in a record, but all of them pale in comparison to raw power when it comes to rock and roll.

For us a transparent, sweet, lifeless record is just no fun, hence our disdain for Heavy Vinyl, which in our experience almost always lacks energy, along with lots of other things of course.

We like the Big Speaker sound.

This means the sound must be dynamic, immediate and full-range. Small speakers, screens and their ilk can do some nice things, but they can’t move air very well, so for us they fail to convey the true sense of the power, the “liveness”, of a recording the way dynamic drivers can (assuming of course the drivers are big enough and you have enough of them).

Room treatments play a vitally important role here of course. Untreated or poorly treated listening rooms constantly fight the speakers’ efforts to play louder without distortion. The room is the bottleneck, yet because the problem is not correctly identified, nothing is done to solve it. (I was heavily into audio for twenty years before I figured this out.)

Some of us have done our homework and take pride in what we’ve managed to accomplish. We’ve been challenging ourselves and our systems with records like Zep II and Aqualung and Quadrophenia for thirty years. We know how good those records can sound on systems that have what it takes to play them at good loud levels.

If you’re not going to play this Hard Rockin’ Record good and loud, better to save your money for the kinds of records that sound fine at moderate levels. This is not one of them.


RECORDS THAT ARE GOOD FOR TESTING

More Records in the None Rocks Harder Club

More Records that Sound Best on Big Speakers at Loud Levels

Records that Are Good for Testing Bass and Whomp 

Records that Are Good for Testing Bass Definition 

Records that Are Good for Testing Energy