- An outstanding copy with solid Double Plus (A++) sound or BETTER throughout and vintage vinyl that’s about as quiet as we can find it
- This pressing is every bit as quiet as our recent White Hot Stamper which went for $749, and the sonic grades are nearly the same, only one half plus lower on one side
- This British Track pressing is guaranteed to blow your mind with its phenomenal sound — check out the BIG, BOLD, Rock ’em, Sock ’em bottom end energy
- Compare this to any Heavy Vinyl (or other) pressing and you will hear in a heartbeat why we think The Real Thing just cannot be beat
- 5 stars: “This is invigorating because it has. . . Townshend laying his soul bare in ways that are funny, painful, and utterly life-affirming. That is what the Who was about, not the rock operas, and that’s why Who’s Next is truer than Tommy or the abandoned Lifehouse. Those were art — this, even with its pretensions, is rock & roll.”
The run of the mill heavy vinyl pressing is so dull and opaque that we think the run of the mill CD, on average, will sound better.
In this letter Dan tells us of his disappointment with the new reissues he’s been trying:
… And thanks again for that amazing “Who’s Next” record. It was startling to hear the difference between that and the Classic – and that was one of the better modern audiophile records!I can’t tell you how many modern reissues I’ve bought over the past couple months that have lost, and lost badly, to just my one single original or early pressing of an album. Reissues by AC/DC, The Who, ZZ Top, The Rolling Stones, and Patti Smith have all failed miserably against my merely average sounding originals.
- Quadrophenia is back! This superb early UK pressing has a Shootout Winning Triple Plus (A+++) side four mated to three Nearly Triple Plus (A++ to A+++) others, which guarantees this copy is going to blow your mind
- If you want to hear this music EXPLODE out of the speakers and come to life the way The Who wanted you to hear it. this record will do the trick
- The sound here is so BIG, rich, and powerful it will surely make you rethink the recording itself
- 5 stars: “Some of Townshend’s most direct, heartfelt writing is contained here, and production-wise it’s a tour de force, with some of the most imaginative use of synthesizers on a rock record.”
We recently removed this title from our Top 100 List because it has become so difficult to get hold of clean UK copies nowadays. Who’s Next is even more difficult, but for some reason we left that one on the list, go figure.
- Outstanding sound for all four sides with Shootout Winning Triple Plus (A+++) grades on side one and solid Double Plus (A++) grades on the remaining three sides
- Exceptionally quiet vinyl too – they don’t come our way with audiophile quality surfaces like these very often, almost never in fact
- Our early Black Label British Track pressing here has the rich, spacious, Tubey Magical sound that has the power to immerse you in the story of a deaf, dumb and blind boy named Tommy
- Top 100, and clearly our pick for the best sounding album The Who ever made – when you play a copy that sounds as good as this one we think you’ll have no problem seeing our point
- 4 1/2 stars: “…Townshend’s ability to construct a lengthy conceptual narrative brought new possibilities to rock music.”
*NOTE: On all four sides, a very small warp is not audible.
I know of no other Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the Tubey Magical Guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers presence and dynamics, and the silky vocals and top end.
Usually the best we can give you for The Who is “Big and Rockin,” but on Tommy, we can give you ’60s analog magic that will all but disappear in the decades to follow.
Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard in every strum. (more…)
- An outstanding pressing with solid Double Plus (A++) sound from the first note to the last
- Glyn Johns’ MAGIC is on display here, with open mics in a big studio space creating the 3-D Soundscapes we love
- Features two of their most iconic songs, Slip Kid and Squeezebox, and both sound great on this copy
- 4 Stars – Rolling Stone raves: “They may have made their greatest album in the face of [their personal problems]. But only time will tell.”
In our opinion this is the best — and best sounding — Who album released post-Quadrophenia. (more…)
A classic case of Live and Learn
What follows is the commentary for the Canadian One Sided Half-Speed that we had auditioned around 2000. It came in a regular jacket, not the one you see pictured, and was part of a big overstock batch I had gotten my hands on a number of years before.
Getting It Exactly Backwards
Half of this record is Half-Speed Mastered! There’s an interesting story behind this album. Those of you who’ve been collecting audiophile records for a long time may remember that Who’s Next was as an MCA Masterphile Half-Speed Mastered pressing produced in Canada. I remember liking it back in the day, which had to be 15 years ago at least. But they are very rare and I haven’t played one in many years.
I ran into some sealed Canadian pressings of Who’s Next, and when I cracked one open to play it I noted it had Masterphile written in the deadwax on one side. Apparently they had made so few Masterphile pressings that the metal work was still useable and they decided to press some “regular” records with one of the stampers.
And I remember I used to tell people that the good side, side one, was the Masterphile side. Then three or four years ago [circa 2000], I had occasion to play the record. Lo and behold, side one was bright and phony, and side two was rich and sweet, like the good Track Label pressings! I had gotten it exactly backwards.
A recurring theme here at Better Records has to do with the phony sound of audiophile records that we used to like, and the more natural sound of regular records, which are the ones we like now. This is another example. The better your equipment gets, the fewer so-called “audiophile” pressings you will want to have in your collection. The upshot to this story? Side two sounds great on this copy! (more…)
- Pete Townshend’s 1977 collaboration with Ronnie Lane finally returns to the site with outstanding Double Plus (A++) sound or BETTER throughout
- The sound is big and rich, yet still wonderfully clean, clear and open with fantastic energy – you will not believe all the space and ambiance here
- 4 stars: “Rough Mix… combines the loose, rollicking folk-rock of Lane’s former band, Slim Chance, with touches of country, folk, and New Orleans rock & roll, along with Townshend’s own trademark style… Rough Mix stands as a minor masterpiece and an overlooked gem in both artists’ vast bodies of work.”
- Outstanding Double Plus (A++) sound from start to finish – you’ll have a hard time finding a copy that sounds remotely as good as this one does
- This copy has the Glyn Johns BIG, BOLD sound we demand from this famous producer/engineer
- The title song sounds great on this killer copy — the dynamic power of the recording comes through loud and clear
*NOTE: On side one, a mark makes 8 light ticks near the end of Track 4, Sister Disco.
Big, tubey and rockin’, this copy has The Who sound we know from Who’s Next so well. Huge and pacious, with lovely three-dimensional depth, the sound has that patented Live in the Studio quality that Johns’ practically trademarked. Breathy vocals and great life and presence to every instrument, this is the way to hear it!
Forget the domestic pressings, forget the DD Labs half-speed, forget whatever lame reissues have come or will come down the pike — if you want to hear this album right, a Hot Stamper British pressing is the only way to go.
This copy has the Glyn Johns Who Sound we demand from one of the most famous producer/artist collaborations in the history of rock music. (Johns’ work with the Stones is even more legendary I would argue.)
This is certainly not the equal of the beyond brilliant Who’s Next — what is? It’s an undisputed Masterpiece — but the best songs here are certainly in that league. The title track is one I used to demo my system with twenty years ago and, with a copy like this, would be happy to again. (more…)
- A hard-rockin’ copy – this British Track pressing boasts powerful Double Plus (A++) DEMO DISC sound on both sides
- The recording is huge and lively with startling dynamics and in-the-room-presence like nothing you’ve heard
- Drums so solid, punchy and present they put to shame 99% of the rock records on the planet
- Cited as the best live rock recording of all time by The Daily Telegraph, The Independent, the BBC Q magazine, and Rolling Stone. In 2003, it was ranked number 170 on Rolling Stone’s list of the 500 greatest albums of all time.
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of seam wear, edge wear or crushed corners. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. Young Man Blues on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records! Keith Moon lives on!
The bass is AMAZING on this record. Present vocals and clear guitars in both channels are key to the best copies such as this one. Most pressings do not get the guitars to jump out of the speakers the way the best can. Few copies get the highest highs and the lowest lows but this one had it going on from top to bottom.
The seven minute long Magic Bus that finishes out the side is The Who at their best. Rock fans will have a hard time finding a better sounding Who pressing than this one, on either side. (more…)
- Both sides of this British Track original are Super Hot and rockin’
- Superb energy and punch, with mostly rich, natural tonality — a top quality side one
- Magic Bus on side two sounds great – big down low, smooth up top, tubey and fun
- “…condensing their highlights to just the singles is an electrifying experience.”
Much of this material is not available on album so this compilation is essential for true Who fans. As is often the case with these compilations the tracks vary quite a bit in sound quality. That’s just the nature of the beast.
Just listen to “I Can’t Explain” on side one — the sound is Right On The Money! Rich and clear, with good top end extension, there aren’t many sides out there that get as much right as this one.
On side two check out the Tubey Magic on “Pinball Wizard”! (more…)