- With superb Nearly Triple Plus (A++ to A+++) sound from first note to last, right up there with our Shootout Winner, this original RCA Orange Label pressing is guaranteed to sound dramatically better than any copy you’ve ever heard
- Here’s Elvis doing songs made famous by others, proving that he can still out-rock and out-soul practically anybody alive
- With ten million copies sold to date, this album’s appeal has transcended its time and must be considered a true Elvis Classic
- 4 stars: “”The Wonder of You” might not have been “That’s All Right” or even “Heartbreak Hotel,” but it was a towering performance by a singer who could, even then, run circles around virtually anyone in the business this side of Roy Orbison.”
- A STUNNING Running on Empty, with two Shootout Winning Triple Plus (A+++) sides
- Forget whatever dead-as-a-doornail Heavy Vinyl pressing they’re making these days – the Tubey Magic, size and performance energy of this vintage pressing simply cannot be beat
- This Grammy nominated release is packed with previously unreleased songs
- A hard record to find with audiophile quality sound – not many copies have ever hit the site
- “Audio verité—one of the most conceptually fascinating recordings in the history of rock & roll.” — Bill Shapiro
- You’ll find STUNNING sound on this true classic from Cheap Trick, with Shootout Winning Triple Plus (A+++) sonic grades or close to them – exceptionally quiet vinyl too
- This one is doing everything right, with deeper bass, less distortion, grungier guitars, and the kind of LIVE ROCK and ROLL ENERGY that Cheap Trick is known for
- One of only two Cheap Trick albums that cuts it for us sonically and musically (the other being Dream Police)
- 5 stars: “With their ear-shatteringly loud guitars and sweet melodies, Cheap Trick unwittingly paved the way for much of the hard rock of the next decade, as well as a surprising amount of alternative rock of the 1990s, and it was At Budokan that captured the band in all of its power.”
The first pressings of this record come with an OBI strip and a Japanese style lyric and photo booklet, giving the impression that this is a Japanese pressing. But it’s clearly domestic, so kudos have to go to Epic Records for doing a wonderful imitation that would practically fool any record collector.
Most of the copies we have to offer will come with the booklet, while the OBI strips are long gone.
This is probably the only Cheap Trick record most casual fans will ever need. The live versions of ‘Ain’t That A Shame’ and ‘I Want You To Want Me’ are AS GOOD AS IT GETS. Where would Classic Rock Radio be without catchy pop like this? Nowhere man! (more…)
- This outstanding pressing boasts solid Double Plus (A++) sound or close to it from start to finish
- Bigger and bolder, with more bass, more energy, and more of that “you-are-there-immediacy” of a live performance that set the best vintage pressings apart from reissues, CDs, and whatever else might be out there
- 5 star: “Live in Cook County Jail is one of those great concerts that the record company was smart enough to be there to capture, documenting B.B. firing on all cylinders in front of an audience that’s just damn happy for him to be there.”
- An outstanding vintage stereo pressing of Dylan’s live 1976 release with solid Double Plus (A++) sound or close to it from start to finish
- This copy is hard to fault – big, open, clear, with space and three-dimensionality that modern pressings can only dream of
- “At times, Hard Rain sounds bloated, featuring performances that are sometimes too ragged; though knowing the subtext of the events, some moments feel triumphant: musical and personal. We may not know Bob Dylan, but it’s an awfully close look at a stranger.” – Magnet Magazine
A great (A++) side one backed with an AMAZING (A+++) side two, this is without a doubt one of the very best sounding copies of Rust Never Sleeps we have ever had the privilege of playing here at Better Records. Side two simply cannot be beat. Drop the needle on Powderfinger to hear the Crazy Horse sound at its best — the raging guitars, the big meaty bottom end, and the kind of immediacy that puts Neil Young and his band of misfits right in your listening room.
Tubey Magic in 1979? Yes, analog was still alive and well then — both sides of this copy prove it. The disastrously synthesized ’80s were on their way but thankfully they hadn’t gotten here yet.
This is a live recording with minimal overdubs. Crazy Horse is of course widely recognized to be one of the all time killer concert acts of its day, so it’s a bit of a shame that most of the copies we played this week made us want to go to sleep. The not-so-Hot copies failed in a number of ways: thin guitars or vocals, overly dry or edgy sound, and insufficient presence, just to name a few. It was the rare copy that made us forget we were listening to a record and allowed us to really get into the music.
Needless to say we had this record playing very very loud. Twenty db less than at the live event, sure, at least, but very very loud for a 18×20 living room in the suburbs. (more…)
- A Killer Copy: Triple Plus (A+++) on side two, nearly Triple Plus (A++ to A+++) on side one, and Double Plus (A++) on the rest
- This British original pressing may have been mastered in America but it sure sounded better than most of the domestic vinyl we played
- Key elements in the sound of the best pressings were size, richness, Tubey Magic and energy, and these sides have a sizable helping of all four
- Amazon reviewers love the album – 86% of them as of this writing have given it Five Stars
Listen to side two of this copy to hear exactly what the best sounding copies can do! (more…)
- An outstanding copy of Live Cream, with solid Double Plus (A++) sound throughout – exceptionally quiet vinyl too
- Super lively and clear with the kind of bass that most pressings simply don’t have in our experience
- 4 stars: “Foreground and background seem to dissolve as all three musicians take charge, using the full range of their instruments. And where Bruce goes with his bass, especially on ‘Sweet Wine,’ is every bit as rewarding as the places that Clapton’s guitar takes us; and Ginger Baker’s playing is a trip all its own. Performances like this single-handedly raised the stakes of musicianship in rock.”
Cream were certainly no slouches in the musicianship department, and this live performance captures them at the peak of their powers!
When you get a good copy of this album you’re sure to hear what we heard — that this is truly one of the great live rock albums (with a bit of studio material on side two as well). This has the Big Rock Sound that we go crazy for at Better Records. The best pressings, the ones that are full-bodied and smooth, let you crank the levels and reproduce the album good and loud the way it was meant to be heard.
When it’s all working, you’re front and center for a fiery Cream concert with these guys delivering one heckuva performance. And where else are you gonna get that these days?
Over the last twelve years that we’ve been doing our Hot Stamper thing we’ve heard scores of Cream albums; we know their music well, and they are hard to beat when playing live.live (more…)
- A true Demo Disc and superb sounding import pressing with Nearly Triple Plus (A++ to A+++) grades on both sides – just shy of our Shootout Winner
- A strikingly intimate document of a live show, fronted by one of the greatest performers in history, Sir Paul McCartney
- You get more extension up top, more weight down low, and more transparency in the midrange
- 4 stars: “… it remains one of the most enjoyable records in McCartney’s catalog. McCartney is carefree and charming, making songs like “Be-Bop-a-Lula” and “Blue Moon of Kentucky” sound fresh.”
These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.
Superb sound for this amazing recording! It’s a strikingly intimate document of a live show, one which just happens to be fronted by one of the greatest performers in the history of popular music, Sir Paul McCartney.
On the best copies, the sound is warmer, richer, and sweeter, or in a word, more ANALOG sounding. You get more extension up top, more weight down low, and more transparency in the midrange. It’s surprising how veiled and two-dimensional so many copies can be, considering that this is a live recording (by the legendary Geoff Emerick himself) with not a lot of “messing around” after the fact. (more…)
- An outstanding copy of Bob Seger’s superb live album from 1976 with solid Double Plus (A++) sound on all FOUR sides – fairly quiet vinyl too
- The sound is surprisingly energetic, full-bodied and even Tubey Magical, in contrast to many of the early Bob Seger titles we’ve auditioned over the years
- If you’re an audiophile who wants to catch up on all the Classic Rock Seger was making before Night Moves, this is surely the best way to start
- 5 stars: “Live Bullet introduced Bob Seger to a wide audience, revealing a rocker of unbridled passion and a songwriter of considerable talent… It’s a rare occasion when a double live album captures an artist at an absolute peak, while summarizing his talents, and that’s exactly what Live Bullet does.”