_Composers – Paganini

Tchaikovsky / Paganini – Violin Concertos / Campoli

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More of the music of Niccolo Paganini (1782-1840)

  • A vintage Decca pressing of these superb concertos with stunning Nearly Triple Plus (A++ to A+++) sound on both sides, just shy of our Shootout Winner – fairly quiet vinyl too
  • This copy (only the second to hit the site in two years) showed us the balance of clarity and sweetness we were looking for in the violin – not many recordings from this era can do that
  • Campoli brings his warmth, feeling, and technical precision to these classical masterpieces
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s the proof
  • Our favorite performance of the Tchaikovsky is still the RCA with Heifetz, but the best copies of this record are not far behind
  • With the wonderful Paganini-Kreisler piece on side two, this record comes very highly recommended

The second work on side two, Kreisler’s reworking of the first movement of the Paganini Concerto No. 1, is hard to fault. Pull up some youtube videos to see just how amazing and exciting it is.

A true Demo Disc Violin Recording.

And better than the original London pressing we had of the recording – the reissue is actually tubier, with none of the dryness you sometimes hear on London discs, and very dynamic.

(We know a thing or two about Decca recordings with dry strings. We took a deep dive into into the subject here.)

Higher-rez and more present too. (more…)

Rachmaninoff / De Falla – Rhapsody On A Theme Of Paganini / Nights In The Gardens Of Spain

More of the music of Sergei Rachmaninoff (1873-1943)

More Classical Recordings in Living Stereo

  • You’ll find outstanding Double Plus (A++) sound or BETTER throughout this vintage (but not original) RCA Living Stereo pressing of these wonderful classical compositions
  • The rich, textured sheen of the strings the RCA engineers achieved in the ’50s and ’60s is a joy to hear throughout these pieces
  • This is something the Heavy Vinyl crowd will never experience, because that sound just does not exist on modern remastered records the way it does on these vintage pressings
  • Tonally correct from top to bottom and as transparent as practically any vintage recording you may have heard, the combination of clarity and Tubey Magic here will be hard to beat
  • To see more of the best orchestral recordings with top quality sound we’ve done shootouts for, click here
  • If you’re a fan of Rachmaninoff and/or Rubinstein, we think this Living Stereo from 1960 belongs in your collection.

This superb Living Stereo recording checks off a number of boxes for us here at Better Records.

Until we heard the right later pressings, we had always been disappointed with this TAS List recording, wondering what all the fuss was about. The original Shaded Dog pressings we had played left a lot to be desired. Like many of the old records we audition, it was somewhat crude and congested, and badly lacked both highs and lows, our definition of boxy sound.

Well, now we know. The early Shaded Dog pressings have consistently worse sound than the reissues we are offering here.

We never offered the record as a Hot Stamper pressing because we didn’t think the sound of the originals was all that impressive, TAS List or no TAS List.

Mystery solved, and truly Hot Stampers have now been made available to the discriminating audiophile.

Harry’s list, as was so often the case, did not provide the information needed to find the pressing that captured all the qualities of the recording the way this one does.

Did Harry have a good later pressing? Did he have an original and simply liked it more than we did? We’ll never know.

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Rachmaninoff – The Right Reissues Have the Best Sound

More of the music of Sergei Rachmaninoff (1873-1943)

More Classical Recordings in Living Stereo

Until we heard the right later pressings, we had always been disappointed with this TAS List recording, wondering what all the fuss was about. The original Shaded Dog pressings we had played left a lot to be desired. Like many of the old records we audition, it badly lacked both highs and lows, our definition of boxy sound.

Well, now we know.

The earliest Shaded Dog pressings have consistently worse sound than the reissues we offer.

We never offered the record in Hot Stamper form because we didn’t think the sound of the originals was all that impressive, TAS List or no TAS List.

Mystery solved, and truly Hot Stampers have now been made available to the discriminating audiophile.

Harry’s list, as was so often the case, did not provide the information needed to find the pressing that captured all the qualities of the recording the way this one does.

Did Harry have a good later pressing? Did he have an original and simply liked it more than we did? We’ll never know.

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Paganini – Violin Concertos Nos. 1 & 2 / Menuhin

The Music of Paganini Available Now

Album Reviews of the Music of Paganini

  • Two of the truly great virtuoso/romantic violin concertos, boasting superb 1961 EMI Golden Age Analog Sound
  • The complete first Violin Concerto on this vintage LP has killer sound, right up there with our Shootout Winner from the last go around
  • It’s simply bigger, more transparent, less distorted, more three-dimensional and more REAL than most others
  • The best balance of orchestra and soloist we know of for both works, with sound to rival the greatest violin concerto recordings we’ve played

Another remarkable Demo Disc from the Golden Age of Vacuum Tube Recording Technology, in this case 1961, with the added benefit of mastering using the more modern cutting equipment of the ’70s. (We are of course here referring to the good modern mastering of 40 years ago, not the bad modern mastering of today.)

This combination of old and new works wonders on this title as you will surely hear for yourself on this wonderful copy.

The sound of the best copies is transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way. (more…)

Paganini / Concerto No. 1 / Rabin – Reviewed in 2011

This is a rare and very nice looking Capitol LP. The violin sounds rich and sweet, although the sound of the orchestra is a bit “old school” with too much congestion and distortion during the louder sections to qualify as a Hot Stamper, assuming we were to put this record in a shootout.

Which makes it a “good, not great” vintage classical record, best played on an Old School Stereo system.

The much more revealing systems of today, like the one we employed to audition this very copy, simply make it too easy to spot its many faults.

Vintage Vinyl

We are not fans of vintage vinyl because we like the sound of old records. Lots of old records don’t sound good to us at all, and we review them by the score on this very blog.

We like old records because they have the potential to sound better than every other kind of record, including the ones that have been made and marketed to audiophiles over the course of the last thirty years or so.

We wrote about that subject in a commentary we call The Big If. An excerpt:

The best of the best vintage recordings are truly amazing if you can play them right. That’s a big if. In fact, it may just be the biggest if in all of audio.

We go on to discuss the wonderfully accurate timbre of the better vintage pressings, in contrast to the consistently inaccurate tonality of the Modern Heavy Vinyl pressing. It’s a long story but we think it is well worth your time if you are an audiophile looking for better sounding vinyl.

AMG Biography

Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher.

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

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Paganini on Fenn 180g Vinyl – Where Is the Outrage?

Hot Stamper Pressings of the Music of Paganini

Reviews and Commentaries for the Music of Paganini

We managed to get hold of the Heavy Vinyl pressing put out by Fenn Music in Germany, about which a well known record dealer on the web (you may recognize the style) had this to say:

“Stunning Reissue Of EMI ASD 440 Recorded In Stereo In 1961. This Recording Featuring The Royal Philharmonic Conducted By Alberto Erede Provides Convincing Proof, If Any Were Needed, That Menuhin Was One Of The Great Violinists Of The 20th Century.”

The “convincing proof” provided by this record is that those responsible for it are Rank Incompetents of the Worst Kind (see what I did there?). Screechy, bright, shrill, thin and harsh, it’s hard to imagine worse sound to be subjected to from this piece of Heavy Vinyl trash.

Had I paid good money to buy this pressing from 2004 in the hopes of hearing the supremely talented Yehudi Menuhin of 1961 tear it up on Paganini’s legendary first two concertos, I can tell you one thing: I would be pissed.

Where is the outrage in the audiophile community over this kind of trash?

I have yet to see it. I suspect I will grow quite a bit older and quite a bit grayer before anyone from the audiophile commentariat notices just how bad this record sounds. I hope I’m proven wrong.

Screechy, bright, shrill, thin and harsh, it’s hard to imagine worse sound from this piece of Heavy Vinyl garbage.

NO warmth.

NO sweetness.

NO richness.

NO Tubey Magic.

In other words, NO trace of the original’s (or the early reissue’s) analog sound. At most I may own one or two classical CDs that sound this bad, and I own quite a few. When audiophiles of an analog bent tell you they don’t like the sound of CDs, this is why they don’t like them: they sound like this junky heavy vinyl record.

I have to wonder how records this awful get released.

Then again, the Heavy Vinyl Buyer of today is not known for his discrimination. If he were, Sundazed, Mobile Fidelity, Analogue Productions, Music Matters and a host of others would have gone out of business many years ago.

This link will take you to some other exceptionally bad records that, like this one, were marketed to audiophiles for their supposedly superior sound. On today’s modern systems, it should be obvious that they have nothing of the kind and that, in fact, the opposite is true.

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Rabin / The Magic Bow – Another TAS List Oversight?

Hot Stamper Pressings Featuring the Violin

Reviews and Commentaries for TAS Super Disc Recordings

This original Capitol record with Michael Rabin is ONE OF THE VERY BEST VIOLIN RECORDINGS we have ever played here at Better Records. The sound is OUT OF THIS WORLD! The immediacy of the violin tone is unbelievable — Rabin is in the room with you throughout the entirety of the record in a way that few recordings in our experience could hope to equal.

What more can we say, other than the music is every bit as good as the sound. If you love the Classical Romantic period, and who doesn’t?, these selections will have you in a world of sound and music rarely matched by anything but the best in live performance.

Another TAS List Oversight

This is another record that is not on the TAS List, but would certainly take top honors in a head to head shootout with any of the violin works to be found there.

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.

As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.

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Paganini / Concerto No.1 – Testament Records

The Music of Paganini Available Now

More Reviews of the Music of Paganini

Sonic Grade: C

We used to sell the Testament pressing you see pictured to the left. Many years later, in our review for the budget Angel Seraphim pressing, we said:

This copy KILLS the out of print Testament 180 gram version from circa 2000 (which is not a bad record by any means). Can’t say how it compares to the original — we haven’t had one in years.

When I was selling the Testament Heavy Vinyl pressing all those years ago, I had never heard an original.

But doesn’t it strike you as sad that even the cheapest domestic reissue from the ’70s (I think that’s when it was released), put out on a budget label, absolutely mops the floor with the higher priced, much more prestigious, ostensibly superior, imported from the UK Testament LP?

I was an audiophile then and I’m an audiophile now, and I am glad to say I’ve learned a few things about records in the last twenty or so years.

One of the things I leaned was that most Heavy Vinyl pressings are a fraud perpetrated on a far-too-credulous segment of the record buying public, principally made up of record buyers who describe themselves as audiophiles.

I fell for the hype twenty years ago but, as I say, I’ve learned a few things since then and now I know just how easily fooled most audiophiles are when it comes to buying records, especially the ones marketed to them by the major audiophile record dealers (who, truth be told, make even worse sounding records than this Testament. I’m looking at you, Mobile Fidelity and Acoustic Sounds).

Our Most Recent Review of a Hot Stamper Seraphim Pressing

The AMAZING Michael Rabin is the principal violinist. His playing of these exceptionally difficult pieces is legendary. Recorded by Capitol in the late ’50s, his fiery performance is breathtaking, with the kind of energy, excitement and technical proficiency that is second to none in our experience.

There’s a very good chance that you have NEVER heard a better sounding violin concerto record than this one. It’s clearly superior to most of the pressings that audiophiles would hold dear; we’ve played them by the score. The fact that it’s on a budget label reissue label, to my mind, is the icing on the cake. (There’s a valuable lesson here to be learned if only more audiophiles will make the effort to learn it.)

There are two recordings of the Paganini Concerto No.1 we like currently; this one, and the Menuhin on EMI. We prefer Rabin’s sound and performance, but the EMI engineers managed to record their orchestra with slightly more natural fidelity. Both are of course superb. (We love the mono recording Ricci did for London in the mid-’50s but the sound and surface quality are not competitive with the two recordings above.)

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Paganini – Kreisler / Concerto In One Movement / Campoli – Reviewed in 2019 and 2008

The Music of Paganini Available Now

More Album Reviews of the Music of Paganini

  • This exceptionally rare early London pressing features Double Plus (A++) sound or BETTER and includes a wonderful performance of the Saint-Saens Violin Concerto No. 3
  • This is a spectacular recording – it’s big, clear, rich, dynamic, transparent and energetic, and is guaranteed to put to shame any Heavy Vinyl pressing of orchestral music you own
  • Campoli brings his warmth, feeling, and technical precision to these classical masterpieces
  • The Decca engineers captured the correct amount of detail in the bowing and fingering – it’s not overdone as it is in so many records that many audiophiles prefer, with the mics much too close to the strings

This is a WONDERFUL sounding violin concerto recording. It has TUBEY MAGIC as well as MUSIC to die for. What’s most interesting about the sound is how well the violin is integrated into the orchestra. On most RCAs, just to pick one golden age label to use as an example, the violin is typically hugely oversized and placed far in front of the orchestra. Not so here. The violin is of a whole with the orchestra, which makes for a much more natural and relaxed presentation. (more…)

VTA – A Few Moments of Experimentation Can Really Pay Off

The Music of Paganini Available Now

Album Reviews of the Music of Paganini

Specific advice on what to listen for as you critically Adjust Your VTA.

Experimenting with the VTA for this record we found a precise point where it all came together, far beyond whatever expectations we might have had at the time, which revealed a violin floating between the speakers, an effect that as audiophiles we appreciate for the magic trick that it is.

The sound of the wood of the instrument became so clear, the harmonic textures so natural, it was quite a shock to hear a good record somehow become an amazing one. All it took was a few moments of experimentation.

With the right VTA setting we immediately heard more harmonic detail, with no sacrifice in richness. That’s the clearest sign that your setup is right, or very close to it.
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