Top Engineers – Glyn Johns

The Rolling Stones / Out of Our Heads – Mono or Reprocessed Stereo?

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On this London LP, even though it says the record is electronically re-processed into stereo, the songs we heard on side one were dead mono.

So much for believing what you read on album covers. (more…)

The Beatles – Let It Be

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  • With solid Double Plus (A++) grades or BETTER on both sides, this UK pressing boasts outstanding Let It Be sound
  • There’s no studio wizardry, no heavy-handed mastering, no phony EQ – here is some of the most realistic, natural Beatles sound you can get
  • Copies like this one make good on the promise that Let It Be captures the greatest rock band of all time playing and singing their hearts out
  • 4 1/2 stars: “The album is on the whole underrated… it’s an album well worth having, as when the Beatles were in top form here, they were as good as ever.”

At its best, Let It Be has the power of live music, but it takes a special pressing such as this one to show you that sound. It’s a bit trickier trying to find good sound for this album than it is for some of the other albums in the Beatles’ catalog. (more…)

Humble Pie – Rock On

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
  • Hard rockin’ energy to spare, the kind you will be hard-pressed to find on any modern Heavy Vinyl reissue these days – Shine On is big and bold and simply amazing here
  • A classic Glyn Johns recording – we were knocked out by the full-bodied, Tubey Magical sound of these killer pressings
  • 4 stars: “The record has an undeniable live feel to it, due in part to Glyn Johns’ humble yet precise recording, framing the group as if they were a boogie version of the Band.”

Glyn Johns strikes again — this record is absolutely brimming with TUBEY MAGIC. It’s the sound we love here at Better Records, assuming the pressing in question still maintains some degree of presence, immediacy and transparency. Records like this can easily get thick and muddy; think of the typically dull Who’s Next or Sticky Fingers and you’ll know exactly what I mean.

But oh what a glorious sound it is when it’s working. There’s not a trace of anything phony up top, down low or anywhere in-between. This means it has a quality sorely at odds with the vast majority of audiophile pressiings, new and old, as well as practically anything recorded in the last twenty years, and it is simply this: The louder you play it the better it gets.

For that we must thank Glyn Johns. (more…)

Led Zeppelin – Led Zeppelin I

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Reviews and Commentaries for Led Zeppelin I

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  • A truly INCREDIBLE import of Zep’s amazing debut with Nearly Triple Plus (A++ to A+++) sound on both sides – this is very close to As Good As It Gets folks, and on quiet vinyl to boot!
  • Arguably the biggest, clearest and most Tubey Magical Zeppelin album ever recorded, thanks to the engineering genius of Glyn Johns (and production genius of Jimmy Page, who paid for the whole thing out of his own pocket)
  • Just look at the track list – the lucky owner of this LP will be hearing those songs come to life like never before
  • 5 stars: “Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme… But the key to the group’s attack was subtlety: it wasn’t just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos.”

For the real Led Zep magic, you just can’t do much better than their debut — and here’s a copy that really shows you why. From the opening chords of Good Times Bad Times to the wild ending of How Many More Times (“times” start the album and end it too it seems) this copy will have you rockin’ out!

Both sides have THE BIG ZEP SOUND. Right from the start we noticed how clean the cymbals sounded and how well-defined the bass was, after hearing way too many copies with smeared cymbals and blubbery bass.

When you have a tight, punchy copy like this one, Good Times Bad Times does what it is supposed to do — it REALLY ROCKS! With this much life it’s light years ahead of the typically dull, dead, boring copy. The drum sound is PERFECTION.

Drop the needle on Babe I’m Gonna Leave You to hear how amazing Robert Plant’s voice sounds. It’s breathy and full-bodied with in-the-room presence. The overall sound is warm, rich, sweet, and very analog, with tons of energy. Dazed and Confused sounds JUST RIGHT — you’re gonna flip out over all the ambience!

Communication Breakdown sounds superb — the sound of Jimmy Page’s guitar during the solo is shockingly good. (more…)

The Faces – A Nod Is As Good As A Wink

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  • Two excellent Warner Brothers Green Label sides, both rating a Double Plus (A++) or better – The Faces are rockin’ their asses off on this copy
  • Punchy, solid and rich all the way through, with driving energy like nothing you’ve ever heard from the band – comes with the POSTER too!
  • Fairly quiet vinyl for a Green Label original – good luck finding one that plays this well (and sounds anything like this)
  • 5 stars: “[It] doesn’t feel cobbled together and it serves up tremendous song after tremendous song… It’s another classic — and when you consider that the band also had Long Player to their credit and had their hands all over Every Picture in 1971, it’s hard to imagine another band or singer having a year more extraordinary as this.”

(more…)

The Who ‎/ Who’s Next – Getting It Exactly Backwards

A classic case of Live and Learn

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What follows is the commentary for the Canadian One Sided Half-Speed that we had auditioned around 2000. It came in a regular jacket, not the one you see pictured, and was part of a big overstock batch I had gotten my hands on a number of years before.

Getting It Exactly Backwards

Half of this record is Half-Speed Mastered! There’s an interesting story behind this album. Those of you who’ve been collecting audiophile records for a long time may remember that Who’s Next was as an MCA Masterphile Half-Speed Mastered pressing produced in Canada. I remember liking it back in the day, which had to be 15 years ago at least. But they are very rare and I haven’t played one in many years.

I ran into some sealed Canadian pressings of Who’s Next, and when I cracked one open to play it I noted it had Masterphile written in the deadwax on one side. Apparently they had made so few Masterphile pressings that the metal work was still useable and they decided to press some “regular” records with one of the stampers.

And I remember I used to tell people that the good side, side one, was the Masterphile side. Then three or four years ago [circa 2000], I had occasion to play the record. Lo and behold, side one was bright and phony, and side two was rich and sweet, like the good Track Label pressings! I had gotten it exactly backwards.

A recurring theme here at Better Records has to do with the phony sound of audiophile records that we used to like, and the more natural sound of regular records, which are the ones we like now. This is another example. The better your equipment gets, the fewer so-called “audiophile” pressings you will want to have in your collection. The upshot to this story? Side two sounds great on this copy! (more…)

Steve Miller Band – Sailor – Our Shootout Winner from 2010

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SUPER HOT STAMPERS DISCOVERED AT LAST for this crazy SMB album engineered by the man himself, Glyn Johns! We just finished a big shootout for this trippy, bluesy LP and were pleased to find that the best copies really do give you that analog magic we’ve come to expect from Mr. Johns’ recordings.  

We have paired up two Capitol Rainbow Label pressings here to give you excellent sound for both sides. This will allow you to do your own shootout at home to see just how special the good sides really are. If you don’t want to bother with the inferior sides and leave the tedious work of playing bad sounding records to us, we’ll understand!

This album is a far cry from Miller’s poppier later work a la Fly Like An Eagle and Book Of Dreams. The music is psychedelic, bluesy and downright strange if you ask me. As we listened to these songs over and over I couldn’t believe how unique this album is. It’s a real pastiche of tripped-out ’60s styles, but it doesn’t sound all that similar to any of their contemporaries since it goes in so many directions. The open, spacious and tubey magical sound that Glyn Johns got here lets you make sense of all the crazy elements. You don’t need to know the lyrics to Space Cowboy to get the idea that these guys were probably pretty serious “midnight tokers.” (more…)

Graham Nash – Songs for Beginners

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  • With two amazing Shootout Winning Triple Plus (A+++) sides, this original pressing has the analog magic in its grooves
  • We love the All Analog Tubey Magical sound of the recording, especially on a copy as rich and full-bodied as this one
  • Arguably the best of the solo CSN albums – a founding member of our Top 100 Rock and Pop List and, with grades like these, a True Demo Disc
  • 4 1/2 stars: “From the soaring “I Used to Be a King” through the gossamer “Simple Man” to the wah-wah-laden “Military Madness,” the record is filled with gorgeous melodies, flawless singing, and lyrical complexities that hold up decades later.”

When you hear Chicago here you will not believe how cinematic the sound is! It’s everything we love about analog and then some.

Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best. Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.

Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlety is highlighted by the big productions surrounding them. This is the rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale. (more…)

Eric Clapton – Slowhand

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Clapton, Eric - Slowhand - Super Hot Stamper (With Issues)

  • This KILLER of Clapton’s 1977 release boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides – fairly quiet vinyl too
  • One of our favorite Clapton albums – this one is notoriously difficult to find good sound quality and reasonably quiet surfaces
  • With Glyn Johns behind the board, rest assured the sound will be suitably rich, smooth, sweet and above all ANALOG
  • 4 1/2 stars: “This is laid-back virtuosity — although Clapton and his band are never flashy, their playing is masterful and assured. That assurance and the album’s eclectic material make Slowhand rank with 461 Ocean Boulevard as one of Eric Clapton’s best albums.”

(more…)

Eagles – Eagles

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  • A truly outstanding early pressing, earning seriously good Double Plus (A++) grades or close to them on both sides
  • This is as quiet as they come, folks – no marks play, and the vinyl is often quieter than Mint Minus Minus, exceptional for this title
  • You will be floored by the huge, rich, Tubey Magical guitars exploding out from your speakers on Take It Easy
  • One of the Best Sounding Rock Records Ever Made, a member of our Top Ten and without a doubt Glyn Johns’ engineering (and producing) Masterpiece
  • A Top 100 Tubey Magical Demo Disc that is guaranteed to blow your mind on a pressing that sounds as good as this one does

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


It will not take the lucky owner of this record long to recognize what we’ve known for years: the Eagles first album is clearly and inarguably one of the Best Sounding Rock Recordings Ever Made. Almost all the qualities we look for on this album can be found on this very copy.

The Eagles first album is without a doubGlyn Johns‘ masterpiece — rock records simply do not sound any better in our experience. It’s exactly the kind of record that makes virtually ANY Audiophile pressing pale in comparison. Everything you could ask for as an audiophile is here, and more.

We’ve been up on our soapbox for years telling people how amazing this record can be, and here’s a copy that backs up our position from start to finish. (more…)