Top Engineers – Glyn Johns

Eagles – On The Border

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  • An outstanding British SYL copy with solid Double Plus (A++) sound for this criminally underrated California Country Rock Classic – exceptionally quiet vinyl for this album, because early UK pressings are almost impossible to find in audiophile playing condition
  • If you’ve never heard one of these early pressings, you have simply never heard this album sound the way it should
  • You Never Cry Like A Lover and The Best Of My Love (their first No. 1) offer Glyn Johns magically delicious DEMO DISC quality sound
  • We’re HUGE fans of the album here at Better Records; it’s some of the most sophisticated, well-crafted, heartfelt music these guys ever made, and that’s saying a lot coming from us – we’ve been big fans for decades

NOTE: *On side one, a mark makes 2 moderately loud pops followed by 1 loud pop and 2 moderatly light ticks at the beginning of Track 2, You Never Cry Like a Lover.

Many of you have probably forgotten how good this album is (assuming you were ever familiar with it in the first place) probably because the typical domestic copy you would have played back in the day is fairly hard on the ears. Most pressings, even the British ones, barely hint at the kind of sound you’ll hear on this vintage UK pressing (the only kind we sell of course).

The LIFE and ENERGY of this pressing are going to knock you right out of your seat. Most copies leave you with a headache, but this one will have you begging to turn up the volume. (more…)

The Clash – Combat Rock

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  • An insanely good sounding copy with Triple Plus (A+++) sound from start to finish – exceptionally quiet vinyl too
  • Both the two big jammers are on this killer side one: Should I Stay or Should I Go and Rock the Casbah – you’ve never heard them sound like this!
  • Glyn Johns produced and mixed Combat Rock, so its sonic credentials are certainly in order
  • If you’re a fan of meaty bass, grungy guitars and punchy drums, this is the copy for you
  • …its finest moments — “Should I Stay or Should I Go,” “Rock the Casbah,” “Straight to Hell” — illustrate why the Clash were able to reach a larger audience than ever before with the record.”

NOTE: There is a mark on track two that looks serious but in actuality can only be heard a few times very lightly during the second half of the track. For the most part it is completely obscured by the music.

If you can tolerate this one mark you are in for some amazing Clash music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.

Full and natural, energetic and high-res, no other copy came close. A stunning copy, absolutely as good as it gets for this punk classic.

Most of the other copies we played failed in one of two ways: if they weren’t too bright, they were dead as a doornail. But this copy knocked them all out with correct tonal balance and tons of energy. (more…)

Humble Pie – Humble Pie

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  • Incredible sound for this classic Humble Pie album from 1970 with both sides earning Shootout Winning Triple Plus (A+++) grades
  • A classic Glyn Johns British Blues Rock recording from 1970 – man, he was really on a roll back then
  • “Alternating hard-driving blues-rockers with country-folk numbers, Humble Pie neatly showcases the two sides of this band’s personality on their first release for a major American label and third album overall.”

This, their third album and first for A&M (which probably explains the master tape sound on domestic vinyl), is one of the few Humble Pie titles we’ve found that can offer honest-to-goodness Hot Stamper sound. Performance – Rockin’ The Fillmore is one of the best sounding live rock albums we have played, and Rock On can also be quite good, but after that it’s slim pickins for audiophiles.

The great sound is no mystery in this case; it comes courtesy of none other than Glyn Johns. He knows Heavy British Rock like nobody else on the planet, or did at the time anyway. If you want fat, meaty drums and grungy guitars — think Who’s Next, Sticky Fingers or A Nod Is As Good As A Wink — Glyn is your man.

Listen to how big and how far forward the drums are in the mix on the first track. That is a sound one rarely hears on a studio recording, and that’s a shame because the drum sound on this record is awesome. (more…)

Glyn Johns Is One of Our Favorite Engineers

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GLYN JOHNS is one of our favorite producers and recording / mixing engineers. Click on the link to find our in-stock Glyn Johns engineered or produced albums, along with plenty of our famous commentaries.

It was only about 2000 or so that we discovered what an amazing engineer and producer Glyn Johns is. A Hot Stamper of the first Eagles album on the original Asylum White Label blew my mind, produced and engineered by none other, so I quickly started looking around for other records he might have had a hand in. How about Who’s Next? Let It Bleed? On The Border (my personal favorite Eagles album)? Led Zeppelin’s debut? And of course, Sticky Fingers, a record that I’ve always known had the potential for great sound — you can hear it buried under all that bad vinyl and groove wear. You can hear it; you just can’t enjoy it through the noise.

And just recently I was reading the liner notes for Graham Nash’s solo debut, Songs For Beginners, one of the best sounding rock records ever made, and whose name should I see in the credits as mixing engineer, thirty plus years after I first fell in love with the album? The man himself of course. Here’s what we wrote:

The sound is of course superb throughout, in the best tradition of Crosby Stills and Nash’s classic early recordings: transparent, smooth and sweet vocals, with loads of midrange magic ; deep punchy bass (wait until you hear Better Days!); lovely extension on the top to capture the shimmer of the cymbals and harmonic trails of the acoustic guitars; with the whole balanced superbly by one of our all-time heroes, Glyn Johns.

The Who – Odds & Sods

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Wow — an original Black Label Track British Import pressing that plays QUIET and sounds about as good as any compilation of this material can hope to sound. We had about a half-dozen copies to compare against each other and none of them were as good as this one. I really doubt you can do much better. Like any comp the sound ranges from track to track, but relative to the other copies we played we award this one a conservative overall sonic grade of A+ to A++. The vinyl plays Mint Minus or better. 

Those of you who follow the site won’t be surprised to learn that some of the best sound on here is found on the tracks that Glyn Johns worked on.

This one comes in the original cool cover that’s die-cut to appear ripped. The later covers fake the effect. (more…)

Joan Armatrading – Joan Armatrading – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame

TWO AMAZING SIDES! We’ve known for quite some time that this can be an amazing sounding record, but until this week we didn’t realize just how stunning the best copies can be! This one’s an absolute knockout — side one earned the high grade of A++ while side two is As Good As It Gets!

The average copy of this album has a tendency to sound a bit too hi-fi for our tastes. Most audiophiles love that kind of sound, but us analog freaks prefer richness and warmth over hyper-detailed, unnatural sound. That’s why most of the heavy vinyl stuff we play around here gets the hook after just moments. We just aren’t interested in records that sound like CDs.

Side one is incredibly airy, open, and transparent. Turn down the lights, drop the needle, and your speakers will practially disapper! The soundfield is spacious and three-dimensional. The top end is silky sweet, the bottom is rich and solid, and the acoustic guitar sounds JUST RIGHT. Listen to how full-bodied and present the vocals sound on Down To Zero — lovely!

Side two has AMAZING MASTER TAPE SOUND! It’s big and lively with unbelievable immediacy to the vocals. The acoustic guitar has just the right amount of pluck and twang. Most copies don’t have this degree of clarity and transparency. There’s lots of ambience and room around the drums that weren’t nearly as clear on other pressings. We gave this side our top grade of A+++.

Our Man Glyn Johns At The Helm

This album was produced and engineered by Glyn Johns and recorded at Olympic Studios in London. Glyn, of course, is one of our all-time favorite engineers. If you like the sound of Who’s Next, Let It Bleed, On The Border (my personal favorite Eagles album), Led Zeppelin’s debut, and Sticky Fingers, you have Glyn Johns to thank for that.

 

The Rolling Stones – Let It Bleed

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A distinguished member of the Better Records Rock Hall of Fame.

This is, IMHO, the second or third best record the Stones ever made. (Sticky Fingers is Number One, and either this or Beggar’s Banquet comes in a strong second.) With this pressing we can now hear the power and the beauty of this superb recording.

Love In Vain on a copy like this is one of the best sounding Rolling Stones songs of all time. In previous listings I’ve mentioned how good this song sounds — thanks to Glyn Johns, of course — but on these amazing Hot Stamper copies it is OUT OF THIS WORLD.

This is, IMHO, the second or third best record the Stones ever made. (Sticky Fingers is Number One, and either this or Beggar’s Banquet comes in a strong second.) With this pressing we can now hear the power and the beauty of this superb recording.

Love In Vain on a copy like this is one of the best sounding Rolling Stones songs of all time. In previous listings I’ve mentioned how good this song sounds — thanks to Glyn Johns, of course — but on these amazing Hot Stamper copies it is OUT OF THIS WORLD. This vintage London Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Neil Young – Harvest – Our Shootout Winner in 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame since 2008.

Harvest is undeniably one of the most beloved albums in all of classic rock. We get letters all the time from customers hoping to get their hands on Hot Stamper copies, but we’ll never have the supply to keep up with the demand. It’s a tough nut to crack, because a Hot Stamper Harvest has to get so many things right — the lovely pedal steel guitar on Out On The Weekend, the LSO on A Man Needs A Maid and There’s A World (engineered by Glyn Johns), Neil’s grungy electric guitar on Alabama, and so much more. 

Many copies we played would work for the heavy songs and then fall behind on the softer numbers. Others had gorgeous sound on the country-tinged numbers but couldn’t deliver any whomp for the rockers. (more…)

Rita Coolidge – Nice Feelin’ – Reviewed in 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A very well recorded album. It’s easy to see why – two of the engineers are none other than Bruce Botnick and Glyn Johns. Al Kooper’s here too.

It is amazing given the exposure Rita Coolidge obtained through the Mad Dogs & Englishmen soundtrack that her second album for A & M is such a cult item. Covers of songs by Bob Dylan, Neil Young, Graham Nash and participation by names like Al Kooper, Glyn Johns, Bruce Botnick, and Marc Benno should have made this record her breakthrough…” AMG 

The Rolling Stones – Exile On Main Street – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock Hall of Fame.

Another HUGE double album conquered! This shootout was a MAJOR struggle, an uphill battle all the way. Stones fans and Hot Stamper die-hards are going to flip out over this one — here’s the Exile On Main Street you’ve been waiting for. You’d have to find, clean and play a ton of copies to come up with four sides that would come even close to the sound here.

Of course, Hot Stampers can only give you what’s on the tape. In this case, it’s some rude, crude, dirty rock & roll. That’s clearly what the Stones were going for here. In terms of audiophile appeal, Tea For The Tillerman this ain’t. This is no Demo Disc by any means; it may have some of The Rolling Stones best music on it, but those looking for the best sounding Stones album should look in the direction of Sticky Fingers or Let It Bleed. They’re better recordings.

But this album is no slouch. It can be a bit gritty and grainy at times, but you gotta believe that’s kind of the sound the Stones heard in the booth. (more…)