Top Artists – Carly Simon

Carly Simon – Anticipation

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  • This outstanding early pressing boasts solid Double Plus (A++) sound from start to finish
  • Produced by Mr. Paul Samwell-Smith, this album blends Carly’s lilting vocals with lush, harmonically detailed acoustic guitars and BIG punchy drums
  • Brimming with favorites, like Anticipation, Legend In Your Own Time and I’ve Got To Have You, this is clearly one of her most consistent albums
  • “Carly Simon’s second album found her extending the gutsy persona she had established on her debut album… a frankly passionate person whose vulnerability was a source of strength, not weakness, a valuable feminist trait and one Simon would pursue in her later work.”

The acoustic guitars sound particularly good on this copy, with just the right balance of pluck and body. The vocals are breathy and full-bodied with extraordinary immediacy. The tonality from top to bottom is Right On The Money. I don’t think you could find a much better sounding copy of this album no matter how hard you tried. We went through plenty to find this one, I can tell you that. (more…)

Carly Simon – Another Passenger

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  • A wonderful copy of Carly’s 1976 release, a personal favorite of mine, and this pressing rated Double Plus (A++) grades throughout – exceptionally quiet vinyl too
  • There’s gobs and gobs of 1976 Tubey Magical Richness courtesy of engineer Donn Landee and producer Ted Templeman
  • Our pick for the best – and best sounding – Carly Simon album, a Must Own which Rolling Stone called “Carly Simon’s best record.”
  • She’s got help from a wonderful backing crew including the Doobies and Little Feat, plus Linda Ronstadt, Jackson Browne, Dr. John, and of course good ‘ol JT

There’s one quality in particular that added immensely to our enjoyment of the music — gobs and gobs of Tubey Magic. The copies that were opaque, dry, flat and “modern” sounding — which pretty much describes practically every Heavy Vinyl record we’ve played in the last five years — bored us to tears, not surprisingly in the very same way that most Heavy Vinyl does.

Most copies of the album get Carly’s voice all wrong — gritty, edgy, hard and strained, but not this one. Carly’s singing on this copy is smoother, sweeter, more immediate and clearly more emotionally compelling than we heard on most of the other copies in our shootout. The music seems to come to life right in front of you, right there in your very own listening room.

This is 1976, they were still making good records then. You would hardly know it by playing the average pressing of the album, but when you hear one like this, there is no mistaking the richness, sweetness and freedom from artificiality that must be on the tape, qualities for which good tube equipment is rightly revered. (We no longer use tube equipment ourselves, preferring to be guided by the approach of reproducing the Tubey Magic of the records we play unadorned.) (more…)

Carly Simon – Torch

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  • Simon’s wonderful 1981 release makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound from start to finish
  • Surprisingly rich, natural and analog considering the recording date – very little sound of the sound of the day — the kind that ruined most of what was made in the ’80s — is on display here, and thank god for that
  • “Carly Simon’s Torch is a gorgeous throwback to the Fifties and early Sixties… By blending old and new material, and by incorporating a hint of jazz-fusion music into a studio-orchestra sound, Simon and her producer, Mike Mainieri, begin to suggest a continuity between Fifties torch and Eighties pop.”

(more…)

Classic Tracks: “How Sweet It Is (to Be Loved by You)”

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Mixonline Classic Tracks

BY ROBYN FLANS

How sweet it is! The James Taylor track of that name with Carly Simon vocals and a David Sanborn sax solo went to Number 5 on the Billboard 100 in 1975, dominating radio and adding a sweet voice to the din of the turbulent mid-1970s.

The Russ Titelman/Lenny Waronker production of “How Sweet It Is (To Be Loved By You)” became the most successful version of the Holland-Dozier composition, originally recorded by Marvin Gaye in 1964. (more…)

Carly Simon – Anticipation – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame

TWO INCREDIBLE SIDES ON QUIET VINYL! We just finished our first big shootout for Anticipation in three years, and here’s the copy that finished at the top of the heap. Both sides have the kind of warm, sweet sound that perfectly conveys the emotional qualtity of Carly’s performance. Drop the needle on the song “I’ve Got To Have You” for some of the best Carly Simon sound you will ever hear — we were blown away!

Note that the first song, the title track, has a bit of a “radio EQ” feel and doesn’t sound as good as the rest. It’s a shame but there’s still a whole lot to like here.

The acoustic guitars sound particularly good on this copy, with just the right balance of pluck and body. The vocals are breathy and full-bodied with extraordinary immediacy. The tonality from top to bottom is Right On The Money. I don’t think you could find a much better sounding copy of this album no matter how hard you tried. We went through a lot of copies to find this one, I can tell you that!

If Those Guitars Sound Familiar… 

When you hear the incredibly lush, highly detailed acoustic guitars on this record, you won’t be surprised to find out that the album was produced by Mr. Paul Samwell-Smith, who handles the same duties on Tea For The Tillerman and Teaser And The Firecat. You’ll hear his signature sound all over this album, particularly on the track I’ve Got To Have You. That’s not to say that we’d put this recording on the same level with those audiophile knockouts, but the richness and the sweetness of the midrange on the best copies is exactly what you’d expect from the team of Samwell-Smith and Carly Simon. (We wish the drums had a little more punch, but that’s just our inner rock-and-roller speaking!)

AGAIG! (more…)

Carly Simon – Another Passenger – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A TOP PRESSING of what we consider to be the best — and best-sounding — Carly Simon album! I’ve been telling people for years how amazing this album can sound, but we almost never hear it sound quite like this! Side one rates A++, side two rates A+++ and both sides play quietly. Most copies are gritty and edgy, but this one is smoother, sweeter and much more musical.  (more…)

Carly Simon – Boys In The Trees – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This White Hot Stamper side one backed with an almost-as-amazing side two has the sound we were looking for on BOTH sides of the album: rich and sweet, with the kind of TRANSPARENCY that lets you hear every breath Carly takes. This is not phony detail — her voice is natural and full-bodied, and the entire production is tonally correct from top to bottom. This pressing is just doing its job — showing you what’s really on the master tape — and not too many of the copies we played were able to do that.

Most of the copies we played were dull, smeary and opaque, like so many records from this era. Since a lot of the records we play for shootouts are from the ’70s, we’re pretty familiar with that sound by now. Simply put, we’re in the business of looking for the copy that doesn’t sound like that. We’re looking for the copy that manages to get all the information from the cutter head into the grooves and keep it there. We call such copies Hot Stampers, and when a random copy comes along that just happens to be amazingly good, as in this case, we call it a White Hot Stamper. (more…)

Carly Simon – Carly Simon

More Carly Simon

Carly Simon – Carly Simon

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  • Both sides of this original Elektra LP earned excellent Double Plus (A++) grades for their sound and play exceptionally quietly
  • Legendary producer and engineer Eddie Kramer lends his talent to this album and knows how to get the best sound
  • That’s The Way I’ve Always Heard It Should Be is the killer track here and it sounds fantastic on this copy
  • Can you believe that the producer and engineer of Carly’s 1971 debut here is none other than Eddie Kramer!?  

It’s not an audiophile knockout like Dark Side of the Moon, nor is it trying to be. The richness and the sweetness of the midrange on the best copies are exactly what you’d be looking for on this heavily-produced pop album, and this copy gives you that sound like no other copy you’ve ever heard. (more…)

Carly Simon – Another Passenger – What to Listen For

More Carly Simon

More Another Passenger

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album. 

There’s one quality in particular that added immensely to our enjoyment of the music — gobs and gobs of Tubey Magic. The copies that were opaque, dry, flat and “modern” sounding — which pretty much describes practically every Heavy Vinyl record we’ve played in the last five years — bored us to tears, not surprisingly in the very same way that most Heavy Vinyl does.

This is 1976, they were still making good records then. You would hardly know it by playing the average pressing of the album, but when you hear one like this, there is no mistaking the richness, sweetness and freedom from artificiality.

These are qualities for which good tube equipment is rightly revered. (We no longer use tube equipment ourselves, preferring to be guided by the approach of reproducing the Tubey Magic of the records we play, assuming there is some, unadorned.)

Most pressings get Carly’s voice all wrong — gritty, edgy, hard and strained, but not this one. Carly’s singing on this copy is smoother, sweeter, more immediate and clearly more emotionally compelling than we heard on any other copies in our shootout. We call this Master Tape Sound; you hear it on those rare pressings so far beyond the norm that the music seems to come to life right in front of you, right there in your very own listening room. (more…)

Letter of the Week – Another Passenger and Honky Chateau

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,  

I want to say a big THANK YOU for the Hot Stampers you sent to me. Wish You Were Here is maybe the best sounding record I’ve ever heard (as you know I have a lot of Hot Stampers). I’m so amazed and lucky – I can’t describe it. The copy sounds out of this world with soooo well-defined bass, stunning clarity, warmth and richness, immediacy, astonishing transparency… It murders my old copy. Another Passenger and Honky Chateau are also Demo Discs of the highest order. 

Erik S.

Another Passenger

Honky Chateau