Top Artists – Julie London

Julie London – About The Blues

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Julie’s lilting vocals are clear, breathy, Tubey Magical, and sweet, like practically nothing you’ve ever heard. This copy is about as quiet as we can find these 1957 Turquoise original mono pressings, Mint Minus Minus* throughout. 

Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.

Take it from a huge Julie London fan, you can’t go wrong here, not for sonics, for music, or for anything else, including playing surfaces. In our experience, this lovely vintage pressing is as quiet as can be found. About The Blues is five times more rare than Julie Is Her Name, which makes finding clean copies much harder than it should be.

The sound is rich and full-bodied in the best tradition of a Classic Fifties Female Vocal album. You could easily demonstrate your stereo with a record this good, but what you would really be demonstrating is music that the listener probably hasn’t heard, and that’s the best reason to demonstrate a stereo.

And you would surely be making someone a fan of Julie London’s early recordings. They are simply amazing on every level, or at least the best ones sure are. This title slotted in between 1956’s Calendar Girl (which is every bit as hard to find) and Make Love to Me, from later on in 1957. All three are wonderful.

Midrange Magic

Get the volume right and Julie will appear right between your speakers, putting on the performance of a lifetime. This early pressing also has the midrange magic that’s no doubt missing from whatever 180g reissue might be available. This one is guaranteed to be dramatically more REAL sounding. It will give you the sense that Julie London is right in front of you. (more…)

The Recordings of Julie London – These Five Didn’t Make the Grade

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Drenched in echo, ten years after her first album somehow everyone forgot how to record female vocals!

 

These are just some of the Julie London’s recordings that we’ve auditioned recently and found wanting.

Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.  

A Free Service provided to the Audiophile Public, courtesy of Better Records.

Julie London – Lonely Girl

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A Knockout recording of female vocal with guitar: Triple Plus (A+++) on the first side, seriously good Double Plus (A++) on the second. Julie is in the room with you – intimate, breathy and Tubey Magical like practically nothing you’ve ever heard. For late night listening this is surely one of the best Sultry Female Vocal recordings ever made – you won’t believe how real the sound is.

After hearing this amazing copy in our shootout we felt that it might be a bit too noisy to list, but another scrub cleaned it up nicely and now it’s about typical for an exceptionally clean copy of the album. No marks play — the noise one hears is mostly just the vinyl of the day.

I bought this very record in 1998. It took me close to twenty years to be able to clean it and play it right! (more…)

Julie Is Her Name – A Boxstar Bomb

 

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A Hall of Shame pressing from Cisco / Impex / Boxstar.

One question: Where’s the Tubey Magic?

We would never have pointed you in the direction of this awful Boxstar 45 of Julie Is Her Name, cut by Bernie Grundman, supposedly on tube equipment. I regret to say that we actually sold some copies, but in my defense I can honestly and truthfully claim that we never wrote a single nice thing about the sound of the record. That has to count for something, right? (more…)

Julie London – Make Love To Me

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This outstanding original Liberty Turquoise mono pressing boasts solid Double Plus (A++) grades, or close to them, on both sides. Thanks to superb engineering and vintage All Tube mastering, this 1957 LP is wonderfully rich and sweet, with a breathy, intimate Julie London performing live in your listening room. It’s also pressed on unusually quiet vinyl – Mint Minus Minus, with no issues to speak of – they don’t come quieter. (more…)

Julie London – Calendar Girl

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Calendar Girl

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This Julie London 1956 Classic makes its Hot Stamper debut with outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too. Both of these mono sides have plenty of Tubey Magic – they’re fuller, more musical and more natural than most any other copy we played. Julie’s voice sounds particularly nice on this copy – intimate, rich and warm, just as the way we like her to sound.

This is a wonderful sounding record, and almost impossible to find with surfaces this quiet.

However, the original label pressing from 1956 does have better sound, at least it does on the noisy reference copy we used in our shootout. It’s the only early pressing I have ever seen in playable condition, and it’s far too noisy to be enjoyed with audiophile equipment. Julie Is Her Name survived the bad turntables and their owners from the era because they made so many of them. This album did not sell in those kinds of numbers, and the result is that the early pressings are rare and virtually impossible to find in audiophile playing condition. (more…)

Julie London – Julie

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More Julie

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  • This outstanding vintage Liberty stereo pressing boasts solid Double Plus (A++) sound or close to it from top to bottom – exceptionally quiet vinyl for a Julie London album too (don’t get me started)
  • In-the-room presence, preternaturally breathy vocals, and boatloads of wonderful Tubey Magic
  • This amazing sleeper of a record belongs right up at the top of Ms. London’s oeuvre (25 albums strong) along with Julie Is Her Name – high praise indeed
  • 4 stars: “Usually put into a torch song setting, this release allows London to shed that garment and become jazzy. Instead of being sultry, she becomes dazzling and sparkling. She also becomes more adept at phrasing and timing and takes a risk or two in the tradition of a jazz singer.”

The great Jimmy Rowles plays piano, handled the arrangements and fronts the big group here, taking the music in a wonderfully jazzy direction that suits Julie’s vocal style perfectly. (more…)

Julie London – Julie Is Her Name – What to Listen For

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More Julie Is Her Name

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Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album. 

On side one listen to how rich the bottom end is on Barney Kessel’s guitar. The Tubey Magic on this side is off the charts. Some copies can be dry, but that is clearly not a problem on this one. The naturalness of the presentation puts this album right at the top of best sounding female vocal albums of all time.

To take nothing away from her performance, which got better with every copy we played. Julie’s rendition of Cry Me a River may be definitive.

If only Ella Fitzgerald on Clap Hands got this kind of sound! As good as the best copies of that album are, this record takes the concept of intimate female vocals to an entirely new level.

Mono Versus Stereo

This is the kind of record that the mono cartridge owners of the world worship, with good reason: the sound is amazing. But you don’t need a mono cartridge to hear how good, in fact how much better, this copy sounds than the stereo pressing.

The recording is mono, which means that the stereo pressings are actually reprocessed into stereo. Not too surprisingly the sound is terrible. (more…)

Julie London – Julie Is Her Name, Vol. 2

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The notes I took during this shootout lay out just how impressed I was with the sound of this remarkable copy:

Wide stereo. Big Bass. Swingin’. Just the right amount of reverb. Tonal perfection. The stereo kills the mono (on this album, on the copies we played anyway).

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On side one listen to how rich the bottom end is. The Tubey Magic on this side is off the charts. Some copies — or, to be more precise, some sides of some copies can be dry — but that is clearly not a problem on this one. The naturalness of the presentation puts this album right at the top of best sounding female vocal albums of all time.

To take nothing away from her performance, which got better with every copy we played.

If only Ella Fitzgerald on Clap Hands got this kind of sound! As good as the best copies of that album are, this record — like the first volume, the 1955 mono recording — takes the concept of intimate female vocals to an entirely new level. (more…)

Julie London – About The Blues

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More About The Blues

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  • About The Blues with KILLER Triple Plus (A+++) sound from first note to last; we rarely have this title on the site 
  • Julie’s lilting vocals are clear, breathy, Tubey Magical, and sweet, like practically nothing you’ve ever heard
  • This copy is about as quiet as we can find these 1957 Turquoise original mono pressings, Mint Minus Minus* throughout
  • 4 stars: “About the Blues … may just be her best orchestral session. Since downbeat torch songs were London’s specialty, the album features an excellent selection of nocturnal but classy blues songs that play to her subtle strengths…”

Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.   (more…)