Top Artists – George Benson

Miles Davis – Miles In The Sky

Hot Stamper Pressings of Miles’ Albums Available Now

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Reviews of Recordings Made at Columbia’s 30th Street Studio

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  • This outstanding Columbia pressing boasts solid Double Plus (A++) or close to it from first note to last
  • Excellent sound courtesy of Arthur Kendy’s and Frank Laico’s engineering at the famed Columbia Studio B in NYC
  • Miles here is backed by his classic ’60s All Star crew – Herbie Hancock, Wayne Shorter, Ron Carter & Tony Williams
  • “…Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion… intriguing music…”

*NOTE: On side one, a mark makes 5 light ticks at the beginning of Track 2, Paraphernalia.

We just finished a big shootout for this superb Miles Davis album and this copy was dramatically better sounding than many. Both sides have excellent bass, correct sounding brass, wonderful transparency and loads of Tubey Magic.

Many copies didn’t have the kind of transparency or openness that we heard here, which made it harder to appreciate the contributions of the different players. This one puts plenty of separation between the various instruments, so you can make sense of what each of these heavy-hitters adds to the mix. You will have a very hard time finding a copy out in the bins that sounds as good as this one!

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds. (more…)

Freddie Hubbard – First Light

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  • This vintage pressing of First Light has outstanding Double Plus (A++) sound or close to it on both sides – exceptionally quiet vinyl too
  • Features an outstanding lineup including Herbie Hancock on keys, Ron Carter on bass, George Benson on guitar, Airto on percussion, and Jack DeJohnette on the drums.
  • 4 1/2 stars: “The result is a masterpiece of textured sound, gorgeously far-flung charts, sweet, tight grooves, a subtle mystic feel, and some of Hubbard’s most exciting playing ever. While Red Clay [a Better Records favorite] and Straight Life are both fine albums, First Light is the one that connects on all levels — and it did with the jazz-buying public as well. A masterpiece.”

This is more of a mainstream jazz record than Red Clay or Straight Life. Hubbard was a master of funky jazz, and this pressing was one of the few in our shootout with the kind of high quality mastering that can do justice to his uniquely energetic, lightning fast jazz style. (more…)

George Benson – White Rabbit

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  • You’ll find SUPERB nearly Triple Plus (A++ to A+++) sound on both sides of this CTI pressing of Benson’s Must Own Masterpiece – just shy of our Shootout Winner – exceptionally quiet vinyl too
  • Open and transparent throughout, with wonderfully full-bodied guitars, solid bass and huge amounts of swingin’ jazz energy
  • Superb engineering by Rudy Van Gelder – White Rabbit features jazz legends Herbie Hancock, Ron Carter, Billy Cobham, Airto, and more
  • 4 stars: “For George Benson’s second CTI project, producer Creed Taylor and arranger Don Sebesky successfully place the guitarist in a Spanish-flavored setting full of flamenco flourishes, brass fanfares, moody woodwinds and such… In this prime sample of the CTI idiom, everyone wins.”

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George Benson – Tell It Like It Is – A&M Half-Speed Debunked

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Sonic Grade: F

Hall of Shame pressing and another Half-Speed Mastered Audiophile Pressing Debunked.

The Half-Speed is pretty — pretty lifeless if you ask me, in the way that so many Half-Speed mastered records are. It’s cut very clean, but until you play a good A&M pressing, you don’t know how much meat has been stripped from the bones. The best A&M pressings sound like a Rudy Van Gelder recording, which, of course, they are.

Freddie Hubbard – Sky Dive – Our Shootout Winner from 2011

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A distinguished member of the Better Records Jazz Hall of Fame.

With a sonic grade of A+++ this White Hot Stamper original CTI pressing has a side two that won Top Honors in our recent shootout. It’s CLEARLY the best sounding side we have ever offered of this funky jazz classic, but it has serious condition issues, including a mark that plays at the end of track one all the way into track two. If you can live with that mark you will hear some amazing sound and music on side two. And if you buy this copy and realize you can’t, feel free to send it back for a full refund.

We ran into lots of condition problems with this album; perhaps your experience has been the same. Not many played anything close to Mint Minus, including this one. (more…)

George Benson – The Other Side of Abbey Road

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A distinguished member of the Better Records Jazz Hall of Fame.

An A++ side one backed with an A+++ side two! We just shot out a bunch of these and this copy finished way ahead of the pack. George Benson and a top-notch backing crew (Herbie Hancock, Ron Carter, Ray Baretto, Freddie Hubbard and many more) knock these jazzy Abbey Road covers out of the park, and Rudy Van Gelder did a great job putting it to tape. Of course not every pressing sounds good, but the best copies like this one are killer!  (more…)

Freddie Hubbard – Polar AC (2013)

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A distinguished member of the Better Records Jazz Hall of Fame.

We’re big fans of Hubbard’s CTI material around here and this album has a lot of the qualities we love about this stuff. All the usual faces are here — Ron Carter, Billy Cobham, George Benson, Airto — and Rudy Van Gelder does a great job capturing their performances. (We used to criticize RVG pretty harshly, but in recent years we’ve found more and more pressings of his stuff that really work.)  (more…)

George Benson – Breezin’ – Hot Stamper MoFi Reviewed

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Sonic Grade: B-

Another MoFi reviewed, and surprisingly this one isn’t awful.

It has an excellent side two backed with a pretty good side one. Side two has excellent bass — for a MoFi — and lots of energy — for a MoFi. It’s slightly smooth but overall it’s very musical. The best domestic copies are going to eat its lunch, but try to find one that sounds good. Most of them are awful. 

This MoFi copy, though lacking in many ways, is MUCH BETTER sounding than the other MoFi copies we played it against, which were muddy and compressed.

Side one of this copy has some of that sound. Side one lacks the transients we found on other copies and it’s a tad recessed and compressed. However, it does have relatively good bass definition and the strings are nicely textured. (more…)

Freddie Hubbard – First Light (2011)

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A distinguished member of the Better Records Jazz Hall of Fame.

This Super Hot Stamper original CTI pressing has a truly SUPERB side two that just put to shame most of what we played. Smeary blurred trumpet blasts? Not here. Nope, the transient bite and energy of the trumpet is as REAL as it gets. 

Hubbard was a master of funky jazz, and this pressing was one of the few in our shootout with the kind of high quality mastering that can do justice to his uniquely energetic, lightning fast jazz style.

This is more of a mainstream jazz record than Red Clay or Straight Life. It features an outstanding lineup including Ron Carter on bass, George Benson on guitar, Airto on percussion, and Jack DeJohnette on the drums. (more…)

George Benson – Bad Benson

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A distinguished member of the Better Records Jazz Hall of Fame.

White Hot Stamper sound on side two, which means this copy has the power to show you just how well-recorded the album really is, and how much energy and drive there is to both the sound and the music. No other side of any copy earned the full Three Plus White Hot grade, so this is a very special side indeed.

We didn’t run into any awful CTI originals the way we do with the typical rock record from the ’70s, but it’s the rare copy that has a real top end, or much in the way of transparency, or freedom from smear. This copy has all three, without any sacrifice in richness or Tubey Magic.

There’s some “Breezin”-like material on the second side, two years before that monster album was released, and man does it ever sound good on this copy!

Rich, full-bodied sound is not hard to find on Bad Benson; most copies had the goods in the bass and lower midrange. (more…)