Top Artists – Black Sabbath

If You Want to Hear This Band Playing Live in the Studio, Turn Up Your Volume

We played the album very loud, as loud as we could, and still we wanted more volume! That’s what a good record is all about — the louder you play it the better it sounds.

If you like the raw, rockin’ sound of early Zep, you should have a blast with this album. It’s a shockingly good recording, and the music is of course as heavy as it gets for 1970.

This Warner Brothers Green Label pressing DESTROYED the import copies we played it against with startling immediacy, tons of ambience, and loads of texture. The soundfield is HUGE — back wall to front wall, floor to ceiling, and WIDE. The bass is Right On The Money — deep, well-defined, and punchy.

If you want this effect:

“Sabbath’s slowed-down, murky guitar rock bludgeons the listener in an almost hallucinatory fashion, reveling in its own dazed, druggy state of consciousness.”

You need a copy that sounds the way this one does! 

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More Records that Sound Their Best on Big Speakers at Loud Levels

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Black Sabbath – Heaven and Hell

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  • Sabbath’s first album with Dio finally makes its Hot Stamper debut, with outstanding Triple Plus (A+++) sound or close to it on both sides
  • With Martin Birch (Fleetwood Mac, Deep Purple) producing, the band put their recent bad albums with Ozzy behind them to record this 5 Star return to form
  • Forget whatever Heavy Vinyl LP they’re making these days – if you want to hear the Tubey Magic, size and energy of this Heavy Metal Classic from 1980, a vintage pressing like this one is the way to go
  • 5 stars: “The Sabs found a worthy replacement in former Elf and Rainbow singer Ronnie James Dio, and bounced back to issue their finest album since the early ’70s… The band sounds reborn and re-energized throughout… One of Sabbath’s finest records. “

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Black Sabbath – Paranoid

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A stunning early WB Green Label pressing with shootout winning Triple Plus (A+++) sound from start to finish. The first “Triple Triple” copy of Paranoid to hit the site in a long long time — that’s how tough these are to come by! This copy has the kind of energy, presence, and fullness needed to bring the best out of this hard rock / heavy metal classic. (more…)

Black Sabbath – Sabbath Bloody Sabbath

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  • Black Sabbath’s fifth studio album finally makes its Hot Stamper debut, with outstanding Double Plus (A++) sound on both sides – exceptionally quiet vinyl too
  • This is the vinyl embodiment of the Classic Analog Rock sound we love – rich, full-bodied, warm, punchy, dynamic and tonally correct
  • “an extraordinarily gripping affair”, and “nothing less than a complete success” — The Rolling Stone
  • 4 1/2 stars: “All things considered… Sabbath Bloody Sabbath was arguably Black Sabbath’s fifth masterpiece in four years, and remains an essential item in any heavy metal collection.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These vintage WB pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.

No recordings will ever be made that sound like this again, and no CD will ever capture what is in the grooves of this record. There is of course a CD of this album, quite a few of them I would guess, but those of us with a good turntable could care less. (more…)

Black Sabbath / Self-Titled – Can’t Keep ‘Em in Stock

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Reviews and Commentaries for Black Sabbath

  • KILLER Shootout Winning Triple Plus (A+++) sound from start to finish, making this one of the best sounding copies to ever hit the site
  • MASSIVE, powerful and spacious throughout – this original pressing is big, rich and solid like you won’t believe
  • This is one of the few copies we’ve found in a long time that has no bad repeating marks; most copies we find are just about unplayable!
  • The best copies are stunning Demo Discs – crank it up and blow your friends away
  • 4 1/2 stars on Allmusic and one of the best sounding hard rock recordings from the era, or, to be honest, from any era

Top 100

Back in 2018 we wrote:

This title will surely make the cut next time we update our Top 100 Rock and Pop List. I would go so far as to say that the best copies of this album have sound as good or better than anything I’ve heard all year, and that’s an awful lot of great sounding records, hundreds and hundreds of them.

It did in fact make the Top 100, but to what end? We never have this title in stock! They are just too hard to find in audiophile playing condition.

Amazing Sounding Hard Rock

If you like the raw, rockin’ sound of the early Zep albums, you should have a blast with this album. It’s a classic of early hard rock/metal, as you most likely know. But what you might NOT know, particularly if you’re listening to the average pressing, is just how good it can sound.

If you want this effect:

“Sabbath’s slowed-down, murky guitar rock bludgeons the listener in an almost hallucinatory fashion, reveling in its own dazed, druggy state of consciousness.”

You need a copy that sounds the way this one does!

What the Best Sides of Black Sabbath Have to Offer Is Not Hard to Hear

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1970
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We’re Listening For on Black Sabbath

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

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Black Sabbath – Vol. 4

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  • This pressing boasts outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
  • Both sides here are really rockin’ — big and full-bodied with tight punchy bass and lots of energy 
  • We agree with Henry Rollins, who said, “Sabbath could be my favourite band… There’s something about their music that’s so painful and yet so powerful.”
  • 5 Stars: “… it does find Sabbath at their most musically varied, pushing to experiment amidst the drug-addled murk… Die-hard fans sick of the standards come here next, and some end up counting this as their favorite Sabbath record for its eccentricities and for its embodiment of the band’s excesses.”

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Black Sabbath – Master of Reality

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  • An excellent original pressing of Black Sabbath’s third studio release, with outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
  • These sides are big and bold with plenty of bass and driving rock energy – this is the right sound for this heavy music
  • It is ridiculously tough to find copies of this album that sound this good and play this quietly, tougher even than it is for Paranoid or the first album
  • 5 stars: “Master of Reality essentially creates multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner, AND sludge metal, all in the space of just over half an hour.”

This vintage pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)