- One of the finest string quartet recordings we have ever had the pleasure to play – lovely recreation of space, Tubey Magical richness, and rosiny string textures
- Clear and transparent and natural – your ability to suspend disbelief requires practically no effort at all
- “The playing of the Quartetto Italiano has a freshness, range and subtlety that vividly realizes the music in all its variety, while technical problems seem to have been solved so that the music making can be both spontaneous-sounding and thoughtful throughout.”
- This superb Chabrier album contains our favorite Espana Rhapsody, and this copy lets you hear it with outstanding Double Plus (A++) sound or BETTER and exceptionally quiet vinyl on both sides
- The “Espana” rhapsody for orchestra in Nearly White Hot stamper sound here is guaranteed to blow your mind
- This spectacular Demo Disc recording is big, clear, rich, dynamic, transparent and energetic – HERE is the sound we love
- All the energy and power of Chabrier’s remarkable orchestration, thanks to the brilliant engineering of Roy Wallace
- Ansermet’s Chabrier disc has long been a favorite of ours here at Better Records – this copy will show you why
If you want a classical record to TEST your system, if you want a classical record to DEMO your system, you will have a hard time finding a better pressing than this very copy.
Who can resist these sublime orchestral works? To quote an infamous (around here) label, they are an audiophile’s dream come true. The Tracklist tab has extensive background information on most of these works.
So clear and clean, and spread out on such a huge stage, either one or both of these sides will serve you well as your go-to reference disc for Orchestral Reproduction.
Listen for the waves of sound in Espana — only the best copies bring out the energy and power of Chabrier’s remarkable orchestration.
- This early Plum Label Victrola pressing of these lively and masterful performances earned outstanding Double Plus (A++) grades on both sides
- It’s also fairly quiet at Mint Minus Minus, a grade that even our most well-cared-for vintage classical titles have trouble playing at
- Tons of energy, loads of detail and texture, superb transparency and excellent clarity – all qualities the best vintage vinyl classical pressings have in abundance
- A top performance of the 4th by Monteux and the LSO, with strings that are tonally correct, rich, and sweet
- The horns on the Wagner piece are exceptionally well reproduced here as well – how could a Wagner record be any good without good horns?
- There are about 100 orchestral recordings that offer the discriminating audiophile pressings with the Best Performances and Top Quality Sound. This record has earned a place on that list.
Both sides of this early Plum Label Victrola pressing are superb, with the kind of string tone only found on the best of the Living Stereo releases and other top quality Golden Age recordings.
Here is the kind of sound that Classic Records could not ignore, even though the original was only ever made available as part of RCA’s budget reissue series, Victrola.
Don’t let its budget status fool you — this pressing puts to shame most of what came out on the full price Living Stereo label. (And handily beats any Classic Records reissue ever made.)
And Monteux is once again superb.
We played a large group of Beethoven’s symphonies this week and this was clearly one of the best, if not THE best. Well recorded Beethoven is hard to come by. The box sets we played were mediocre at best, and that left us with only a handful of clean early pressings. These records just aren’t out there like they used to be.
- We guarantee you’ve never heard this powerful orchestral masterpiece sound remotely as good as it does here
- One of the truly great All Tube Wilkinson “Decca Tree” recordings in Kingsway Hall, captured faithfully in all its beauty on this very disc
- The 1950s master tape has been transferred brilliantly using “modern” cutting equipment (from 1976, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer
- Don’t expect to see an original on this site – the two we had were crude, flat, full of harmonic distortion, and had clearly restricted frequency extremes
- If you’re a fan of large symphonic works from the Romantic period, this is a Top Title from 1958 that belongs in your collection.
- The complete list of titles from 1958 that we’ve reviewed to date can be found here.
- There are roughly 100 orchestral recordings we think offer the discriminating audiophile the best combination of Superior Performances with Top Quality Sound. This record has earned a place on that list.
Krips’ 1958 recording for Decca is brought to life on a fairly quiet and certainly quite wonderful World of the Great Classics pressing from 1976. This copy was clearly the best we played, showing us a huge hall, with layered depth that was only hinted at on most pressings, regardless of age.
The strings are remarkably rich and sweet. This pressing is yet another wonderful example of what the much-lauded Decca recording engineers of the day were able to capture on analog tape all those years ago. (more…)
This London Whiteback pressing (CS 6578) has SHOCKINGLY GOOD sound; in many ways it deserves to be called a Demo Disc. It has at least one quality that one virtually never hears on an audiophile reissue: a smooth, natural top end. This record only sounds correct and “real” at louder volumes, in the same way that a live orchestra often sounds a bit lifeless in the quiet passages, only to get exciting, big and powerful when the score calls for it. For this to happen on record you need real dynamics and tonal neutrality.
We have not heard many audiophile reissues pull these things off either, just two of the reasons we no longer carry them.
And you can find all the other reasons on the site easily enough. We can’t stop talking about how disappointing Heavy Vinyl sounds to us now.
We graded both sides AT LEAST A++, a bit vague we admit; we just don’t have enough copies to know if the sound could get much better.
We played a good many vintage classical LPs that day and this was clearly one of the best sounding, so we feel this grade should be accurate, perhaps even conservative.
Credit for the sound must go to the Decca engineers, of course, but also to the hall that the L’Orchestre de la Suisse Romande played in, where so many of the great Ansermet recordings were made. This recording is from 1968. Ansermet died in 1969. One imagines that he was perhaps not able to conduct at this stage of his life and turned his wonderful orchestra and hall over to Varviso, a man better known for conducting operas at the time.
Side One – Borodin
At Least A++, with the kind of Golden Age sound that has rarely if ever been realized in the modern era. Big, wide and deep, with smooth, rich orchestral sound, these are the kind of records that let you forget the sound and just enjoy the music. The performance is taken a brisk pace, rarely a bad thing.
Side Two – Tchaicovsky
At Least A++, and a lovely work that has never made it to the site in Hot Stamper form before, hint hint.
Rich, with deep bass, big stage, huge space and so 3-D, this is what we love about vintage recordings. And a great performance as well.
- This EMI import pressing boasts INCREDIBLE Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
- Both sides here are BIGGER and RICHER than any other we played – they’re super clean and clear, tonally correct from top to bottom, and have all of the weight of the orchestra down low (not to mention some of the loveliest orchestral music reproduction we’ve ever heard)
- If you want a classical record to TEST your system and DEMO your system, you will have a hard time finding a better pressing than this very copy!
- Philippe Entremont’s delightful 1967 release returns with superb sound on both sides
- It’s solid and weighty like no other, with less smear, situated in the biggest space, with the most energetic performances
- These sides are big, full-bodied, clean and clear, with a wonderfully present piano and plenty of 3-D space around it
- Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case
- Dynamic, huge, lively, transparent and natural – with a record this good, your ability to suspend disbelief requires practically no effort at all
- With two outstanding Double Plus (A++) or BETTER sides, we guarantee you’ve never heard these symphonic masterpieces sound as good as they do here
- It’s also reasonably quiet at Mint Minus Minus considering that RDG vinyl is often a problem -It’s one of the main things that keeps some pressings from sounding their best, obviously not a problem here
- This Readers Digest pressing of Krips’s superb 1964 recording for Decca has glorious sound for any LP produced by this notoriously difficult label (difficult for audiophiles, everybody else loved the fact that a whole set of amazing sounding records was less than twenty bucks!)
- The texture and harmonic overtones of the strings are superb – as we listened we became completely immersed in the music on the record, transfixed by the remarkable virtuosity Josef Krips and the Royal Philharmonic Orchestra brought to these difficult and demanding works nearly 60 years ago
This vintage pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
- A superb Decca reissue with Double Plus (A++) sound from the first note to the last
- A spectacular Demo Disc Quality Orchestral recording – big, clear, rich, dynamic, transparent and energetic
- The violin is so sweet and present, so rich, natural and real, you will forget you’re listening to a record at all
- The glorious sound of these truly great 1958 All Tube “Decca Tree” recordings from Kingsway Hall is faithfully captured in all its beauty on this very disc
This is one of the ALL TIME GREAT violin concerto records. In Ruggiero Ricci’s hands both works are nothing short of magical. If you want to know why people drool over Golden Age recordings, listen to the violin. Careful, when you hear it you may find yourself drooling too.
The staging of the orchestra and violin is exactly the way we want to hear it in our heads. Whether it would really sound this way in a concert hall is impossible to say — concert halls all sound different — but the skill and the emotion of the playing is communicated beautifully on this LP. This is a sweetheart of a record, full of the Tubey Magic for which London recordings are justly famous.
As we noted above, engineering took place in the legendary Kingsway Hall. There is a richness to the sound of the strings that is exceptional, yet clarity and transparency are not sacrificed in the least.
- The finest Liszt 1st and 2nd Piano Concertos we know of for their performances, and unquestionably for sonics (when the sonics are this good!)
- The best pressings of this title are more like LIVE MUSIC than any classical recording you own (outside of one of our Hot Stamper pressings of course, those can be every bit as good) or your money back
- So big, rich and transparent we guarantee you have never heard a better piano concerto recording (unless you already one of our White Hot copies!)
*NOTE: Unlike Concerto No. 1, The Second Piano Concerto opens very quietly, so there will likely never be a vintage pressing of the album that will get that opening to play like a CD. Expect to hear some random ticks, a small price to pay to hear this wonderful performance on top quality analog.
Richter and Kondrashin deliver the finest Liszt 1st & 2nd Piano Concertos I know of, musically, sonically and in every other way. Richter’s performance here is alternately energetic and lyrical, precisely as the work demands. The recording itself is explosively dynamic. The brass is unbelievably full, rich and powerful. You won’t find a better recording of this music anywhere, and this pressing just cannot be beat.
Big and rich (always a problem with piano recordings: you want to hear the percussive qualities of the instrument, but few copies can pull it off without sounding thin). We love the BIG, FAT, Tubey Magical sound of this recording! The piano is solid and powerful — like a real piano.
Huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard. (more…)