MHS remastered the original 1967 Melodiya tape in 1979, dramatically improving upon the sound of the version that I knew on Angel, which shouldn’t have been too hard as the Angel is not very good.
Wait a minute. Scratch that. MHS didn’t cut the record, an engineer at a mastering house did. Fortunately for us audiophiles, the job fell to none other than Bill Kipper at Masterdisk.
Think what a different audio world it would be if we still had Bill Kipper with us today, along with the amazingly accurate and resolving cutting system he used at Masterdisk. There are no records being produced today that sound remotely as good as this budget subscription disc. Furthermore, to my knowledge no record this good has been cut for more than thirty years. The world is awash in mediocre records.
The likes of Bill Kipper are no longer with us, but we can all be thankful that we still have the records he and so many other talented engineers mastered all those years ago, to enjoy now and far into the future.(more…)
The record you see above is yet another wonderful example of what the much-lauded Decca recording engineers were able to capture on analog tape all those years ago. The 1961 master has been transferred brilliantly using “modern” cutting equipment (from the early-’70s, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer. (more…)
An outstanding copy of Handel’s masterpiece with solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
A bigger hall, more transparency, and more clearly layered depth and more space than many others
Shockingly AIRY and WARM, this is the kind of sound that makes it easy to fall in love with an oft-heard piece such as The Water Music
Note how far back the trumpets are in the hall, yet they are still clear, tonally correct and not smeared – that’s the sound one hears in a live performance (and too rarely on a record)
This recording should be part of any serious Classical Collection. Others that belong in that Must Own category can be found here.
The performance by the English Chamber Orchestra under the direction of Raymond Leppard is currently my favorite, owing in large part to the fact that it has the kind of sound I find the most natural and enjoyable.
In a way this may not be quite fair to other equally well-known, well-respected performances. We went through an elimination round for the work a few weeks back, winnowing the recordings down to those that had the best sound, regardless of performance — perhaps some of the discarded records had even better performances than Leppard’s. At this late stage who can say?
We audiophiles want the music we play to sound its best, a requirement which more often than not involves compromises of one kind or another. We are happy to report that that does not appear to be the case with The Water Music (keeping in mind the caveat above).(more…)
Shootout Winning Triple Plus (A+++) grades on both sides make this the consistently best sounding batch of Orchestral Showpieces we have ever played
After a two year hiatus, our favorite performance of Night on Bald Mountain is back, and it’s guaranteed to blow your mind (and maybe a woofer or two)
Side one also boasts an excellent Danse Macabre, with a powerful finish that may remind you of the thrill of live orchestral music
Side two contains a wonderfully exciting Sorcerer’s Apprentice
Both sides are clear and transparent, with huge hall space extending wall to wall and floor to ceiling
Watch your levels – this pressing is dramatically more DYNAMIC than most Golden Age recordings
If you like Orchestral Spectaculars, have we got the record for you!
This pressing clearly has DEMONSTRATION QUALITY SOUND — not in every way, but in some important ways. The ENERGY of both the sound and the performances of these barnburning showpieces is truly awesome. Fiedler brings this music to LIFE like no other conductor we have heard.
This pressing boasts relatively rich, sweet strings, especially for a Deutsche Grammophon LP. Both sides really get quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy (and the reason it is so hard to find a copy that plays better than Mint Minus Minus. We do have a quieter copy with lower grades if you are interested though.)(more…)
You’ll find two outstanding Double Plus (A++) sides on this vintage pressing, offering Orchestral sound that is gloriously Big and Bold like no other recording of this music you have ever heard (or your money back)
Rich and tubey, yet open and clear, with lovely string textures, especially in the lower strings, as would be expected of any Living Stereo record from 1959
The Living Stereo Tubey Magical sound from 1959 is hard to fault here – they don’t make ’em like this anymore!
Our favorite performance – Gruner-Hegge and the Oslo Philharmonic understand this music at the most profound levels, making it an absolute Must Own for those of who appreciate the sublime experience of playing classical music in the home
As much as I like Fjeldstad’s Peer Gynt on Decca/London with the LSO, I have to say that Odd Gruner-Hegge (love that first name!) and the Oslo Philharmonic Orchestra turn in the better of the two performances. To these ears, theirs is more lyrical; it flows more naturally both within and between the individual movements.
This vintageLiving Stereopressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
These superb works finally return to the site with outstanding Double Plus (A++) sound from start to finish, and the vinyl is as quiet as we can find it
The finest Liszt 1st and 2nd Piano Concertos we know of for their performances, and unquestionably for sonics (when the sonics are this good!)
The best pressings of this title are more like LIVE MUSIC than any classical recording you own (outside of one of our Hot Stamper pressings of course, those can be every bit as good) or your money back
So big, rich and transparent we guarantee you have never heard a better piano concerto recording (unless you already one of our White Hot copies!)
*NOTE: Unlike Concerto No. 1, The Second Piano Concerto opens very quietly, so there will likely never be a vintage pressing of the album that will get that opening to play like a CD. Expect to hear some random ticks, a small price to pay to hear this wonderful performance on top quality analog.
Richter and Kondrashin deliver the finest Liszt 1st & 2nd Piano Concertos I know of, musically, sonically and in every other way. Richter’s performance here is alternately energetic and lyrical, precisely as the work demands. The recording itself is explosively dynamic. The brass is unbelievably full, rich and powerful. You won’t find a better recording of this music anywhere, and this pressing just cannot be beat.
Big and rich (always a problem with piano recordings: you want to hear the percussive qualities of the instrument, but few copies can pull it off without sounding thin). We love the BIG, FAT, Tubey Magical sound of this recording! The piano is solid and powerful — like a real piano.
Huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard.(more…)
An undiscovered gem from 1967 on 360 Columbia! Side two of this record blew our minds with its White Hot Stamper sound. Musically and sonically this record is nothing short of wonderful. Who knew? You could play fifty vintage piano recordings and not find one as good as this!
Tchaikovsky, Liszt, Beethoven, Debussy, Mozart — these shorter pieces and excerpts were composed by those with the greatest gift for melody, men who’ve produced works that have stood the test of time, enchanting audiences over the centuries with works of such beauty and charm. (more…)
Folks, we have some good news for those of you who have been waiting for one of the best sounding, most beautifully performed Four Seasons ever recorded. THIS IS IT! White Hot on both sides, I can’t say the sound is better than the White Hot Shaded Dog pressing we heard in our recent shootout. It’s certainly different, and one could easily make the case for either. Of course one’s taste enters into the calculation, so choosing a clear winner is simply not possible with markedly superior pressings such as these.
Let’s just say that this small ensemble recording is as close to perfect as any we have ever heard. The harpsichord is especially good on the Vanguard recording, better than the RCA I would venture. Its placement in the soundfield is subtly natural, precisely the way one would expect to hear it in performance.
All four movements are performed with great spirit, and other than a sour note right at the start — listen for it! — the playing is of the highest quality. I prefer the performance — slightly — to the famous RCA.
It should be noted that this is only the second time we have heard a good pressing of this Vanguard title. Normally the vinyl is abysmal — not just noisy, but grainy and lacking in top end. (You can listen for the sound of the vinyl itself on the lead-in grooves before the music starts.) This pressing is an absolute FLUKE. It gets all the sound of the tape onto the vinyl in a way that we have never heard before and would not have thought possible. But, as we never tire of saying, hearing is believing!(more…)
White Hot Stamper sound on side two of this solo piano recording. It’s big, rich and above all REAL sounding, with natural studio space. The legendary soloist Leonard Pennario is presented here at the height of his powers. Superb choice of material, from Clair De Lune to Liebestraum to the Hungarian Rhapsody No . 2.
On the rare Stereo pressing of course — we want to hear all that studio space reproduced, just as your two ears would have heard it (more or less).
Graded Super Hot for the huge, solid-sounding piano, played with such verve and skill. The musical power on this side is stupendous.
Even better! No smear, with incredible clarity, and no sacrifice in weight or richness.(more…)
An outstanding copy of the best Sibelius Second Symphony on vinyl we know of – solid Double Plus (A++) sound or BETTER from start to finish
One listen to this famous Wilkinson recording and you’ll see why it’s one of the most lauded RDG titles in all of their illustrious canon
“The Second Symphony has retained an extraordinary popularity for its individualistic tonal language, dark wind coloring, muted string writing, simple folk-like themes, and distinctly “national” flavor that are all Sibelian to the core.”
A truly extraordinary recording mastered beautifully but pressed on vinyl that has never been known for its quiescence (if I can get by with that ten-cent word).
The strings are clear and textured, yet rich and full-bodied. The bottom is big and weighty. The horns are tubey and full-bodied and never screech through even the most difficult passages.(more…)