Val Garay, Engineer

James Taylor – JT

More of the Music of James Taylor

  • A vintage copy of Taylor’s 1977 breakthrough album that was doing practically everything right, earning STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on both sides
  • It’s a superb recording – a member of our Top 100, in fact – but it takes a pressing like this to show you just how big and lively it can sound
  • The big hits “Your Smiling Face” and “Handy Man” both sound great here – thanks, Val Garay!
  • Don’t waste your money on any copy that doesn’t have TML stampers on both sides – they never sound any good
  • Interestingly, this time around even the worst side of any TML pressing earned a (1.5+) Hot Stamper grade
  • If you are using the Prelude Record Cleaning system on the right machines, you can’t go wrong with the early pressings of this title (although you can go much more right if you do a shootout and find a top copy like this one)
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 stars: “JT was James Taylor’s best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years.”
  • If I were to compile a list of my favorite rock and pop albums from 1977, this album would definitely be on it

The good copies really rock on songs like Honey Don’t Leave L.A. or I Was Only Telling A Lie, yet have lovely, delicate vocals on ballads such as Another Grey Morning or There We Are (two of our favorite songs on the album).

Just turn up the volume and play the opening to Honey Don’t Leave L.A. — this is James Taylor and his super-tight studio band at the peak of their powers. Russ Kunkel hits the drum twice, then clicks his sticks together so quickly you can hardly notice it, then goes back to the drums for the rest of the intro.

On the best copies, the subtleties of his performance are clearly on display. Until the right copies came along, we had never even noticed that stick trick. Now it’s the high point of the whole intro.

Here are more of our favorite records with exceptionally punchy bass and here are more of our favorite records with exceptionally punchy drums.

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Seals & Crofts – Summer Breeze

More Folk Rock


  • A superb copy of Summer Breeze with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • With an abundance of Tubey Magical richness in the midrange – the kind that was still abundant on analog tape in 1972 – this is a wonderful sounding album of folk pop
  • It has taken us years to find the right stampers for this album, and now here they are on the Green Label original in all their glory
  • 4 1/2 stars: “Summer Breeze offered an unusually ambitious array of music within a soft rock context – most artists tried to avoid weighty subjects in such surroundings… the most highly regarded of all of Seals & Crofts’ albums.” (more…)

James Taylor / Dad Loves His Work

More of the Music of James Taylor

  • This original Columbia pressing of JT’s 1981 release boasts incredible Shootout Winning sound
  • Both of these sides are exceptionally rich, Tubey Magical and spacious – thanks, Val Garay!
  • We were knocked out at how good this album sounds on a great pressing like this one – one of the more impressive 80s pop recordings we’ve played in some time
  • The sound may be heavily processed, but that kind of sound works surprisingly well on the highest quality pressings
  • 4 stars: “James Taylor bounced back from the spotty Flag with this all-original album led by his collaboration with J.D. Souther on ‘Her Town Too,’ his biggest pop hit since ‘Handy Man,’ and his biggest non-cover hit since his first, ‘Fire And Rain’…”
  • If you’re a fan of JT’s, or Folky Pop in general, this has to be seen as a top title from 1981.
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Dad Loves His Work is a good example of a record many audiophiles would benefit from knowing better.

The soundstage and depth on our best Hot Stamper copies is HUGE — this is without a doubt the most spacious recording by James Taylor we’ve ever heard. If you want your speakers to disappear, replaced by a huge studio full of musicians playing their hearts out, this is the album that can do it.

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Linda Ronstadt – Simple Dreams

More of the Music of Linda Ronstadt

  • An original Asylum pressing with seriously good Double Plus (A++) sound from first note to last
  • Linda’s best sounding recording and a proud member of our Top 100 – this is the album that showed us she could do it all
  • Val Garay does it again, filling the grooves with his trademark super-punchy, jump-out-the-speakers, rich and smooth ANALOG sound
  • 4 1/2 stars: “…reconfirms [Rondstadt’s] substantial talents as an interpretive singer…and [her] powerful performance makes the record rival Heart Like a Wheel in sheer overall quality.”
  • If you’re a Linda Ronstadt fan, this undeniable classic from 1977 is surely a Must Own
  • Simple Dreams is our pick for Linda’s best sounding album. Roughly 150 other listings for the Best Recording by an Artist or Group can be found here.

This is clearly one of Linda’s best albums and I would have to say, based on my fairly extensive experience with her recorded output, that it is in fact the best sounding record she ever made. I love Heart Like a Wheel, but it sure doesn’t sound like this, not even on the Triple Plus copies that win our shootouts. (It is her best album, though.)

I confess to having never taken the album seriously, dismissing it as a commercial collection of pop hits with about as much depth as the L.A. River — but I was wrong, wrong, wrong.

This is a great sounding album on the right pressing, not the compressed piece of grainy cardboard we’ve all been playing for years, unaware of the tremendous sound quality lurking in the grooves of other copies; the ones that were blessed with the right stampers, the right vinyl and a healthy amount of fairy dust wafting over the press that day.

That’s what Hot Stamper shootouts are all about — finding those copies, the ones no one knows exist. (No one but us it seems; who else would think to put this album in their Top 100?)

This Is a Real Band

Until a Hot Stamper found its way onto our turntable, we had absolutely no idea the album could sound like this, or that the music was so good.

The first thing that came to mind when I looked inside the fold open cover and saw all the guys who back Linda up on the album is that this is a real rock band. These are not a bunch of studio cats punching a time card. These guys know how to rock; just listen to the way they come blasting out of the gate on “It’s So Easy.” Linda is with them all the way, giving one of the best performances of her career.

Song after song, this super-tight band with the hot female lead (!) show that they can rock with the best of them. And do beautiful ballads (“Blue Bayou”) too.

Folks, I hereby testify that a Hot Stamper copy of this very album gave me a newfound respect for Linda beyond her work on Heart Like a Wheel. This is the album that shows she can do it all, as the All Music Guide points out, and I’m a believer.

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Jackson Browne – The Pretender

More Jackson Browne

 More Asylum Label Recordings

  • ou’ll find STUNNING Shootout Winning Triple Plus (A+++) grades or close to them on both sides of this this vintage Asylum pressing
  • Here are just a few of the things we had to say about this killer copy in our notes: “weighty and rich”…”vox jumping out of the speakers”…”smooth and full and present”…”3D and rich”…”lots of bass”
  • The best pressings are Rock / Pop Demo Discs – they’re so rich and full-bodied they make most of the competition sound positively anemic
  • Five Stars in Rolling Stone, one of their Top 500 Albums, and a true classic from 1976
  • One of the best sounding records Jackson Browne ever made, along with his debut – this is the pressing that backs up everything we say and more
  • If you’re a Jackson Browne fan, this title from 1976 is surely a Must Own
  • Asylum in the Seventies was known for its especially smooth recordings, but plenty of other labels produced smooth recordings, and here is a link to some of our favorites
  • These superb vintage pressings are quite different from the ones they are making these days, which have taken the concept of “smooth sounding analog” and stretched it well past its limits, resulting in a great many pressings that are far too smooth to be taken seriously

As I’m sure you know by now, especially if you own a few copies, most pressings of The Pretender don’t sound like Demo Discs. In fact, most copies of this record are mediocre at best — thin, grainy, and flat sounding.

This copy is none of those things. And it positively kills the famous MoFi pressing.

Problems to Watch For

Some of the more common problems we ran into during our shootouts were slightly veiled, slightly smeary sound, with not all the top end extension that the best copies have.

You can easily hear that smear on the guitar transients; usually they’re a tad blunted and the guitar harmonics don’t ring the way they should.

These problems are just as common to the original Asylum pressings as they are to the later LPs. Smeary, veiled, top-end-challenged pressings were regularly produced over the years. They are the rule, not the exception.

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Kim Carnes – Mistaken Identity

More Kim Carnes

More Women Who Rock

  • Boasting excellent Double Plus (A++) sound from start to finish, this copy will be very hard to beat
  • The immediacy of the vocals is striking, putting a living, breathing Kim Carnes right in front of you
  • “Bette Davis Eyes” was the biggest selling single of 1981, but we guarantee you’ve never heard it sound as good as it does on this very LP
  • 4 1/2 stars, Grammy Nomination for Album of the Year – the big as life rock sound Val Garay‘s engineering and production achieved with this album surely deserve much of the credit

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Linda Ronstadt – Prisoner In Disguise

More Linda Ronstadt

More Women Who Rock

    • Prisoner In Disguise returns to the site for the first time in over two years, here with Linda’s trademark punchy, lively Shootout Winning Triple Plus (A+++) sound on both sides of this vintage Asylum pressing
    • Here are just a few of our notes for this killer copy: “silky and breathy vox,” “big and punchy,” “huge, rich and silky,” “tons of space and detail,” “so tubey.”
    • This is an amazing recording, but it takes a special copy like this one to reveal all the magic that we know had to have been on the tape in 1975, almost fifty years ago
    • 4 1/2 stars – “Love Is a Rose,” “Tracks of My Tears” and “Heat Wave” were hits, but Linda really pours her heart into “Hey Mister, That’s Me Up On The Jukebox”
    • Andrew Gold (so critical to the success of HLAW) is still heavily involved, along with EmmyLou Harris, James Taylor, Lowell George, David Lindley, JD Souther, and of course Peter Asher

The soundfield has a three-dimensional quality that was nonexistent on some of the other copies we played. Drop the needle on “Many Rivers To Cross” and check out the amazing sound of the organ coming from the back of the room. Only the highest resolution copies give you that kind of soundstage depth.

The piano sounds natural and weighty. The fiddle on “The Sweetest Gift” (played by our man David Lindley) is full of rosiny texture.

Emmylou Harris, dueting here with Linda, sings beautifully throughout.

All in all, you will find truly Demo Disc Quality sound on the best copies.

The acoustic guitars are tonally right on the money, neither bright nor dull, with transient information that is captured perfectly as long as the pressing itself is not smeary, which the better Hot Stamper pressings won’t be.

Listen to the opening guitar in the right channel of “The Sweetest Gift”; we used it as a test track and when that guitar is right there you know you have a copy with Hot Stampers.

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James Taylor – Flag

More James Taylor

  • Both sides of this vintage copy were doing pretty much everything right, earning seriously good Double Plus (A++) grades
  • The best sides have Tubey Magical acoustic guitars, sweet vocals, huge amounts of space, breathtaking transparency, and so much more
  • Credit the engineering chops of Val Garay – the guy makes these sort of Demo Disc Quality Pop Records about as good as they can be made
  • Musically this is one of JT’s most underrated albums – it’s a Better Records Top Recommendation and Must Own LP

From the opening notes you will be amazed at how good this album sounds. As far as JT’s recordings go, it’s right up there at the top. Like his album JT, which came just before this one, the best copies of this record are smooth, rich, punchy and have great bass.

The average copy of this record is dreadful. All the recuts that were done by Columbia that I’ve ever heard are garbage. There are a number of different stampers for both sides one and two and it’s almost impossible to find two good sides on the same album.

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Linda Ronstadt – Heart Like A Wheel

More Linda Ronstadt

More Women Who Rock

  • With two outstanding sides, this vintage Capital pressing was giving us the sound we were looking for on Linda Ronstadt’s Best Album
  • “You’re No Good” was the hit but “It Doesn’t Matter Anymore,” “Faithless Love” and “The Dark End of the Street” are every bit as good – and that’s just side one!
  • A Must Own Classic, the best album Ms Ronstadt ever made, and a True Country Rock Masterpiece practically without peer
  • 5 stars: “What really makes HLAW a breakthrough is the inventive arrangements that producer Peter Asher, Ronstadt, and the studio musicians have developed. …[they] help turn Heart Like a Wheel into a veritable catalog of Californian soft rock, and it stands as a landmark of ’70s mainstream pop/rock.”
  • If you’re a Country Rock fan, then Linda’s Masterpiece from 1974 belongs in your collection.
  • The complete list of titles from 1974 that we’ve reviewed to date can be found here.

I’ve been playing HLAW since the year it came out, roughly 48 years by my calculation, and I can tell you it is no easy task to find this kind of smooth, sweet, analog sound on the album. Folks, we heard it for ourselves: the Heart Like A Wheel magic is here on practically every song.

Pay special attention to Andrew Gold‘s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.

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Linda Ronstadt – Hasten Down The Wind

More Linda Ronstadt

Hot Stamper Pressing on the Asylum Label

  • A vintage Asylum pressing that earned outstanding Double Plus (A++) grades or close to them from first note to last
  • This copy is doing pretty much everything right, particularly on side two — huge, rich and lively, with Linda’s vocals reproduced to near perfection
  • “Her big but pretty voice is a stunning instrument for expressing feelings, particularly intense feelings that require a slightly understated delivery… a fine album that begs closer inspection than, I fear, many of us are willing to give to Linda Ronstadt’s art. Like the best moments of the preceding nine, though, the best moments of Hasten Down the Wind will be with us a long, long time.”
  • If you’re a fan of the lovely Ms Ronstadt, her 1976 release is surely one that belongs in your collection
  • The complete list of titles from 1976 that we’ve reviewed to date can be found here

The sound is rich, smooth, full-bodied and natural on both sides. In other words, this is Classic Analog from the ’70s, recorded by none other than Val Garay, one of our favorite engineers.

Most pressings of this album have quite obvious problems. If you own the record see if you don’t notice some of them on your own copy.

Some have a phony boosted top end, a subject we have discussed on Linda’s records before.

Some are just too fat and Tubey. Perhaps the result of too much Aphex Aural Excitement?

Some are thick, some are thin, some are too clean, some are not clean enough, every sonic issue you can imagine can be heard on this album if you have enough copies to play, and we had plenty.

We know that this copy is about as correct as can be. We know because we cleaned and played it and listened to it critically in comparison to other copies, and we did it all by ourselves. (Of course we did. There’s really no other way to do it.)

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