A classic case of Live and Learn
Reviews and Commentaries for Mobile Fidelity Records
[This commentary is about fifteen years old.]
Hot Stampers discovered! It took years, decades even, but it FINALLY happened. This copy has a side one with all the sound I always knew must be on the tape but somehow never seemed to make it to the vinyl. This copy has that sound!
Let me backtrack a bit. I’ve been recommending the MOFI for as long as I can remember, because it has always been the only copy that didn’t sound like a bad cassette.
The domestic pressings and imports I had run into over the years had no top end whatsoever, no bass below 50 or 60 cycles, and enough veils over the midrange to cover an entire harem.
The sound was Pure Compressed Cardboard.
The best MOFI copies had an actual top end; a real bottom too. (Not a tight or deep one but that’s MOFI for you.) I’ve always loved the music, so even though the sound was somewhat washed out and lifeless, you could listen to the MOFI and enjoy it for what it was: not perfect, but a whole lot better than the alternatives. (The CD was hopeless by the way, no surprise there.)
Ah, but all that changed this week. I had just picked up a sealed original copy at a local store and was considering putting it up on the site, sealed of course. Then a thought went through my mind. I’ve always loved this record. What if this copy is The One? So I did the unthinkable. I cracked it open, and soon enough the needle was in the groove on my favorite track, Fly With Wings of Love.
To my surprise it had the BEST SOUND I had EVER heard for that song. When all was said and done, when all the copies in the backroom had been disc doctored, along with my three MOFI copies, and each carefully evaluated, sure enough this is the side two that turned out to be the King. I give it an A with Two Pluses. The typical domestic copy gets an F.
Wait, there’s more. So with all our copies cleaned and ready to play, it was now time to play all the side ones. Even more shocking and surprising, one copy had a side one that was OUT OF THIS WORLD. Master tape sound, As Good As It Gets, perfection.
That’s this copy. Side two is pretty good, maybe a B+ or so. Better than average, but no Hot Stamper.
Since this is one of my favorite pop-jazz albums, I can’t recommend this album highly enough. It may not be deep — for real piano trio jazz check out Sample’s The Three — but it’s not trying to be. It is what it is — sophisticated, melodic, well-crafted piano-based easy-going jazz. With the awesome Eric Gale on guitar too.
FURTHER READING on Half-Speeds
The best place to start is here:
How come you guys don’t like Half-Speed Mastered records?