Top Engineers – Kenneth Wilkinson

Sibelius – Symphony No. 2 / Barbarolli

More of the music of Jean Sibelius (1865-1957)

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  • An outstanding copy of the best Sibelius Second Symphony on vinyl we know of – solid Double Plus (A++) sound or BETTER from start to finish
  • One listen to this famous Wilkinson recording and you’ll see why it’s one of the most lauded RDG titles in all of their illustrious canon
  • “The Second Symphony has retained an extraordinary popularity for its individualistic tonal language, dark wind coloring, muted string writing, simple folk-like themes, and distinctly “national” flavor that are all Sibelian to the core.”

A truly extraordinary recording mastered beautifully but pressed on vinyl that has never been known for its quiescence (if I can get by with that ten-cent word).

The strings are clear and textured, yet rich and full-bodied. The bottom is big and weighty. The horns are tubey and full-bodied and never screech through even the most difficult passages. (more…)

Tchaikovsky / Swan Lake Highlights / Fistoulari

The Music of Tchaikovsky Available Now

 Reviews of the Music of Tchaikovsky

Decca and London Hot Stamper Pressings Available Now

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  • Amazing White Hot Stamper Decca sound on both sides, top performance too
  • The first copy to make it to the site, and it’s as quiet as Decca can press it
  • So transparent, sweet, open and relaxed, this copy raises the bar for the sound of ballet music
  • The most popular ballet in the world with out of this world analog sound — it’s a match!

This London UK import may be the best single disc version of the ballet we have ever played. The Ansermet is surely comparable but I find it hard to believe that it could be any better. This is the one folks, assuming you do not want a (nearly) complete performance of the work. (For that we recommend the 2 LP box set with Ansermet.)

Side One

Lovely string tone and texture, rich bass, a big hall, no smear, lovely transparency — the sound is White Hot and hard to fault.

Highlights of the recording on this side:

Huge bass.

A clear snare at the back of the hall, a good test of transparency (of the record and of your system and room).

Full horns and strings, never becoming blary or shrill.

Huge space.

How many records have all these qualities, one out of a hundred? (more…)

Rachmaninoff – The Complete Piano Concertos / Wild / Horenstein

More of the music of Sergei Rachmaninoff (1873-1943)

More TAS Super Disc Recordings

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  • A KILLER copy of this wonderful original 4 LP Box Set with Shootout Winning Triple Plus (A+++) orchestral sound or very close to it on 6 sides and outstanding Double Plus (A++) sound on the remaining two – 20.5 pluses out of a possible 24 across these 8 magical sides
  • The vinyl is as quiet as we can find it – like most Shaded Dogs and Mercs, Mint Minus Minus is about the best you can hope for (and no marks are audible, which is always nice)
  • We have been readying this shootout for probably twenty years – we had 8 box sets, all in excellent condition, and this set represents some of the best sound we uncovered for these famous TAS List recordings
  • Wild’s playing of the Rhapsody On A Theme Of Paganini here is one of our favorites on vinyl
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case
  • “Rachmaninoff’s music . . . changes as the composer goes along, moving from Romantic to a tentative Modernism in such works as the fourth piano concerto and the Symphonic Dances. In this sense, he walks a path similar to Puccini’s, incorporating new approaches to extend that [which was] already essentially his. Certainly, the works here show these changes, as the composer picks up more experience, both in writing and in hearing music.”

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Tchaikovsky – 1812 Overture / Marche Slave and More / Alwyn

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Orchestral Spectaculars

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  • Outstanding Double Plus (A++) sound from start to finish – this Decca recording of the 1812 from 1958 is the only one we know of that can show you the power of Live Music for this important work
  • This UK pressing is BIG, lively, clear, open and resolving of musical information like no copy of the 1812 you’ve heard
  • The two coupling pieces, Marche Slave and the Capriccio Italien, also have rich, powerful, weighty brass and lower strings
  • The most exciting and beautifully played 1812 we know of – we encourage you to compare this to the best orchestral recording in your collection and let the chips fall where they may

There is some noticeable low frequency rumble under the quietest passages of the music for those of you with the big woofers to hear it!

The lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can help make that sound clear to you.

The string sections from top to bottom are shockingly rich and sweet — this pressing is yet another wonderful example of what the much-lauded Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on analog tape all those years ago.

The 1958 master has been transferred brilliantly using “modern” cutting equipment (from 1970, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer. (more…)

Debussy / Prelude & Ravel / Rapsodie / Monteux

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  • With two Nearly Triple Plus (A++ to A+++) sides, this original stereo copy of CS 6248 is hard to beat
  • This copy is HUGE, rich, clear, dynamic, with exceptionally three-dimensional hall space (the snare is WAY back there)
  • Superb 1961 All Tube recordings of groundbreaking masterpieces by Debussy and Ravel
  • The exceptionally natural recording Prelude to the Afternoon of a Faun lets you appreciate the wonder of the piece

Transparent and spacious, wide and naturally staged, clean yet rich, with zero coloration, there is nothing here to fault. Nearly Triple Plus all the way. So relaxed and natural you will soon find yourself lost in the music. (more…)

Rimsky-Korsakov / Capriccio Espagnol & Enesco, Smetana, et al.

More of the music of Rimsky-Korsakov (1844-1908)

We just did a new shootout for this title, so expect to see killer copies of record number 8 from the set on the site soon!

Credit must go to my good audiophile friend Robert Pincus for turning me on to the Readers Digest sets in general and this set in particular. Most of it is no better than decent, but the best records in the set are superb, as you can read in our older review below.

Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

More Classical ‘Sleeper” Recordings We’ve Discovered with Demo Disc Sound


A SUPERB White Hot side one coupled with a better than Super Hot (A++ to A+++) side two, back to back on one disc, is a surprise indeed.This is only the second time a disc from a Reader’s Digest box set has made it to the site, and we’re continuing with more exciting orchestral music — Capriccio Espagnol (side two) and the Romanian Rhapsody No. 1 (side one) are the two longest pieces on record 8 of the set, and both of them are knockouts on this pressing.

This is truly DEMONSTRATION QUALITY SOUND! Records do not get much more spacious, open, transparent, rich and sweet. Kenneth Wilkinson was the man behind the board for many of these RDG recordings, this very one in fact, and as you will hear, he was pretty much in a league of his own as a recording engineer in the early days of stereo. This record should provide you with all the proof you need.

Play it up against the best of the RCAs, Londons and Mercs from the period and you will see what I mean. And of course it will completely DESTROY any pressing you may have on Heavy Vinyl, from any label, at any playback speed, of any music. (more…)

Tchaikovsky – The Nutcracker Suites 1 and 2 / Ansermet

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

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  • STUNNING Shootout Winning Triple Plus (A+++) sound for both sides of Tchaikovsky’s masterpiece
  • If you have never experienced a vintage top quality pressing of a Wilkinson engineered Decca Tree recording from Victoria Hall, this is your chance to hear sound that puts practically everything else to shame
  • A record like this lets you get lost in the world of its music, and what could be more important in a recording than that?
  • This is an AMAZINGLY well recorded performance of one of the most famous ballets — probably the most famous — ever committed to analog tape
  • Enchanting music and sound combine on this copy to make one seriously good Demo Disc, if what you are trying to demonstrate is how relaxed and involved vintage analog can make you feel

*NOTE: On side one, three marks make one moderate to loud pop each at the beginning, then one quarter of an inch in, and lastly one half inch into the suite.

There is certainly no shortage of Audio Spectaculars available on the site. A record such as this, so rich, natural and effortless, has distinctly different qualities that we feel are every bit as vital to the serious audiophile’s enjoyment of Tchaikovsky’s music.

Ansermet breathes life into this ballet as only he can and the Decca engineering team led by Kenneth Wilkinson do him proud.

Other Recordings

We played Shaded Dogs by Reiner and Fiedler, both of whom opted against using the Suites as Tchaikovsky wrote them, preferring instead to create a shorter version of the complete ballet with excerpts of their own choosing.

On some copies of this album the strings are dry, lacking Tubey Magic. This is decidedly not our sound, although it can easily be heard on the hundreds of London pressings we’ve played over the years. If you have a rich sounding cartridge, perhaps with that little dip in the upper midrange that so many moving coils have these days, you will not notice this tonality issue nearly as much as we do.

Our Dynavector 17Dx is ruler flat and quite tonally unforgiving in this regard. It makes our shootouts much easier, but brings out the flaws in all but the best pressings, exactly the job we require it to do.

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Our System Just Loves Certain Records – Why Do You Suppose That Is?

More Ted Heath

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The Highest Fidelity Recordings Are Truly Amazing If You Can Play Them Right

That’s a big if. It’s in fact the biggest if in all of audio.

What do we love about vintage pressings like the one you see pictured above? The timbre of the instruments is Hi-Fi in the best sense of the word. The unique sound of every instrument is reproduced with remarkable fidelity. That’s what we at Better Records mean by “Hi-Fi,” not the kind of Audiophile Phony BS Sound that passes for Hi-Fidelity these days. There’s no boosted top, there’s no bloated bottom, there’s no sucked-out midrange. This is Hi-Fidelity for those who recognize The Real Thing when they hear it.

Tubey Magic

The best copies of Swings in High Stereo have a lot in common with the other Decca and Living Stereo titles we’ve listed over the years, albums by the likes of Henry Mancini, Esquivel, Dick Schory, Edmundo Ros, Prez Prado and a handful of others. Talk about making your speakers disappear, these records will do it!

An album like this is all about Tubey Magical Stereoscopic presentation. For us audiophiles both the sound and the music here are enchanting. If you’re looking to demonstrate just how good 1958 All Tube Analog sound can be, a killer Hot Stamper copy may be just the record for you.

The best copies are super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.

This IS the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. Someday there may well be a CD of this album, but those of us in possession of a working turntable could care less.

The Ideal System for an Exceptionally Well Recorded Album

It’s clear our stereo loves this record. Let’s talk about why that might be the case.

Our system is fast, accurate and uncolored. We like to think of our speakers as the audiophile equivalent of studio monitors, showing us exactly what is on the record, nothing added, and nothing taken away.

When we play a modern record, it should sound modern. When we play a vintage Tubey Magical Living Stereo pressing, we want to hear all the Tubey Magic, but we don’t want to hear more Tubey Magic than what is actually on the record. We don’t want to do what some audiophiles like to do, which is to make all their records sound the way they like all their records to sound.

They do that by having their system add in all their favorite colorations. We call that “My-Fi”, not “Hi-Fi”, and we’re having none of it.

If our system were more colored, slower and tubier, this record would not sound as good as it does. It’s already got plenty of richness, warmth, sweetness and Tubey Magic.

To take an obvious example, playing the average dry and grainy Joe Walsh record on our system is a fairly unpleasant experience. Some added warmth and richness, with maybe some upper-midrange suckout thrown in for good measure, would make it much more enjoyable. But then how would we know which Joe Walsh pressings aren’t too dry and grainy for our customers to enjoy?

We discussed some of these issues in another commentary: (more…)

One of Our Favorite Engineers – Kenneth Wilkinson

More Recordings by Kenneth Wilkinson

More of Our Favorite Engineers

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KENNETH WILKINSON is one of our favorite engineers. Click on the link to find our in-stock Kenneth Wilkinson engineered albums, along with plenty of our famous commentaries. 

Recordings made in Kingsway Hall

Mozart / Symphonies No. 40 & 41 with Giulini on London./Decca


More Amadeus Mozart (1756-1791)

More Symphonies No. 40 & 41 / Giulini

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Full brass; full, rich, tonally correct strings; smooth higher up, never screechy — what’s not to like? It was the best side one we heard all day.

  • Superb sound on both sides for two of Mozart’s greatest symphonies
  • Exceptionally quiet Mint Minus Decca vinyl doesn’t hurt either 
  • Giulini is masterful here, bringing both of these great works to life
  • The 1965 Wilkinson sound is rich and tubey yet clear (on this copy!)

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