Top Artists – Brewer and Shipley

Listening in Depth to Tarkio

Analog richness, sweetness and Tubey Magic are elements absolutely indispensable to the sound of these recordings. Without them you might as well be playing a CD.

Some of the reissue pressings actually do sound like CDs and are not part of the shootouts for this album anymore. Who wants a record that sounds like a CD? They may be pressed on vinyl but they’re no less an embarrassment to analog for it. As you can imagine we feel the same way about most of the Heavy Vinyl records being made today. They’re just embarrassing.

The best pressings, on the other hand, are everything that’s good about the analog medium — smooth, sweet, relaxed and involving. You had best have a fast cartridge and not overly rich electronics to get the most out of this one. The richness on this record is already baked-in; no need to add more.

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Brewer & Shipley – Do All the Robert Ludwig Mastered Copies Have Hot Stampers?

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Reviews and Commentaries for the Music of Brewer and Shipley

Even though all the original Pink Label pressings are mastered by Robert Ludwig, they have a marked tendency to be dull, thick and opaque. The sound is just too smooth.

The best copies, however, have the top end and the transparency to let you hear all the guitar harmonics, surrounded by the large acoustic of the studio.

This time around we discovered something new: one specific stamper that seemed to be the only one with the potential for an extended top end. This special stamper did not always fare well; some copies with it were mediocre. We have always found this to be the way with the “right” stampers; they often let us down and sometimes they really let us down hard.

But this stamper, when it was right, had an extension on the top that no other copy could match. (The Robert Ludwig mastered Band second albums are the same way. Most have no top but boy, when they do, the magic you hear is phenomenal.) (more…)

Brewer & Shipley / Tarkio

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Reviews and Commentaries for Brewer and Shipley

This, like Dark Side and so many other White Hot Stamper records we offer to the discriminating audiophile, is vintage ANALOG at its finest — we have never heard a CD or Modern Pressing begin to sound the way this record sounds
It’s amazingly rich, yet as clear and as transparent as any we played — what a combination!
To our knowledge there hasn’t been a single record mastered in the last thirty years with this kind of sound, and we know whereof we speak: we’ve played them by the hundreds

Not Really One Toke Over the Line

Please don’t assume that this album has much in the way of uptempo country rockers like One Toke Over the Line, Flying Burrito Brothers style. Nothing could be further from the truth. Practically every other song on the album is better, almost all of them are taken at a slower pace, with none of them having the “poppy” arrangement of that carefully calculated Top Forty hit. The rest of the music on the album, the music you probably don’t know, is much better than the music that you do know if what you know is that song.

Sonic Elements

This Bay Area Hippie Folk Rock has a lot in common with The Grateful Dead circa Workingman’s Dead and American Beauty (the latter recorded by the same engineer, Stephen Barncard), and like those superbly well-recorded albums, it lives or dies by the reproduction of its acoustic guitars and vocal harmonies.

Analog richness, sweetness and Tubey Magic are elements absolutely indispensable to the sound of these recordings. Without them you might as well be playing a CD. (Some of the reissue pressings actually do sound like CDs and are not part of the shootouts for this album anymore. Who wants a record that sounds like a CD? They may be pressed on vinyl but they’re no less an embarrassment to analog for it. As you can imagine we feel the same way about most of the Heavy Vinyl records being made today. They’re just embarrassing.)

The best pressings, on the other hand, are everything that’s good about the analog medium — smooth, sweet, relaxed and involving. You had best have a fast cartridge and not overly rich electronics to get the most out of this one. The richness on this record is already baked-in; no need to add more. (more…)

Brewer & Shipley’s Debut / Fairly High Up on Our Difficulty of Reproduction Scale

Making Audio Progress

We’ve mentioned how difficult some records are to reproduce: how the Revolutions in Audio of the last decade or two have profoundly changed the ability of the seriously dedicated audiophile to get records that never sounded good before to come to life musically in a way previously understood to be impossible.

This is one of those records. But you have to have done your homework if you want to play a record like this, as the commentary below explains.

’60s Sound

The problem here is the sound. It’s got a bit of that tinny ’60s pop production sound — too much upper midrange, not enough lower midrange and a slightly aggressive quality when things get loud. Still, it’s quite a bit better than recordings by, say, The Byrds or Jefferson Airplane from the era, and I have no trouble playing and enjoying those records, so…

I can also tell you that if you have a modest system this record is just going to sound like crap.

How do I know that?

It sounded like crap for years in my system, even when I thought I had a good one. Vinyl playback has come a long way in the last ten to twenty years and if you’ve participated in some of the revolutionary changes that I talk about elsewhere on the site, you should hear some pretty respectable sound. Otherwise, I would pass.

On the Difficulty of Reproduction scale, this record scores fairly high. You need lots of Tubey Magic and freedom from distortion, the kind of sound I rarely hear on any but the most heavily tweaked systems. The kind of systems that guys like me have been slaving over for forty years.

If you’re a Weekend Warrior when it comes to your stereo, this is not the record for you. (more…)

Brewer & Shipley / Down In L.A.

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Reviews and Commentaries for Brewer and Shipley

One of the BEST copies we’ve played in many years, close to five I would guess. Brewer and Shipley’s first and only release for A&M has long been a Desert Island disc in my world. I consider it one of the top debuts of all time, although it’s doubtful many will agree with me about that since I have yet to meet anyone who has ever even heard of this album, let alone felt as passionate as I do about it.

To me this is a classic of Hippie Folk Rock, along the lines of The Grateful Dead circa American Beauty, surely a touchstone for the genre. It’s overflowing with carefully-crafted (B and S apparently were obsessive perfectionists in the studio) inspired material and beautifully harmonized voices backed by (mostly) acoustic guitars. The Beatles pulled it off masterfully on Help and Rubber Soul. (more…)

Letter of the Week – “The kind of sound my CD “audiophile” friends can only dream about.”

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Reviews and Commentaries for Brewer and Shipley

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,

Recently bought a Tarkio Hot Stamper and what a great album it is. This record has truly great ANALOG sound. The kind of sound my CD “audiophile” friends can only dream about. This recording is a lot of fun to listen to. There is much more to it than the songs that had airplay. Anyway another great find from the better records crew.

Jim S

Brewer & Shipley – Weeds – Our Four Plus Shootout Winner from 2017

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Reviews and Commentaries for Brewer and Shipley

It took two copies on two different labels to give you BETTER than Triple Plus (A+++) sound on the two sides of this 2-pack. These sides were beyond anything we had ever heard, with weight and Tubey Magic to put other records to shame. On the best copies the midrange is amazingly relaxed and natural, yet completely clear and present. This Bay Area Hippie Folk Rock has much in common with classic albums like Workingman’s Dead and CSN’s first. (more…)

Brewer & Shipley / Tarkio – Our Four Plus Shootout Winner from 2012

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Reviews and Commentaries for Brewer and Shipley

This White Hot Stamper side one of our beloved Tarkio, Brewer and Shipley’s Folk Rock Masterpiece, is without a doubt the BEST SOUND we have ever heard on any pressing bar none. This side sets a standard that no other copy on any side could touch. True, we awarded a Triple Plus grade to an amazing side two copy, but this side one is still the better of the two. We could easily have called it Four Pluses but chose to go with the simpler A+++ and this explanation.

However you frame it, this side is OFF THE CHARTS in a big way. It’s amazingly rich, yet clear and transparent as any we played — what a combination!

This, like Dark Side and so many other White Hot Stamper records we offer to the discriminating audiophile, is ANALOG at its finest. To our knowledge there hasn’t been a single record mastered in the last thirty years with this kind of sound, and we know whereof we speak: we’ve played them by the hundreds.

A Desert Island Disc for me with wonderfully NATURAL sound. This copy had the ULTIMATE Side One (A+++) and a very competitive Side Two (A++), making it the King of our Shootout. If you love this record as much as you should, this is the copy to own. I would love to keep it for my desert island, but we know there is surely a deserving soul out there who will treasure it as much as I do, and probably play it a lot more often, so if you know the album at all this is your chance at greatness. (And I still haven’t found a desert island I’m all that partial to anyway.)

Not Really One Toke Over the Line

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Listening in Depth to Brewer & Shipley – Down In L.A.

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Reviews and Commentaries for the Music of Brewer and Shipley

This has long been one of our favorite Hippie Folk Rock albums here at Better Records. If you like Crosby, Stills and Nash’s first album or Rubber Soul — and who doesn’t love those two albums — you should much to like on Down in L.A.

In-Depth Track Commentary

Side One

Truly Right

The drumming on this first track is out of this world — it relentlessly propels this track forward, and you can thank top studio drummers for bringing this kind of energy to the song. Also the fuzzed out guitar that comes in toward the end is pure ’60s pop, exactly the kind of thing we love.

She Thinks She’s A Woman

I love the studio chatter at the opening of this song. The transparency should be striking. When the vocals come in they should be smooth and sweet, better than the first track by a wide margin. And I love this song — it’s one of the strongest on the album.

Time And Changes

Another one of the better sounding songs. This one has exceptionally nice bass. (more…)