The best album by this duo – their strongest songwriting and arrangements. Nearly White Hot on side one, with vocals that are full-bodied, rich and solid.
A forgotten Classic from 1971, the album holds up very well forty plus years on.
Their commercial breakthrough would come with their next album, Year of Sunday, helped out by scores of session cats, but I much prefer the less commercial — although it’s far from uncommercial — sound of Year of Sunday. I am apparently not alone in my love for this album. Of the thirteen reviews on Amazon, every one gives it Five Stars(!).
The consistency of the songwriting is very strong here as well, with surprisingly powerful emotional currents. There’s not a dog in the bunch, and many of the better tracks are gems of popcraft. Some of the my favorites are When I Meet Them, Cause You Love, and Antoinette on side one, and Paper Airplanes, Irish Linen and Springfield Mill on side two.
Smooth and very rich, with big bass, this is without a doubt precisely the right sound for the album. Very few copies managed to pull off the rich tonal balance that this side has going for it.
It’s big and clear, a bit thinner but still very good. (more…)