Deca original aftermath Rolling Stones
Notes for side one very different. Main riff gets lost
Sucked out maids
To be base and lots of it
Nope
Month: December 2025
clone me Shaded Dog Stampers to Avoid on XXX passable sheet 1+
Hot Stamper Pressings of Living Stereo Titles Available Now
Even though they had the Shaded Dog label, some of the later stampers for this record were not very good sounding compared to the ones that won our shootouts.
15s on side one earned a grade that would prevent it from being sold as a Hot Stamper pressing. There was no reason to play side two (13s) since side one eliminated this copy from the competition.
The 1+ grade found on this side one means it’s simply not very good, Shaded Dog label or no Shaded Dog label.
Pressings with these stampers might be passable, even to some degree enjoyable, especially when played on an old school system, but they would not be worth bothering with on the high quality modern equipment we use.
In this case, the conventional wisdom that the original pressings will most likely have superior sound to the later-numbered copies turns out to be right.
The average Shaded Dog may be better than the average classical record, but that certainly doesn’t mean it has any claim to audiophile sound. We’ve played bad early RCA pressings by the hundreds. Now, finally, with this blog we can point some of them out to those record lovers who are more interested in top quality sound than an original label.
For those who might be interested, there’s more on our grading scale here.
There are quite a number of other records that we’ve run into over the years with obvious shortcomings.
With The Beatles on Mobile Fidelity
Sonic Grade: C+
The MoFi pressing of With the Beatles has so many problems it would take an hour to describe them all. Suffice it to say, it’s thinner and brighter, with voices that are grittier and grainier. The overall effect is the sinking feeling that you are listening to a cheap reissue and not the real thing. Don’t the Beatles sound better than this? To be fair, some tracks are okay, others a disaster.
If you own the MoFi, play it. Listen to it carefully. Make notes of which songs sound better than others and why. That’s how we spend our days, evaluating the relative merits of various pressings, and it’s that and that alone that has given us the critical listening skills necessary to recognize and appreciate the differences among the records we play.
One of the biggest problems with the average Parlophone copy is just the reverse of the MOFI. They tend to have rolled off highs, which emphasizes the harshness in the upper midrange and causes a loss of transparency. (The best Hot Stamper copies are of course as smooth, sweet, and transparent as they come.) Even with those shortcomings though, I would still rather listen to a typical Parlophone pressing. I wouldn’t be frustrated by the sound of somebody fooling with the EQ and screwing it up. (more…)
Led Zeppelin – Physical Graffiti
More of the Music of Led Zeppelin
- This killer double album boasts roughly Nearly Triple Plus (A++ to A+++) sound or close to it on all FOUR sides – just shy of our Shootout Winner (side four actually won the shootout)
- Transparency, the ability to see into the mix, and the other side of the vintage analog richness coin, is key to the better pressings of this album, as well as many of our other favorite Demo Discs
- Of course the main attributes that set the better copies apart from the also-rans are size, energy, weight, vocal presence and an overall freedom from grit and grain, and we guarantee that this copy will do better in all of these areas than any you have ever heard
- Marks and problems in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
- 5 stars: “Physical Graffiti captures the whole experience of Led Zeppelin at the top of their game better than any of their other albums.”
- This is a Must Own title from 1975, a great year for rock and pop music
A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you turn up your volume .
If you’ve been waiting for a seriously powerful Kashmir experience, today is your lucky day. (more…)
FM Radio Sound on Blue Vinyl, Courtesy of a Mr. Gene Thompson
Hot Stamper Pressings of the Music of The Beatles Available Now
Here is how we described a recent Shootout Winning copy of 1967-1970:
This vintage import 2-LP compilation set boasts STUNNING Shootout Winning Triple Plus (A+++) sound or close to it on all FOUR sides. These pressings are rich, smooth and sweet, with plenty of Tubey Magic and little of the grain and grunge of most Brits (and don’t get us started on the domestics).
You get clean, clear, full-bodied, lively and musical ANALOG sound from first note to last. Like most compilations, some songs sound better than others, but “Don’t Let Me Down” and “Come Together” are two that really stand out here. For those of you out there who have never tried one of our Hot Stamper Beatles records, this may be the best sound you’ve ever heard from them. The CDs — even the new ones — sure don’t sound like this!
We are on record as finding the British pressings of 1967-1970 too bright; certainly most of them are anyway. The original domestic pressings, as anyone who has ever played one can attest, mastered at Sterling no less, are absolutely godawful.
Allow us to add one more to that group of pressings to avoid, the blue vinyl domestic pressings mastered by Gene Thompson. Based on how awful this pressings sounds, it would probably be wise to avoid his work in general.
The only artists who have earned the honor (ahem) of having their very own page on this blog are The Beatles. For those of you interested in learning more about their often amazing recordings, feel free to dig in to your heart’s delight.
Alberta Hunter / Amtrak Blues
More Soul, Blues, and R&B
- A vintage pressing (one of only a handful of copies to hit the site in years) with solid Double Plus (A++) grades from start to finish
- The sound is absolutely wonderful – Alberta is uncannily present and real on this copy
- Both of these sides are open, clear and lively as any record you’ve heard in a very long while
- 4 stars: “Alberta Hunter’s second recording since launching her remarkable comeback (she was 83 when this album was cut) finds the veteran blues singer (a survivor of the 1920s) still in surprisingly strong form and full of spirit.”
Hot Tuna – Burgers
More Rock and Pop
- Burgers is back on the site for only the second time in five years, here with incredible Nearly Triple Plus (A++ to A+++) grades on both sides of this vintage Grunt pressing – just shy of our Shootout Winner
- The sound here is exceptionally rich, full-bodied and lively, with present, breathy vocals, as well as excellent clarity all around
- 4 stars: “Burgers, Hot Tuna’s third album, marked a crucial transition for the group… Burgers, originally released as the fourth Grunt album, sounded more like a full-fledged work than a satellite effort.”
Listening in Depth to Harvest
Hot Stamper Pressings of the Music of Neil Young Available Now
Many copies we played would work for the heavy songs and then fall short on the quieter tracks. Others had gorgeous sound on the country-tinged numbers but couldn’t deliver much whomp* for the rockers.
Only a select group of copies could hold their own in all of the styles and engage us from start to finish. We’re pleased to present those exceptional pressings as the Hot Stamper copies of Harvest that so many of you have been begging for.
Side One
Out on the Weekend
We love the sound of the drums on Neil Young records — think of the punchy kick drum on After The Gold Rush and the punchy thwack of the snare on Zuma. On the best copies, this song should have the kind of BIG, BOLD Neil Young drum sound we audiophiles have been in love with since the album first came out.
The pedal steel guitar also sounds out of this world on the best copies.
Led Zeppelin – III
More of the Music of Led Zeppelin
- A vintage import pressing that was doing just about everything right, earning solid Double Plus (A++) grades or close to them on both sides – remarkably quiet vinyl too
- Huge, Tubey Magical and lively, with solid weight down low and lots of space around all the instruments, this copy is guaranteed to rock like nothing you have ever heard (particularly on side one)
- Drop the needle on “Since I’ve Been Loving You,” turn it up good and loud and Zep will be right there in front of you for the live concert of a lifetime
- 5 stars: “On their first two albums, Led Zeppelin unleashed a relentless barrage of heavy blues and rockabilly riffs, but Led Zeppelin III provided the band with the necessary room to grow musically. While there are still a handful of metallic rockers, III is built on a folky, acoustic foundation that gives the music extra depth.”
- If you’re a fan of the band, this classic from 1970 belongs in your collection.
Drop the needle on Since I’ve Been Loving You and turn it up good and loud. Robert Plant will be right there between your speakers, and your jaw will be on the floor!
Cue up Tangerine on side two for a taste of rich, sweet, Tubey Magical Analog Sound. The acoustic guitars are lush and delicate, the bass is deep and well-defined, and the vocals are completely natural and free from bad mastering or phony EQ.
Zep Unplugged
The three Zep albums with out of this world acoustic guitars are the first album, III and Houses of the Holy. (All three are currently on our Top 100 list, along with II and IV. All five can be amazing sounding on the right pressings, but those pressings tend to be tough to come by in clean condition.)
The guitars are every bit as rich, tubey, sweet, delicate and harmonically correct as those found on Tea For the Tillerman, Rubber Soul, Comes a Time or any of the other phenomenally good recordings we rave about on the site.
Of course, without the right pressing, you would never know that. Later copies, Classic Records copies, typical domestic and import copies — none of them are going to sound like this one. We guarantee it.
Could This Be More of the Sound Audiophiles Complain About with RVG’s Mastering?
Hot Stamper Pressings of the Music of John Coltrane Available Now
Some of the Rudy Van Gelder cuttings of this album were decent, but had you bought a copy with these stampers, you could be forgiven for using the man’s name in vain.
VAN GELDER in the dead wax is no guarantee of high quality sound, on any record. Records don’t work like that.
The 1+ grade found on side one of both discs means the sound for those two sides may be passable, but the NFG sound on side two of record one means you have at best only half an album with decent sound, and what good is that?
As you can see from our notes, the sound is way too hot and messy and thin.
Note that side two of the second record wasn’t played at all. Why waste more time on a record that clearly did not come off the press properly, whether from bad mastering or bad vinyl? Or bad something else, who can say?
We do not sell records with 1+ grades. You should have no trouble finding those on your own. The world is full of them.
Poor Rudy
Rudy Van Gelder comes in for a lot of criticism from the audiophile community, especially from audiophiles who tend to prefer the remastered Heavy Vinyl pressings made from his recordings.
Unsurprisingly, much of the criticism comes from some of the very same engineers responsible for the remastering those records.
Those who produce reissues of his recordings are notable critics as well.