Top Engineers – Fred Plaut

Dave Brubeck / Time Out – Classic Records Repress on 45 Is Another in a Long String of Failures

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Reviews and Commentaries for Time Out

Sonic Grade: F

Hall of Shame pressing and another Classic Records Jazz LP debunked.

Not long ago we found a single disc from the 45 RPM four disc set that Classic Records released in 2002 and decided to give it a listen as part of a shootout. My notes can be seen above, but for those who have trouble reading my handwriting, here they are:

Big but hard

Zero (0) warmth

A bit thin and definitely boring

Unnatural

No fun

No F***ing Good (NFG)

Does that sound like a record you would enjoy playing? I sure didn’t.

But this is the kind of sound that Bernie Grundman managed to find on Classic Record after Classic Record starting in the mid-90s when he began cutting for them.

We’ve been complaining about the sound of these records for more than twenty years but a great many audiophiles and the reviewers who write for them told us we wrong.  If you have a copy of this album on Classic, at 33 or 45, play it and see if you don’t hear the problems we ascribe to it.

To see what we had to say about the 33 RPM version on Classic many years ago, click here.

Maybe we got a bad 45 and the others are better. That has not been our experience.

In these four words we can describe the sound of the average Classic Records pressing.

Not all of their records are as bad sounding as Time Out. We favorably review some of the better ones here.


A Must Own Jazz Record

We consider Time Out a Masterpiece. It’s a recording that should be part of any serious Jazz Collection. Others that belong in that category can be found here. (more…)

Charles Mingus – Mingus Ah Um

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More Vintage Columbia Pressings

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  • This outstanding Columbia Red Label copy of Ah Um boasts solid Double Plus (A++) sound on both sides
  • An amazing 30th Street Studio recording by the legendary Fred Plaut – if you like Kind of Blue, here’s another album with that sound (same year, same studio, same engineer)
  • The rich, sweet, spacious sound of the vintage tubes used to record the session is reproduced faithfully here – without that sound, it would just not be Ah Um
  • 5 stars: “Mingus Ah Um is a stunning summation of the bassist’s talents and probably the best reference point for beginners… Mingus’ compositions and arrangements were always extremely focused, assimilating individual spontaneity into a firm consistency of mood, and that approach reaches an ultra-tight zenith on Mingus Ah Um”

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Miles Davis – Sketches of Spain

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  • This outstanding Columbia 360 Stereo pressing boasts solid Double Plus (A++) sound from first note to last
  • The good copies capture the realistic sound of Davis’s horn, the body, the breath and the bite (and not a little of the squawk as well)
  • Balanced, clear and undistorted, this 30th Street recording shows just how good Columbia’s engineers were back then
  • A couple of marks play, so this copy is being offered at a much lower price than it otherwise would have been for those of you who can tolerate the pops
  • 5 stars: “Sketches of Spain is the most luxuriant and stridently romantic recording Davis ever made. To listen to it in the 21st century is still a spine-tingling experience…”

*NOTE: On side two, two marks make 24 moderate pops one-quarter inch from the end of Track 2, Saeta, and 15 moderate pops one-quarter inch into Track 3, Solea.

On the best pressings of this masterpiece, the sound is truly magical. (AMG has that dead right in their review.) It is lively but never strained. Davis’s horn has breath and bite, just like the real thing. What more can you ask for? (more…)

Fred Plaut Is One of Our Favorite Engineers

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More of Our Favorite Engineers

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Fred Plaut is one of our favorite recording and mixing engineers. Click on the link to find our in-stock Fred Plaut engineered or produced albums, along with plenty of our famous commentaries. 

Frederick “Fred” Plaut was a recording engineer and amateur photographer. He was employed by Columbia Records during the 1940s, 1950s, and 1960s, eventually becoming the label’s chief engineer.

Plaut engineered sessions for what would result in many of Columbia’s most famous albums, including the original cast recordings of South Pacific, My Fair Lady, and West Side Story, jazz LPs Kind of Blue and Sketches of Spain by Miles Davis, Time Out by Dave Brubeck, Mingus Ah Um and Mingus Dynasty by Charles Mingus.

Wikipedia

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Reviews of Recordings Made at Columbia’s 30th Street Studio

Charles Mingus / Mingus Dynasty – Skip the Mono

Some jazz lovers and record collectors prefer their vintage jazz in mono.

We, as audiophiles, mostly do not if the record was originally recorded in stereo.

This is a good example of a record that sounds dramatically better in stereo than it does in mono. The mono is rich and tonally correct, but so small and compressed that it makes a mockery of the energy and huge space found on the original stereo tape.

FURTHER READING

This record sounds best this way:

Mono or Stereo? Stereo! 

On Big Speakers at Loud Levels

On the Right Domestic Pressing 

On the Right Early Pressing

Which simply means that the 6 Eye label domestic stereo pressings win our shootouts, in this case without exception. (more…)

Unsolicited Audio Advice – In the Market for New Speakers? See How Well They Handle the Energy of Far More Drums

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Reviews of Recordings Made at Columbia’s 30th Street Studio

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The drum solo Joe Morello lets loose on Far More Drums is one of the best on record. I was playing that very song recently and it occurred to me that it is practically impossible for a screen or panel speaker of any design to reproduce the sound of those drums properly, regardless of how many subs you have.

Most of the music is not in the deeper bass anyway. It’s the whack of instruments whose energy is in the lower midrange and midrange that a screen speaker will struggle with. A good large-driver dynamic speaker fed by fast electronics can handle the energy in that range with ease.

This is precisely the right album to take with you next time you head to your local stereo store to audition speakers. It will help clarify the issues. Screen speakers do many things well, but drums are not one of them in my experience.

If drums are important to you, do yourself a favor and buy a dynamic speaker, the bigger the better. (more…)

Miles Davis – Quiet Nights

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  • You’ll find excellent Double Plus (A++) sound on both sides of this oh-so-spacious Miles Davis-Gil Evans classic
  • Fred Plaut engineered the sessions, and on this amazing early pressing the sound is rich, warm, smooth and clear
  • This copy plays about as quiet as we can find these early pressings, Mint Minus Minus throughout
  • In the Saturday Review, Quiet Nights received praise for Davis’ “wonderfully songful trumpet in a Latin-American vein”, set against “piercingly lustrous curtains of tone and discreet Caribbean rhythms.”

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Dave Brubeck – Time Out

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Reviews and Commentaries for Time Out

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  • This Six-Eye Stereo pressing boasts out of this world Demo Disc Sound, with Shootout Winning Triple Plus (A+++) grades or close to them on both sides – Time Out captures the ambience and huge space of Columbia’s studio like no other record has
  • A knockout pressing of Brubeck’s astonishingly well recorded Jazz Classic, a record that belongs in every audiophile’s collection
  • Early stereo LPs in clean condition like this one are getting awfully tough to find nowadays…
  • “Buoyed by a hit single in Desmond’s ubiquitous Take Five, Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That’s a testament to Brubeck and Desmond’s abilities as composers, because Time Out is full of challenges both subtle and overt — it’s just that they’re not jarring.”

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Miles Davis – Sorcerer

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  • An outstanding pressing of Sorcerer, with solid Double Plus (A++) sound or close to it from start to finish
  • Sorcerer demonstrates the big-as-life, spacious and unerringly accurate 30th Street Studio Sound Fred Plaut was justly famous for
  • 4 1/2 stars: “The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren’t placed at the forefront the way they were on the two predecessors — it all merges together, pointing toward the dense soundscapes of Miles’ later ’60s work.”

We played a bunch of these recently and this was one of the better copies we heard! It’s got more energy, more presence, and more body than many copies we heard. Drop the needle anywhere and listen to how open, transparent and spacious it is. The soundfield is HUGE — big, wide and deep! Everything sounds natural, balanced and correct. The bass has texture, the piano has weight, the brass has the right amount of bite and so on.

We had a big stack of copies for this shootout, including a bunch of 360 originals and some later Red Label pressings. You can find great sound on either label but it will probably take you quite a few copies to get there, and you’d need a serious stack to have any hope of finding two sides this good on vinyl that plays well.

And by the way, copies of classic Miles Davis albums from the ’60s are neither easy to find nor are they cheap. Hit the jazz bins at your local store and I’m sure you’ll have the same experience we’ve been having — tons of pricey modern reissues but not too many clean vintage pressings. (more…)

Barbra Streisand – The Barbra Streisand Album

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A killer 360 original stereo pressing with Triple Plus (A+++) sound from start to finish – the first copy to hit the site in many years. We recently did a shootout for this album and were thrilled at how natural and immediate the sound on the best copies can be. Good Ol’ Babs (actually, a very young Babs here) sounds LOVELY on this pressing — her voice is rich, breathy and textured with stellar presence. The orchestra backing her sounds wonderful and there’s plenty of bass to set a nice foundation for the music.

Excellent, natural, unprocessed sound. And she does a very nice job with this set of standards. This, and the album Guilty, are the two Streisand records I’m most likely to play. (more…)