Side two of this exceptionally quiet London Blueback (CS 6102) has the Super Hot sound we love, with tons of deep bass and plenty of top end air too. It’s also incredibly transparent — you can really feel the space and appreciate just how big the church must be.
Side one is not quite as good, earning a single plus Hot Stamper grade (A+). It’s rich, smooth and big like side two, but not quite as transparent and not extending low and high the way side two does.
This album comprises a number of quite well known pieces by Bach, Handel and Elgar, so if you already have a plenty of organ recordings you probably don’t need this one. If this is your first it’s a very good place to start! If your system plays deep bass well, so much the better.
This original Shaded Dog pressing has WONDERFUL sound and exceptionally quiet vinyl for a record made in 1958. Like most recordings from the era, it has the strengths and weaknesses of simply-miked analog tapes recorded and mastered during The Golden Age. It’s every bit as RICH and Tubey Magical as one could ever want, but evidences some congestion in the loudest passages and a touch of tube smear even when quiet. With All Tube Mastering, this is of course to be expected.
The soundstage is especially wide on both sides but not quite as deep as one might expect. With more copies we could have done a better job of investigating the sound of the recording, but where does one find minty Shaded Dogs these days at affordable prices? Most of what we see is scratched and overplayed.
Be that as it may, the PERFORMANCE IS KING HERE — one of the greatest ever recorded, more powerful and more emotional than any with which we are familiar. This orchestra is on fire with this stirring music. If you haven’t heard Munch’s definitive performance, you haven’t really heard the Serenade for Strings. This is your chance to hear string playing that will have you sitting up in your chair, transfixed by the energy and enthusiasm of the Boston Symphony strings.(more…)
[Reviewed many years ago, so take it with a grain of salt.]
This Cisco 180 gram LP has Very Good sound. The original Shaded Dogs tend to be warmer and sweeter, but also more compressed and a bit smeary. This pressing is alive and present, although the string tone can be a bit steely at times.
If you have a warm, tubey system this record may just be the ticket. If your system leans toward the dry and analytical, this is not the record for you.
Be that as it may, the PERFORMANCE IS KING HERE — one of the best ever recorded, more powerful and more emotional than any I know. This orchestra is on fire with this stirring music. If you haven’t heard Munch’s definitive performance, you haven’t really heard the Serenade for Strings. This is your chance to hear string playing that will have you sitting up in your chair, transfixed by the energy and enthusiasm of the Boston Symphony strings.(more…)
With a Triple Plus (A+++) Shootout Winning side two and a seriously good Double Plus (A++) side one, this copy had some of the best sound we have ever heard for Charles Munch’s recording with the Boston Symphony
The 14 minute long Elgar piece is on the second side here, with strings that are substantially more Tubey, rich and sweet than on any other side two we played
Surely one of the greatest performances ever recorded, more powerful and emotional than any with which we are familiar
“In his conception of the Serenade, Tchaikovsky envisioned a work which falls somewhere between a symphony and a string quintet. The work is as personal as any of the composer’s symphonies and as intimate as his chamber music.”
The texture and harmonic overtones of the strings are near perfection. As we listened we became completely immersed in the music on the record, transfixed by the remarkable virtuosity the performers brought to the work in 1958, as well as the quality of RCA’s engineering.(more…)
This famous Shaded Dog, containing two superb performances by Monteux and the LSO, has many of the Golden Age strengths and weaknesses we know well here at Better Records, having played literally hundreds upon hundreds of these vintage pressings over the last twenty years or so.
Both sides earned sonic grades of at least A+ to A++ (with side one being just a bit better than that but maybe not quite A++). The sound is rich and sweet and full of Living Stereo Magic!
The wonderful sounding tube compressors that were used back in the day result in quieter passages that are positively swimming in ambience and low-level orchestral detail. Tube compression is, in large part, what we mean when we use the term Tubey Magic. (If you want to know what Zero Tubey Magic sounds like, play some Telarcs or Reference Recordings from the ’70s. Or a modern digital recording on CD.)
But all that sweet and rich Tubey Magic comes at a price when it’s time for the orchestra to get loud. It either can’t, or the louder passages simply distort from compressor overload. Fortunately on this copy the orchestra does not distort, it simply never gets as loud as it would have in a real concert hall, clearly the lesser and more preferable of the two evils.(more…)
This VERY RARE 2 LP Shaded Dog pressing has Super Hot Stamper sound. Much of what’s good about Golden Age recordings is heard here, with side one for example having the sound of a HUGE hall and that Three-Dimensional quality that the best vintage recordings are able to convey so well.
We constantly knock Heavy Vinyl here at Better Records for the simple reason that we play vintage recordings such as this by the score every month and can hear what they do so well. Unfortunately the huge hall and the 3-D soundstaging they effortlessly reproduce cannot be found on any Heavy Vinyl pressing we know of.
Such qualities allow this record to sound — in some ways, to be sure not all — like live music. Heavy Vinyl just plain doesn’t.(more…)