Demo Discs for Energy

Lincoln Mayorga & Distinguished Colleagues – Volume III – The Best Sounding Copy We’ve Ever Heard

A KILLER copy with DEMO DISC Shootout Winning QUADRUPLE Plus (A++++) sound on the second side and Triple Plus (A+++) sound on the first
This Limited Edition Sheffield Lab Direct Disc recording has some of the best sound we have ever heard for this title
It doesn’t get any better than this, with CLARITY and that JUMP OUT OF THE SPEAKERS quality we desire from a Hot Stamper
Many copies of this album tend to sound a bit thin and somewhat bright; on this copy, the sound is rich, full, and tonally correct from top to bottom and the horns sound especially wonderful

Please note: we award the Four Plus A++++ grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. So the side two here shows up on the chart as A+++, but when you hear this copy you will know why we gave it a fourth plus!

What do Hot Stampers give you for this album? It’s very simple. Most copies of this album are slightly thin and slightly bright. They give the impression of being very clear and clean, but some of the louder brass passages start to get strained and blarey. This copy is rich and full. The sound is balanced from top to bottom. You can play it all the way through without fatigue.

Trumpets, trombones, tubas, tamborines, big bass, drums — everything has the true tonality and the vibrancy of the real thing. The reason this record was such a big hit in its day because the recording engineers were able to capture that sound better than anybody else around. That’s also the reason this is a Must Own record today — the sound holds up!

Just listen to that amazing brass choir on Oh Lord, I’m On My Way. It just doesn’t get any better than that. If ever there was a Demo Disc, this is one! (more…)

Return to Forever – A Masterpiece of Jazz/Rock Fusion

Romantic Warrior is my favorite JAZZ/ROCK FUSION album of all time. As good as the music is, the sound is even better. This is the Jazz/Rock Demo Disc that stands head and shoulders above the rest. In my experience, no record of this kind is more DYNAMIC or has better BASS. Not one. Demo Disc doesn’t begin to do this kind of sound justice.

Simply put, not only is this one of the greatest musical statements of all time, it’s one of the great recording statements. Few albums in the history of the world can lay claim to this kind of POWER and ENERGY.

But the Super Sound has a purpose, a raison d’etre. This is the kind of music that requires it; better yet, DEMANDS it. In truth, the sound is not only up to the challenge of expressing the life of the music on this album, it positively ENHANCES it.

Those monster Lenny White drum rolls that run across the soundstage from wall to wall may be a recording studio trick, but they’re there to draw your attention to his amazing powers, and it works! The drums are EVERYWHERE on this album, constantly jumping out of the soundfield and taking the music into the stratosphere where it belongs.
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The Who – Live At Leeds – Our Shootout Winner from 2013

A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

TWO STUNNING A+++ SIDES! Get ready to rock out, as this is one of the BEST SOUNDING live albums ever recorded. Young Man Blues on a copy such as this has drums that are so solid, punchy and present they positively put to shame the drum sound on 99 out of 100 rock records you’ve ever played. Keith Moon lives on!

Both sides here are absolutely As Good As It Gets! The bass is big and tight, the drums are killer, and the whole thing has the kind of rockin’ energy that this music demands. A+++, White Hot Stamper material all the way!

“Crackling Noises O.K. – Do Not Correct!!”

There are some crackling noises throughout that sound like noisy vinyl, but they are part of the recording, as indicated on the labels. This is raw and brutal rock and roll, so a little bit of crackle doesn’t really spoil the party. (more…)

The Knack – Get The Knack – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock Hall of Fame.

This Monster Power Pop Debut by the Knack is an AMAZINGLY well-recorded album, with the kind of Wall to Wall Big Beat Live Rock Sound that rivals Back in Black and Nevermind — if you’re lucky enough to have a copy that sounds like this one! (If you’re not then it doesn’t.)

Side two here has White Hot Stamper sound, and let me be clear: this is a Rock Demo Disc that is very likely to lay waste to whatever rock demo disc you currently treasure. My Sharona is simply OUT OF THIS WORLD here. You just can’t record drums and bass any better!

And let’s not forget the song Lucinda on this side. It’s got exactly the same incredibly meaty, grungy, ballsy sound that Back in Black does, but it managed to do it in 1979, a year earlier!

Mike Chapman produced this album and he is a recording GENIUS. How much better could it get you ask? The answer is: None more better. (more…)

Leonard Bernstein – Conducts Symphonic Dances…

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Conducts Symphonic Dances…

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You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this vintage Columbia pressing – fairly quiet vinyl too
The best copies are out of this world, reproducing some of the most dynamic, exciting, richest, and most spacious sound we have ever heard from the man’s records
The music is wonderful of course, with the Suites giving you all the best parts of his marvelous compositions with none of the filler
Vibrant orchestrations, high quality sound and fairly quiet surfaces combine for an immersive and engrossing listening experience

One of the great Columbia recordings. I suspected it might have been done at the legendary 30th St studios in New York but I was wrong, Manhattan Center’s huge stage served as the venue. Either way the sound is no less glorious.

The big advantage this copy had over most is the fullness of the brass. The shrill sound of the brass on most Columbia albums is what gets them tossed in the trade pile. Fortunately the sound here is rich and clean, with solid deep bass. The stage is huge, with the multi-miking kept to a minimum so that you can really hear the space. (more…)

The Dynamic Energy of Neil Young and His Crazy Horse Pals – They’re LIVE in the Studio

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Another in our series of Random Thoughts and observations on recording-related issues.

Hot Stampers are all about finding those rare and very special pressings that manage to represent the master tape at its best.

Notice I did not say ACCURATELY represent the master tape, because the master tape may have faults that need to be corrected, and the only way to do that is in the mastering phase. I can tell you without fear of contradiction that fidelity to the master tape should never be, and rarely is, the goal of the mastering engineer.

Which, as a practical matter, means that flat transfers are usually a mistake.

Chesky is famous for boasting that their early remasterings of the Living Stereo catalog were flat transfers. They sure sound flat all right. If there is a more clueless bunch of audiophiles on the planet than the people running Chesky you would have a hard time proving it to me. But I digress.

Whether we like or dislike the presentation of any given recording is of course a matter of taste. When listening we constantly make judgments about the way we think the recording at any moment “ought” to sound, based on what we like or don’t like about the sound of recordings in general and how our stereos deal with them. (more…)

Phil Manzanera – Diamond Head

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Diamond Head

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This KILLER pressing of Phil Manzanera’s debut album boasts Shootout Winning Triple Plus (A+++) sound from start to finish
Two stunning sides – Demo Disc quality sound barely begins to describe the size and power of this recording
This album is an amazing SONIC BLOCKBUSTER, with sound that will positively leap out of your speakers
A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his Engineering Masterpiece

The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.

Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album and many many more. (more…)

AC/DC – Back In Black – Our Four Plus Shootout Winner

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Musically Back In Black has everything you’d want from this kind of hard rock — a tight, punchy rhythm section; raging guitar riffs; and deliciously decadent lyrics screamed to perfection. What surprised us is how amazing this music sounds on the right copy. You’ve probably heard these songs a million times, but we bet you haven’t heard them sound like this. This is the kind of record that you’ll want to keep turning up. The louder you play it, the better it gets — but only if you’ve got a great pressing like this.

Side two earned our rare A++++ grade. Our sonic grade graphics only go up to three pluses, but this side two took it all the way to four!

We awarded this copy our very special Four Plus A++++ grade on side two, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea could even exist. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can’t get much more rare than that. (more…)

In the Market for New Speakers? – Will They Handle the Size and Energy of Take It Easy?

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Another in our series of Home Audio Exercises.

Take one of our killer Hot Stamper pressings with you when you go shopping for speakers. The speaker that gets the POWER and ENERGY of this music right is the one you want. This record will separate the men from the boys thirty seconds into Take It Easy. It will be obvious who’s got the piston power and who doesn’t.

With big bass and huge scope, this may become your favorite disc for showing your friends just what analog is really capable of.

When the big chorus comes in on Take It Easy — one of the toughest tests for side one — you will be amazed by how energetic and downright GLORIOUS these boys can sound. Believe us when we tell you, it’s the rare copy that can pass that test. (more…)

The Turn Up Your Volume Test – Almost Cut My Hair

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Another in our series of Home Audio Exercises.

The only time Crosby, Stills, Nash & Young actually sound like a real rock and roll band is on the track Almost Cut My Hair. According to Stephen Barncard, one of the engineers on Deja Vu, the track was actually recorded live in the studio. Boy, it sure sounds like it. The amount of energy the band generates on this one song exceeds the energy of the entire first album put together.

The reason this song presents such a tough test is that it has to be mastered properly in order to make you want to turn it up, not just louder, but as loud as your stereo will play. This song is not to be used as background music whilst sipping wine and smoking cigars. It positively cries out to be played at serious volume levels on monstrously large speakers. Nothing else will do justice to the power of the band’s one and only live performance. (more…)