- Four! finally makes its Hot Stamper debut with stellar Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
- The timbre of the instruments in this brilliant jazz quartet is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off
- Roy DuNann engineered some of the best sounding records we have ever heard – here’s a textbook example of what the audiophiles at Contemporary were able to achieve in the studio
- 5 stars: “Pianist Hampton Hawes’ 1950s recordings for the Contemporary label are at such a high level that they could all be given five stars.”
- This STUNNING copy boasts a Shootout Winning Triple Plus (A+++) side two mated with outstanding Double Plus (A++) sound on side one – exceptionally quiet vinyl too
- One of our favorite Sonny Rollins records for sound – both sides here are incredibly big, full-bodied and Tubey Magical
- 4 1/2 stars: “This LP contains alternate versions of selections from two famous Sonny Rollins albums: Way out West and Sonny Rollins and the Contemporary Leaders. These “new” renditions… hold their own against the classic versions. …the music is hard-swinging and frequently superb.”
The album is made up of alternate takes from the Way Out West and Sonny Rollins and the Contemporary Leaders sessions, and as such there is a bit of sonic variation between these tracks and the ones on the actual albums. The best-sounding songs here, particularly the material from Way Out West, can sound amazing!
The best copies are rich and tubey; many pressings were thin and modern sounding, and for that they would lose a lot of points. We want this record to sound like something Roy DuNann recorded with an All Tube chain in 1958, and the best copies give you that sound, without the surface noise and groove damage the originals doubtless suffer from.
Some copies have much more space; some are more present, putting the musicians right in the room with you; some are more transparent, resolving the musical information much better than others, letting you “see” everyone in the studio clearly. Some have more rhythmic drive than others. On some the musicians seem more involved and energetic than they do on the average pressing.
The copies that do all these things better than other copies are the ones that win our shootouts.
This is clearly one of the best copies we have ever played. We think you will enjoy it immensely. (more…)
- Newborn’s wonderful 1966 release makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound from start to finish
- The timbre of the instruments in this brilliant jazz trio is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off
- This vintage Contemporary pressing boasts exceptionally natural piano sound (courtesy of Howard Holzer) and live-in-the-studio jazz energy
- 4 1/2 stars: “As is usual on his Contemporary recordings, the pianist explores superior jazz compositions… Newborn’s remarkable control of the piano was still unimpaired, and he is heard giving Oscar Peterson a run for his money.”
- Newborn’s first album for Contemporary makes its Hot Stamper debut with killer Nearly Triple Plus (A++ to A+++) sound from start to finish, coming in just shy of our Shootout Winner – exceptionally quiet vinyl too
- One of the most musically impressive jazz piano recordings we’ve played in years – Newborn’s improvisational skills are operating at the very highest level
- The team of Ray DuNann and Howard Holzer insure that everything you want in an Audiophile Quality piano trio recording is here
- 5 stars: “Phineas Newborn’s Contemporary debut (he would record six albums over a 15-year period for the label) was made just before physical problems began to interrupt his career…. He performs five jazz standards and three obscurities by jazz composers on this superb recital…”
A distinguished member of the Better Records Jazz Hall of Fame.
This Contemporary Yellow Label LP has wonderful Contemporary All Tube sound, courtesy of the amazing engineering of Howard Holzer. The piano is right — weighty and percussive with a full-bodied tone. The bass definition is superb. The clarity and transparency here are nothing short of breathtaking.
Steve Ellington’s brush work on the snare is very clear on this copy, helping to push the music to the next level. On the great Sonny Rollins track, St. Thomas, Steve Ellington is doing some fancy playing on the rims of his drums — the ambience bouncing off the studio walls is amazing.
A major highlight here is the completely original interpretation of Blue Skies. Hawes gets going with some really complicated two-handed playing. With the superb clarity of this copy you won’t miss a note. (more…)
- Superb Double Plus (A++) sound or BETTER on both sides – this copy is truly a knockout Piano Trio record
- Our best Hot Stamper copies will show you just how good Fifties All Tube Analog can sound
- Yet another Demo Disc for Contemporary, the brilliant work of the engineering team of Dunann and Holzer
- One of Andre Previn’s better jazz performances on record – his pals Manne and Mitchell are no slouches either
The piano sounds uncannily lifelike right from the start, a beautiful instrument in a natural space, tonally correct from top to bottom. I can’t think of many records off the top of my head that get a better piano sound than this one. Dunann and Holzer in 1957 are hard to beat. (more…)
- Leroy Vinnegar’s debut album finally arrives on the site with a KILLER Shootout Winning Triple Plus (A+++) side two and a truly oustanding Double Plus (A++) side one
- The Contemporary LP stereo sound here is completely natural in every respect, yet still rich, warm and smooth
- Roy DuNann and Howard Holzer engineered some of the best sounding records we have ever heard – here’s a textbook example of what the audiophiles at Contemporary were able to achieve in the studio
- 4 stars: “…Vinnegar generously features his talented sidemen… A fine, straight-ahead session.”
For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good an 1958 All Tube Analog Contemporary recording can sound, this killer copy will do the trick. (more…)
A distinguished member of the Better Records Jazz Hall of Fame.
An absolutely killer pressing of one of our favorite jazz albums! The album is comprised of alternate takes from the Way Out West and Sonny Rollins and the Contemporary Leaders sessions, and as such there is a bit of sonic variation between these tracks and the ones on the actual albums. The best-sounding songs here, particularly the material from Way Out West, sound amazing! (more…)
- Insanely good sound throughout, just shy of our shootout winner with nearly Triple Plus (A++ to A+++) sound – quiet vinyl too
- We love the amazingly natural, uncolored, un-hyped sound Roy DuNann and Howard Holzer were able to achieve at Contemporary back in the day
- You will hear as we did playing this very copy that there’s simply nothing between you and the musicians
- “Pepper utilizes Davis’ sidemen on this 1960 near-classic… as usual, Pepper brings something very personal and unique to his playing; he sounds like no one else.” – 4 1/2 Stars, All Music
This album, and this copy in particular, deliver some serious Art Pepper Contemporary Magic. We’re big fans of Pepper and this label, and we love the sound Roy DuNann and Howard Holzer were able to get out of these guys. On the best pressings, such as this one, there’s just nothing between you and the music. You will have a very hard time finding a much better sounding jazz record than either side of this copy, anywhere.
Superb sound from Contemporary — better than just about any other Pepper disc they recorded IMHO. We played a bunch of copies and few can compare to this one! (more…)
I have a very long history with this album, dating back close to twenty years. My friend Robert Pincus first turned me on to the CD, which, happily for all concerned was mastered beautifully. We used it to test and tweak all the stereos in my friends’ systems.
Playing the original stereo record, which I assumed must never have been reissued due to its rarity (I have since learned otherwise), all I could hear on my ’90s all tube system was blurred mids, lack of transient attack, sloppy bass, lack of space and transparency, and other shortcomings too numerous to mention that I simply attributed at the time to vintage jazz vinyl.
Well, things have certainly changed. I have virtually none of the equipment I had back then, and I hear none of the problems with this copy that I heard back then on pressing I owned. This is clearly a different LP, I sold the old one off years ago, but I have to think that much of the change in the sound was a change in cleaning, equipment, tweaks and room treatments, all the stuff we prattle on about endlessly on the site.
In other words, if you have a highly-resolving modern system and a good room, you are should be knocked out by the sound of this record. I sure was. (more…)