Top Engineers – Lewis Layton

Various Composers / The Reiner Sound – Classic Records Reviewed

More of the music of Maurice Ravel (1875-1937)

200+ Reviews of Living Stereo Records

Sonic Grade: F

There is simply an amazing amount of TOP END on the original pressing we played a while back (reviewed below). Rarely do I hear Golden Age recordings with this kind of ENERGY and extension up top.

This is of course one of the reasons the Classic reissue is such a disaster. With all that top end energy, Bernie’s gritty cutting system and penchant for boosted upper midrange frequencies positively guarantees that the Classic Reiner Sound will be all but unplayable on a good system.  

Boosting the bass and highs and adding transistory harshness is the last thing in the world that The Reiner Sound needs.

You may have read on the site that, unlike many soi-disant audiophiles who buy into HP’s classical choices, I am not the biggest Reiner fan. On these works, though, I would have to say the performances are Top Drawer, some of the best I have ever heard. The amount of energy he manages to coax from the Chicago Symphony Orchestra is nothing less than BREATHTAKING.

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Strauss / Also Sprach Zarathustra – The Sound of this MoFi Pressing Makes My Head Hurt

More of the music of Richard Strauss (1864-1949)

Richard Strauss Recordings We’ve Reviewed

Is the painting on the cover that of a man whose head is hurting from the ridiculously bright string tone of this MoFi?

Doubtful. Impossible actually. But that’s exactly how my head feels when I play one of these awful MoFi classical releases.

Their rock, pop and jazz remasters were hit and miss in the old days, with some real winners hidden amongst the junk, but every one of their classical releases that I ever played was a dog.

One way you know you dealing with bad records and collector mentality? When you find one of these records in your local used record store, it is almost guaranteed to be pristine.

Good records get played. MoFi’s classical releases got collected and sat on a shelf.

Sonic Grade: F

Hall of Shame pressing and another MoFi LP reviewed and found to be yet another record perfectly suited to the Stone Age Stereos of the Past.

Can you believe this bright and phony sounding piece of junk was once on the TAS Super Disc List? Sad, isn’t it? At least Harry had the good sense to delete it way back in the ’80s, along with all the rest of the awful MoFi’s that were on it at the time.  

Hey, I sure liked a lot of my MoFi’s in the ’80s too. Thank god I didn’t have my own Super Disc list at the time. It would be every bit as embarrassing as Harry’s list is these days, although it’s really not Harry’s list these days anymore, or at least not exclusively his list. It now has lots of new stuff on there and much of it appears to be of dubious quality, but that’s pure prejudice on my part of course. I have never played most of the records and have no intention of finding out what they sound like. Much of it is music that does not appeal to me, and some of the new additions are on Heavy Vinyl, so why bother?


Sibelius – Violin Concerto / Heifetz / Hendl

Hot Stamper Pressings Featuring the Violin

Superb Recordings with Jascha Heifetz Performing

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  • With solid Double Plus (A++) sound on both sides, this copy of the Sibelius Violin Concerto boasts outstanding Living Stereo sonics from 1961 and a fiery performance from Heifetz
  • It’s some of the best sound we have ever heard for the work, right up there with the Ricci on Decca/London
  • The grading is conservative at Two Pluses; it might’ve actually deserved more
  • The nothing less than breathtaking performance by Heifetz may raise this one to the rank of First Among Equals for those of you who prize immediacy and energy in your violin recordings
  • If you have one of our killer Hot Stampers of the Beethoven or Tchaikovsky violin concertos, you know exactly the sound I am talking about
  • “In the easier and looser concerto forms invented by Mendelssohn and Schumann I have not met a more original, a more masterly, and a more exhilarating work than the Sibelius violin concerto.”

Early Shaded Dog pressings of Heifetz’s records are known to have rarely survived in audiophile playing condition. Top quality early pressings in clean condition come our way at most once a year, which means shootouts for them get done infrequently. There are literally thousands of clean, vintage classical pressing sitting in our stockroom waiting for a few more copies to come our way so that we can finally do a shootout.

This copy plays quite well for a Shaded Dog. Side one plays Mint Minus Minus all the way through, with a little extra tickiness creeping in at the very end of the side.

Side two I am happy to report plays even quieter. It starts out Mint Minus Minus, but roughly three quarters of an inch into the side it begins to play more in the range of Mint Minus to Mint Minus Minus, and does so for the remainder of the side.

It’s practically impossible to hear that kind of string sound on any recording made in the last thirty years (and this of course includes practically everything pressed on Heavy Vinyl). It may be a lost art but as long as we have these wonderful vintage pressings to play it’s an art that is not being lost on us. (more…)

Who Can’t Hear Differences in Sound from Side to Side on Most Records?

 

More of the music of Rimsky-Korsakov (1844-1908)

Our Favorite Performance of Scheherazade – Ansermet with the Suisse Romande

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Audiophile Reissues of the Reiner/CSO Recording

Both the Chesky and Classic reissue pressings of LSC 2446 are just plain terrible. Embarrassingly the latter is found on the TAS List.

There is a newly remastered 33 RPM pressing of the album garnering rave reviews in the audiophile press. We didn’t like it either.

Please note that in many of the reviews for the new pressing, the original vinyl used for comparison is a Shaded Dog pressing. In our experience almost no Shaded Dog pressings are competitive with the later White Dog pressings, and many of them are just plain awful, as we have noted previously on the site.

The “original is better” premise of most reviewers renders the work they do practically worthless, especially to those of us who take the time to play a wide variety of pressings and judge them on the merits of their sound, not the color of their labels.
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Saint-Saens / Introduction and Rondo Capriccioso / Friedman

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  • A nearly White Hot side two with the complete Saint-Saens work
  • Side two has explosive dynamics and near-perfect violin reproduction
  • Side one has the first movement of the Paganini Concerto No. 1
  • A Mohr/Layton Living Stereo Shaded Dog pressing from 1962

Side Two – Paganini – 2nd / 3rd Movements / Saint-Saens – Introduction and Rondo Capriccioso 

A++ to A+++, nearly White Hot. Big and lively, and so involving. Huge space, great dynamics, so immediate and engrossing. 

It’s one of the best sounding violin-led orchestral recordings we have played in recent memory, and we’ve played them by the hundreds and hundreds. (Practice makes perfect as they say.)

Side two of this copy easily puts most of the TAS Super Discs to shame. I would venture to say that there’s a very good chance that you have NEVER heard a violin-led orchestral recording as good as this one (that is, unless you own some of our White Hot Stamper violin records).

Side One – Paganini – Concerto No. 1 – First Movement (more…)

Sibelius / Violin Concerto / Heifetz – Classic Records Reviewed

Hot Stamper Pressings Featuring the Violin

Superb Recordings with Jascha Heifetz Performing

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

Classic remastered this title in the ’90s — of course they did, it’s clearly one of the better Heifetz recordings.

As expected, their version was awful, as bad as LSC 1903, 1992, 2129 and others too numerous to list.  

It’s both aggressive and lacking in texture at the same time, the worst of both worlds. Bernie’s cutting system is what I would call Low Resolution — the harmonics and subtleties of the sound simply disappear. If you have the Classic, do your own shootout. We guarantee any Hot Stamper pressing will murder theirs.

Chopin – Piano Concerto No. 2 – Rubinstein / Wallenstein

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The original version of LSC 2265 as pictured is known as The Rubinstein Story. It comes with a deluxe gatefold cover and a lovely illustrated booklet tucked into an inner flap with biographical information about Rubinstein and commentary about the music of Chopin.

Of course we Hot Stamper aficionados want to know how it sounds, and the good news here is that side one is WONDERFUL. We awarded it the Super Hot grade of A++. The piano just sounds more REAL on this side than it does on the later pressing we played. It’s clear, solid and present, and the tonality is perfection.

Those of you who know your shaded dogs no doubt have had a few problems with your Rubinstein pressings in the past being too midrangy and forward, a sound that Rubinstein supposedly insisted on for his records. Not so on this side one I am happy to report. The sound is overflowing with Tubey Magic.

Ah, but side two is much more like the typical Rubinstein record, and in this case that means a letdown, with a too-hard sounding piano, the result of an upper-midrange boost. It’s spacious and the vinyl is quiet but the piano does not sound like it does on side one, oh well. One good side is pretty hard to find so consider this one a minor victory.

Morton Gould and His Orchestra – Love Walked In – Our Shootout Winner from 2011

More Love Walked In

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This Super Hot Stamper (or better!) Living Stereo Shaded Dog pressing has SUPERB TUBEY MAGICAL Golden Age sound the likes of which you will not believe. (If you’ve bought some of our best Hot Stamper Living Stereo recordings then you will have no trouble believing it I’m sure.) 

Side two displays some of the richest, most three-dimensional orchestral sound we have heard in quite some time. The fifth track is especially notable for a pizzicato arrangement that makes it a DEMO DISC track to beat them all. Plucked strings simply do not sound any better!

The legendary RCA engineer Lewis Layton deserves all the kudos here. The string tone is perfection on side two, Living Stereo Magic at its best! (more…)

Tchaikovsky / Excerpts from The Nutcracker – Compression Works Its Magic

Reviews and Commentaries for The Nutcracker

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

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This RCA reissue pressing of LSC 2328 has some of the BEST SOUND we have ever heard for The Nutcracker, and we’ve played them by the dozens, on the greatest Golden Age labels of all time, including the likes of Mercury, RCA and London. In a somewhat (but not too) surprising turn of events, the reissue pressing we are offering here beat all the originals and early reissues we could throw at it. Finally, this legendary Mohr/Layton production can be heard in its full glory!  (more…)