Top Engineers – Phill Brown

Traffic – Mr. Fantasy

More Steve Winwood

More Traffic

xxxxx

  • This early Pink Label import pressing boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides, making this one of the best copies to hit the site in many years, if not THE best
  • We used to think that The Best of Traffic had better sound, but in a head to head comparison with this very copy, we were proved WRONG
  • Big, full-bodied and lively, with huge amounts of space and off the charts Tubey Magic, the sound here is Hard to Fault – thanks Eddie and Jimmy!
  • “Winwood is simply incredible. He has a top group of musicians with him and they have made an album which is one of the best from any contemporary group.” – Rolling Stone, 1968

This is one of the best sounding Traffic records ever made. Musically it’s hit or miss, but so is every other Traffic record, including my favorite, John Barleycorn. The best songs here are Heaven Is In Your Mind, Dear Mr. Fantasy, and Coloured Rain. The first of these is worth the price of the album alone, in my opinion. It’s a wonderful example of late ’60s British psychedelic rock. (more…)

Robert Palmer – Sneakin’ Sally Through The Alley

More Robert Palmer

xxxxx

  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish – fairly quiet vinyl for the most part too, although one mark is a problem
  • Rich, smooth, Tubey Magical sound is what makes these wonderful import pressings win our shootouts – that and lots of funky bass
  • The best album Robert Palmer ever made – with Little Feat and The Meters helping out, it had to be
  • 4 stars: “While the music is tight and solid, it is Robert Palmer’s voice that is revelatory — he sounds supremely confident among these talented musicians, and they seem to feed off his vocal intensity. Fans of the Meters or people who want to discover the funky side of Robert Palmer should check this one out.”

(more…)

The Rolling Stones – Beggars Banquet

xxxxx

  • An outstanding vintage British pressing of this exceptionally well-recorded Stones album from 1968, with solid Double Plus (A++) sound or close to it on both sides
  • The long lost Tubey Magic of these early pressings has them sounding better than we ever thought possible back in the day
  • This is the way Beggar’s Banquet should sound and it doesn’t take a pair of golden ears to hear it
  • One of a select group of Rolling Stones Must Own titles we prize above all others – Sticky Fingers and Let It Bleed round out the trio
  • 5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.

(more…)

Traffic / Mr. Fantasy – 25th Anniversary British Pressing

xxxxx

This Minty looking Island 25th Anniversary British Import LP has SURPRISINGLY GOOD SOUND! I’d have to say it’s the best sounding record from this series I’ve ever heard. (Note that this is the British version and not the Italian one.)

I can’t vouch for other copies of this record — they may not sound as good as this one — but this one has the bass that’s missing from some of the Pink Label copies and is overall tonally Right On The Money (ROTM), with almost none of the transistory grain that you find on domestic pressings. If you don’t want to spend the big bucks for a Hot Stamper, this is probably the next best way to go.

Harry Nilsson – Nilsson Schmilsson

xxxxx

  • A KILLER copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides for Harry Nilsson’s indisputable Masterpiece of Bent Rock
  • Both sides are exceptionally good sounding, and the recording is brilliant thanks to the skills of Phill (That’s Two L’s) Brown
  • A Better Records favorite (we give it Five Stars) that really comes to life on an amazingly good pressing such as this one
  • 4 1/2 stars: “…it’s a near-perfect summary of everything Nilsson could do; he could be craftier and stranger, but never did he achieve the perfect balance as he did here.”

Big production pop like this is hard to pull off. Harry did an amazing job, but the recording is not perfect judging by the dozen or so copies I played this week and the scores I’ve suffered through before. Let’s face it: Jump Into The Fire will never be smooth and sweet; neither will Down on side one. But other tracks on this album have DEMONSTRATION QUALITY SOUND. (more…)

Joe Cocker – Joe Cocker (1969)

xxxxx

  • With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – reasonably quiet vinyl too
  • Consistently stronger material than his debut – did Cocker ever release an album with more good songs than these?
  • How’s this for a track listing: Dear Landlord; Bird on the Wire; She Came in Through the Bathroom Window; Something; Delta Lady; Darling Be Home Soon – and there’s more
  • “Cocker mixed elements of late-’60s English blues revival recordings (John Mayall, et al.) with the more contemporary sounds of soul and pop; a sound fused in no small part by producer and arranger Leon Russell, whose gumbo mix figures prominently on this eponymous release and the infamous Mad Dogs & Englishmen live set.”

This is a surprisingly good recording. Cocker and his band — with more than a little help from Leon Russell — run through a collection of songs from the likes of Bob Dylan, Leonard Cohen and the Beatles, and when you can hear it on a killer Hot Stamper copy such as this, it’s hard to deny the appeal of this timeless White Soul music.

The consistently high quality of the material is another reason this album has to be considered a Must Own. Did Cocker ever release an album with more good songs than these?

On side one alone you’ll find Dear Landlord; Bird on the Wire; She Came in Through the Bathroom Window; and Hitchcock Railway.

On side two: Something; Delta Lady; Hello, Little Friend; and Darling Be Home Soon.

I put this album up against the best Cocker has ever made. He released both of his first two albums in 1969, strikingly reminiscent of another band we revere, Led Zeppelin. (Small world: Jimmy Page plays on Cocker’s first release.) (more…)

Traffic – Mr. Fantasy – Our Shootout Winner from 2006

xxxxx

A distinguished member of the Better Records Rock Hall of Fame.

This British Sunray Label pressing has THE BEST SOUND I’VE EVER HEARD FOR THIS ALBUM! None of the Pink Label originals that we played had the deep, powerful, punchy bass that this pressing has, coupled with an extended, sweet top end.

This is one of the best sounding Traffic records ever made. Musically it’s hit or miss, but so is every other Traffic record, including my favorite, John Barleycorn. The best songs here are Heaven Is In Your Mind, Dear Mr. Fantasy, and Coloured Rain.

The first of these is worth the price of the album alone, in my opinion. It’s a wonderful example of late ’60s British psychedelic rock.  (more…)

Spooky Tooth – Spooky Two – Our Shootout Winner from 2009

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

This very nice looking Island Sunray British Import LP has AMAZING SOUND ON BOTH SIDES (with caveats!). Side one is super rich and full of tubey magic. It can be ever so slightly grainy and strained but when the sound is this good who cares!? Andy Johns is the man behind the console here, which explains why the album is so well recorded. If you’re a fan of Black Sabbath you’ll find much to like here; this is psych rock at its best.

Now for the caveats! Side two has great sound as well, rating A++, but it’s pretty beat up. The third track is full of crackles and pops. Basically we’re giving away this side for free. (more…)

Harry Nilsson – Son of Schmilsson – Our Shootout Winner from 2011

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

We had a great time shooting out a big stack of these, as we’re just wild about Harry here at Better Records. Unfortunately, most copies out there are too dark and grainy to get all that excited about. Here’s a copy that tells a much different story —both sides have good energy, smooth and sweet vocals, and nice extension up top. Drop the needle on Turn On Your Radio or The Lottery Song and we bet you fall in love with this one!

What Shootout Winning sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1971
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above

Ken Is The Man

It’s yet another triumph from one of our favorite engineers, KEN SCOTT (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century and many more).

This is one of Nilsson’s best albums, sonically and musically. (With Ken Scott at the board at Trident Studios the sound has to be good, doesn’t it?) Side one is amazingly good from start to finish. On the two CD set of Nilsson’s greatest hits (which is excellent, by the way) almost all of side one from this album is used, as well as the best material on side two here, which includes Spaceman and The Most Beautiful World In The World. In other words, this album has more than half a dozen of the best songs Nilsson ever wrote.

Nilsson Schmilsson and the album simply titled Harry are the other two superb Nilsson records that I highly recommend. Harry is my favorite of all his albums, maybe because it was so different from anything that I’d ever heard up to that point. A Little Touch… is also a personal favorite — standards done in the Nilsson style — is wonderful.

By the way, if the documentary Who Is Harry Nilsson (and Why Is Everybody Talkin’ About Him?) is on the box, you should definitely check it out. Most of us here have seen it by now and it’s a ton of fun. (more…)

Traffic – Best of Traffic – Our Shootout Winner from 2011

More Traffic

Best of Traffic

xxxxx

A distinguished member of the Better Records Rock Hall of Fame.

This Island British Pink Label pressing has SOME OF THE BEST TRAFFIC SOUND YOU’LL EVER HEAR! We’ve been flipping out over Hot Stamper copies of this greatest hits comp for ages for a very simple, yet likely shocking, reason — the sound on the best copies can be BETTER than the best original pressings! How can that be you ask, dumbfounded by the sheer ridiculousness of such a statement? Well, dear reader, I’ll tell you. Follow me over the jump to find out. 

It’s a dirty little secret in the record biz that sometimes the master for the anticipated Hit Single (or singles) is pulled from the album’s final two track master and used to make the 45, the thinking being that the 45 is what people are going to buy, or, having heard it sound so good on the radio, cause them to buy the album. One way or another, it’s the single that will do the selling of Traffic’s music. (more…)