KILLER sound throughout with both sides earning Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
Big, rich and full-bodied with lovely texture to the synths and relatively little grit – crucially important to the best copies
One of the few White Hot copies to hit the site in the last 5 years or so – pressings with this kind of sound are tougher to come by than you might imagine
4 Stars: “Backed with only drums and a wide assortment of keyboards, Gary Wright crafted instantly recognizable tunes such as the title cut and “Love Is Alive,” which caught on and remain staples of classic rock stations around the U.S. … Dream Weaver hasn’t lost any of its magic over time.”
If you’re a Gary Wright fan, or perhaps a fan of mid-’70s synth-pop, this title, a personal favorite of mine from 1975, is surely a Must Own.
In our opinion, Dream Weaver is the only Gary Wright record you’ll ever need. Click on this link to see more titles we like to call One and Done
The complete list of titles from 1975 that we’ve reviewed to date can be found here
Most pressings of this album tend to err in one of two ways: either they get hard and gritty in the upper mids, or they’re smeary and dull.
Our best copies get the balance right — plenty of texture on the keyboards and drums, with vocals that still have presence and breathiness — and not too much grit.
An all-keyboard pop record like this was a rarity at the time. The only other instruments besides drums (and one track with guitar) are keyboards. Every song is layered with multi-tracked clavinets, organs, and Moogs — it was a remarkable feat in 1975 to create an album with nothing but keys.
Listen to the title track, the most dynamic song on the record, and you will hear just how well all of those stacked keyboards and synths work together. (Steve Winwood’s Back in the High Life borrowed a page or two from Gary’s solo debut here.)(more…)
This very nice looking Island Sunray British Import LP has AMAZING SOUND ON BOTH SIDES (with caveats!). Side one is super rich and full of tubey magic. It can be ever so slightly grainy and strained but when the sound is this good who cares!? Andy Johns is the man behind the console here, which explains why the album is so well recorded. If you’re a fan of Black Sabbath you’ll find much to like here; this is psych rock at its best.
Now for the caveats! Side two has great sound as well, rating A++, but it’s pretty beat up. The third track is full of crackles and pops. Basically we’re giving away this side for free.(more…)
This very nice looking Island Sunray British Import LP has GREAT SOUND on side one — we rate it A++ or thereabouts. (There may be a copy out there that’s worthy of our Triple Plus grade and there may not; this is the first clean early British copy we’ve played and it sounded so good to us we didn’t think there was much room for improvement, on side one anyway. Hence the grade.)
Although it’s not Glyn Johns that engineered this album, it was recorded at Island and Olympic studios, both of which are top quality locations famous for producing some of the best sounding rock records in the history of the world.(more…)
This lovely Island Sunray British Import LP has some of the BEST SOUND I’ve ever heard for this band. Glyn Johns has done it again! Side one is amazing — super sweet and spacious, OVERFLOWING with tubey magic. If you love trippy pop as much as we do here at Better Records — think Dark Side of the Moon, Taking Tiger Mountain, Ambrosia, Magical Mystery Tour, Thick As A Brick and the like — you may find this one right up your alley.
The sound by Glyn Johns absolutely blew us away; not many records in the last thirty years have been recorded this well.(more…)
An outstanding Island Pink Label pressing of the band’s 1970 release, with solid Double Plus (A++) sound or close to it from first note to last – exceptionally quiet vinyl too
The reason this is a Must Own Spooky Tooth album is their sludge-metal cover of I Am the Walrus, guaranteed to blow your mind – it sure blows ours
Includes “Something to Say,” co-written by Joe Cocker and later featured on his 1972 album
4 1/2 stars: “It’s a good, solid effort that includes a burning cover of the Beatles’ ‘I Am the Walrus.'”
This vintage Island Pink Label pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)