1978

Willie Nelson / Stardust – A Copy This Good Deserves to Be on the TAS List

More Willie Nelson

Reviews and Commentaries for Stardust

  • From the first few moments of the title track you’ll be blown away by the in-the-room immediacy of The Man himself
  • This copy is hi-res without sacrificing the Analog warmth that makes the recording so exceptional, especially for one from 1978
  • 5 stars: “Stardust showcases Nelson’s skills as a musician and his entire aesthetic — where there is nothing separating classic American musical forms, it can all be played together — perhaps better than any other album…”
  • If you’re a fan of The Great American Songbook, this is a killer recording from 1978 that belongs in your collection.
  • The complete list of titles from 1978 that we’ve reviewed to date can be found here.

Georgia On My Mind is a DEMO QUALITY track on this album. You aren’t going to believe all the ambience on this copy. The top end is gorgeous — sweet, delicate, and silky with loads of extension. The sound is extremely hi-res without sacrificing any of the warmth that makes this music so special.

Just listen to the rimshots and the bell in Georgia On My Mind — we guarantee you have NEVER heard those instruments sound so present, clear, and immediate.

Willie’s voice is natural and tonally correct, with all the breathy texture you could ever hope to hear. The acoustic guitars and Booker T.’s organ are perfection. (more…)

Louie Bellson / Ray Brown / Paul Smith – Intensive Care

More Direct-to-Disc Recordings

More Jazz Piano Recordings

  • Stunning Shootout Winning Triple Plus (A+++) sound or very close to it on both sides of this incredible Discwasher Direct-to-Disc Japanese import pressing
  • One of our all time favorite Direct-to-Discs; Piano Trio doesn’t get much better than this
  • Paul Smith is an underrated jazz player – most of his albums as a leader are forgettable (we should know, we’ve played a bunch of them), but on this album he swings and really makes music with his two bandmates
  • The playing is extremely energetic and involving, the sound is some of the best we’ve heard, and the engineering is by Phil Schier, who also recorded another favorite direct disc of ours, Friendship, and we recommend both albums highly
  • If you want a good jazz Direct-to-Disc, you would be hard pressed to find one better than this
  • If you’re a fan of Live Jazz Piano Trio recordings, recorded direct to disc or otherwise, this is a killer record from 1978 that belongs in your collection.
  • The complete list of titles from 1978 that we’ve reviewed to date can be found here.

This record probably doesn’t have the reputation it deserves because it came out on the Discwasher label, which to my knowledge, only made one good record, this one. The same metalwork would have been used to make the version Pausa released, and that fairly common pressing may be virtually identical to this Discwasher pressing. (more…)

Ry Cooder / Jazz

More Ry Cooder

Reviews and Commentaries for the Music of Ry Cooder

  • With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner
  • These are the stampers that always win our shootouts, and when you hear them you will know why – the sound is big, rich and clear
  • “The complexity of the material on Jazz, as well as the arrangements by Joseph Byrd, dictate that this is Cooder’s most polished and orchestrated effort to date.” — Allmusic
  • If you’re a fan of Ry Cooder’s, this classic from 1978 belongs in your collection.

We’re big fans of Ry Cooder here at Better Records, and it’s always fun to hear the eccentric instruments and arrangements he and his cohorts cook up. Of course, it’s even more fun when you have a great sounding pressing like this one that lets you hear what the musicians were up to. (more…)

Prince – For You

  • Both sides here are out of this world — incredibly full-bodied, musical and Tubey Magical with a massive bottom end 
  • “On his debut album, For You, Prince shows exceptional skill for arranging and performing mainstream urban R&B and funk…” – All Music
  • If you’re a fan of Prince’s, a killer copy of his album from 1978 belongs in your collection

(more…)

Bob Weir – Heaven Help The Fool

More Bob Weir

More Grateful Dead

  • This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish
  • A surprisingly well recorded album, this pressing is simply bigger, bolder and richer than most of the other copies we played
  • ” … showcases the special flavor that Weir added to Jerry [Garcia]’s genius, where 2 identities blend effortlessly. “
  • “Jazzy in places, soft and smooth in others. Out of the ordinary for the Grateful Dead’s co-founder, but easier for the uninitiated to absorb without losing the trademark oddity that Weir has always displayed. Top-notch stuff.”

What separated the best copies from the also-rans was more than just rich, sweet, full-bodied sound. The better copies make Bob’s voice more palpable — he’s simply more of a solid, three dimensional, real presence between the speakers. You can hear the nuances of his delivery much, MUCH more clearly on a copy that sounds as good as this one does.

Keith Olsen produced and co-engineered here, which should go a long way toward explaining why the sound is so good. He is of course the man helped make Fleetwood Mac’s 1975 album such a sonic blockbuster. (more…)

Tom Petty & the Heartbreakers – You’re Gonna Get It!

More Tom Petty

More of Our Favorite Titles from 1978

  • Musically it’s surely the best record Tom Petty ever made – a late ’70s Rock Classic 
  • Three of Petty’s best songs are on this one – Restless, I Need To Know and Listen To Her Heart – and they sound amazing
  • “Overall, the current LP boasts an impressive stylistic cohesiveness with its predecessor, but what makes the album exciting are the fresh hints of openness and expansion just beneath the surface. The rhythms are a bit looser, and there’s a new emphasis on Petty’s rough, driving, rock & roll guitar in the mix.” Rolling Stone

Vintage covers for this album are hard to find in exceptionally clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG.

Sweetly textured guitars, breathy vocals — all the subtleties of a High Quality Recording are here, along with prodigious amounts of bass and powerful dynamics. Check out that drum sound! If you can play this one at the levels it demands you might just be shocked at how good it sounds. (more…)

The Police – Outlandos d’Amour

More Police

More Sting

  • One of the best copies to hit the site in quite a while – Triple Plus (A+++) sound or close to it on both sides
  • Few audiophiles (I’m guessing) know how well recorded this album is – you need just the right UK pressing to show you what’s really on the tape
  • Roxanne, So Lonely, Can’t Stand Losing You all sound amazing on these Shootout Winning (or close to them) sides
  • 4 1/2 stars: “Although Sting, Andy Summers, and Stewart Copeland were all superb instrumentalists with jazz backgrounds, it was much easier to get a record contract in late-’70s England if you were a punk/new wave artist, so the band decided to mask their instrumental prowess with a set of strong, adrenaline-charged rock, albeit with a reggae tinge. ” 

Import soft cardboard covers for this album are hard to find in clean shape. Most of them will have at least some seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is VG+.

What’s amazing about this copy? There are SWEET HIGHS and AMBIENCE that we didn’t think were possible – and it ROCKS! Whatever it’s doing, it sure doesn’t take a pair of golden ears to hear it.

Not only does the high end exist, but it sounds sweet and doesn’t rip your ears out of your earsockets (trust me, I’m a doctor). This is vitally important in songs like “Roxanne” where Andy Summers’ reggae influenced guitar can sound squawky and brittle if there is too much compression.

Sting’s vocals are detailed, present, and you can really hear his background vocals separate themselves away from the lead, obvious on this copy in a denser track like “So Lonely”.

There’s a ton of punchy bass which actually equates to a ton of life and energy on this album. If Stewart Copeland’s kick drum isn’t punching you in the chest, then you’re missing out on some of the fun. We even heard ambience around the cymbals, and that is information most copies of the album simply cannot resolve.

This is clearly one of the BEST copies of Outlandos d’Amour we have ever heard. (more…)

Santana – Inner Secrets

More Santana

Albums with Especially Dynamic Guitar Solos

  • Power and energy are what make this album a true Demo Disc in the world of rock, and this copy has both
  • A sleeper in the Santana canon that boasts some of the best sound the band ever put to vinyl
  • Top tracks here include three of their biggest barnburners: Dealer (Traffic), Stormy and Well…All Right (Blind Faith)

I know EXACTLY the kind of sound I like on this album. When the background vocals come in, on the Tubey Magical copies they are wall to wall and sweet as honey, with no trace of grain or edge. Big as life too. The guitars have plenty of bite, but no matter how loud they get, they never seem to strain. The louder they get the more I like it. That’s the ticket as far as I’m concerned.

Turn It Up

Like Abraxas, when you play a Hot Stamper copy good and loud, you find yourself marvelling at the musicianship of the group — because the Hot Stamper pressings, communicating all the energy and clarity the recording has to offer, let you hear what a great band they were.

If you’ve got the the big room, big speakers, and plenty of power to drive them, you can have a LIVE ROCK AND ROLL CONCERT in your very own house.

When Santana lets loose with some of those legendary monster power chords — which incidentally do get good and loud in the mix, unlike most rock records which suffer from compression and “safe” mixes — I like to say that there is no stereo system on the planet that can play loud enough for me. (Horns maybe, but I don’t like the sound of horns, so there you go.) Here are some other records that have especially dynamic guitar solos.

What makes it possible to play this record so loud and still enjoy it? Simple. When the sound is smooth and sweet, completely free of aggressive mids and highs, records get BETTER as they get LOUDER. (This of course assumes low distortion and all the rest, but the main factor is correct tonality from top to bottom, and this record has it.) (more…)

Bob Seger – Stranger In Town

More Bob Seger

  • One of the few Bob Seger recordings capable of audiophile quality sound – this pressing is big, full and Tubey Magical (for 1978) with plenty of rock and roll energy
  • If you own a radio you know Stranger In Town – more than half of it still gets played on the radio to this day
  • 4 1/2 stars: “…it’s as lively as Night Moves, rocking even harder in some places and being equally as introspective in the acoustic numbers. If it doesn’t feel as revelatory as that record, in many ways it does feel like a stronger set of songs.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


Stranger In Town and Night Moves are clearly the two Must Own albums for Bob Seger fans, and with sound this good we would count ourselves among those who find his music interesting and compelling. (“Main Street” on Night Moves is one of the best radio-friendly pop songs ever recorded.)

Both these sides had the energy and rock solid weight we were looking for on this Classic Rock Album from 1978. If you own a radio you know Stranger In Town, because more than half the tracks got plenty of airplay, including:

Hollywood Nights
Still The Same
Old Time Rock & Roll
Feel Like A Number

and that monster power ballad, complete with strings (!):

We’ve Got Tonight

All sounding pretty darn good! (more…)

The Doobie Brothers – Minute By Minute

More of The Doobie Brothers

More Michael McDonald

  • An outstanding original Warner Bros. pressing of the band’s Masterpiece, with solid Double Plus (A++) sound – exceptionally quiet vinyl too
  • An Audiophile Quality Pop Music Production as close to perfect as one could possibly wish for, thanks to Ted Templeman and Donn Landee
  • 4 stars: “…this is where the ‘new’ Doobie Brothers really make their debut, with a richly soulful sound throughout and emphasis on horns and Michael McDonald’s piano… It’s still all pretty compelling even if its appeal couldn’t be more different from the group’s earlier work. The public loved it, buying something like three million copies, and the recording establishment gave Minute by Minute four Grammy Awards, propelling the group to its biggest success ever.”

This is undoubtedly the band’s masterpiece, assuming you’re a Michael McDonald fan, and we very much are fans here at Better Records. We can now definitively say that the quality of the sound matches the quality of the music. What a wonderful sounding pop record. This is Donn Landee at his best — tonally correct, spacious, clear and sweet, with big bass and vocal choruses that can really take off when called upon. With Ted Templeman running the show this is an Audiophile Quality Pop Music Production that’s as close to perfect as one has any right to expect. (more…)