tube-compression-rock

George Harrison – All Things Must Pass

More George Harrison

More of The Beatles

  • With superb sound on all six sides, this early British box set of All Things Must Pass will be very hard to beat
  • If you’ve struggled with domestic pressings and later imports or Heavy Vinyl reissues, your troubles are over – here is the sound you were looking for
  • 5 stars: “Without a doubt, Harrison’s first solo recording is his best. Drawing on his backlog of unused compositions from the late Beatles era, Harrison crafted material that managed the rare feat of conveying spiritual mysticism without sacrificing his gifts for melody and grand, sweeping arrangements.”
  • This is clearly George Harrison’s best sounding album. Roughly 100 other listings for the Best Sounding Album by an Artist or Group can be found here.
  • This is a Must Own Title from 1970, a great year for Rock and Pop Music
  • The complete list of titles from 1970 that we’ve reviewed to date can be found here
  • A great deal of tube compression was used in the mixing and mastering of the album, which makes this a difficult one to reproduce on anything but the highest quality equipment

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Dire Straits – Self-Titled

More Dire Straits

  • You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this UK pressing of the band’s brilliant debut
  • One of the best sounding rock records ever made, with rich, sweet, smooth mids; prodigious amounts of bass; superb transparency and clarity; and a freedom from hi-fi-ishness and a lack of distortion like very few rock records we have ever heard
  • Rhett Davies knocked this one out of the park – it’s a Top 100 title, a member of the Tubey Magical Top Ten, and our favorite by the band for both sound and music
  • 4 1/2 stars: “Knopfler also shows an inclination toward Dylanesque imagery, which enhances the smoky, low-key atmosphere of the album… the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.”

Rhett Davies is one of our favorite engineers. He’s the man behind Taking Tiger Mountain, 801 Live and Avalon to name just a few of his most famous recordings, all favorites of ours of course.

The man may be famous for some fairly artificial sounding recordings — Eno’s, Roxy Music’s and The Talking Heads’ albums come to mind — but it’s obvious to us now, if it wasn’t before, that those are entirely artistic choices, not engineering shortcomings.

Rhett Davies, by virtue of the existence of this album alone, has proven that he belongs in the company of the greatest engineers of all time, right up there with the likes of Bill Porter, Ken Scott, Stephen Barncard, Geoff Emerick, Glyn Johns and others we could mention. (more…)

AC/DC – Back In Black

More AC/DC

 More Top 100 Rock and Pop Titles

  • With excellent Double Plus (A++) sound from start to finish, this Back In Black ROCKS like nothing you’ve heard
  • Both sides play with exceptionally (and unusually) quiet surfaces for a Robert Ludwig original
  • RL is the king on this title, which means the conventional wisdom is right for once!
  • It’s been years since we got hold of a copy that sounds this good and plays this quietly – it’s one of only a handful to hit the site with both sides graded Mint Minus to Mint Minus Minus
  • Top 100, and if you turn it up good and loud, one of the biggest, boldest, hardest rockin’ records ever made
  • 5 stars: “… tawdry celebration of sex is what made AC/DC different from all other metal bands — there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black.”
  • Robert Ludwig used humungous amounts of tube compression on Back in Black, and we’re glad he did. All that compression is at least partly responsible for it being a Rock Demo Disc of the highest order.

You probably never thought you’d ever use an AC/DC LP as a Demo Disc, but this copy will have you reconsidering that notion — it’s ALIVE with Rock and Roll Power Chords like nothing you have ever heard.

For Riff Rock you just can’t do much better than Back In Black. AMG gives it 5 Stars and rightfully so. Musically it’s got everything you’d want from this genre of heavy rock — a tight, punchy rhythm section; raging guitar riffs; and deliciously decadent lyrics screamed to perfection.

What took us by surprise was how amazing this music sounds on the right copy. You’ve probably heard these songs a million times, but we bet you haven’t heard them sound like this. This is the kind of record that you’ll want to keep turning up. The louder you play it, the better it gets — but only if you’ve got a pressing that rocks like this one.

The transparency and clarity are shocking — we heard texture on the guitars and room around the drums that simply weren’t to be found on most copies, plus tons of lovely analog reverb and natural studio ambience.

And of course the bottom end is big, beefy, and rock-solid, just the way we like it. I ask you, what album from 1980 sounds better than Back in Black?

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Lou Reed – Transformer

More of Our Favorite Artists’ Best Sounding Albums

Records We Only Sell on Import Vinyl

  • Excellent sound for Lou Reed’s Glam Rock Classic, Transformer, engineered to sound as Tubey Magical as Ziggy Stardust by none other than Ken Scott
  • Here is an import pressing with the kind of Tubey Magical Midrange that modern records cannot BEGIN to reproduce
  • A side one this good means Walk on the Wild Side is a Demonstration Quality track that will have your audiophile friends turning green with envy
  • Transformer is an absolute tour de force of ’70s Glam Rock / Classic Rock / Alternative Rock
  • “… Bowie and Ronson gave their hero a new lease on life — and a solid album in the bargain.” 
  • Transformer is his Masterpiece, a Core Collection title, and possibly a case of One and Done since it’s the only Lou Reed album we sell. (You, of course, may feel differently.)

Transformer is an absolute tour de force of ’70s Glam Rock / Classic Rock / Alternative Rock. You’ve got Lou Reed teamed up with David Bowie (in the producer’s chair!), Mick Ronson, Herbie Flowers and Klaus Voorman, and on top of that the album was recorded at Trident and mixed by the great Ken Scott.

Throw in the fact that this is the best set of post-Velvets material Lou would ever write and it is a recipe for success. There are so many good songs on here I won’t bother to list them one by one. Satellite Of Love is especially good though, if you ask me. If you agree, and you’ve never heard the VU demo version, make sure to seek it out. It’s completely different and good fun.

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Joni Mitchell – Court and Spark

Hot Stamper Pressings of Court and Spark Available Now

Reviews and Commentaries for Court and Spark

  • The sound is rich, warm and natural, with wonderful transparency, ambience and loads of Tubey Magic
  • Musically this is one of our favorite Joni albums here at Better Records, and probably her Best Recording as well
  • A proud member (along with Blue) of our Top 100 Rock and Pop albums – yes, it’s that good sounding when it’s mastered and pressed as well as this copy is
  • 5 stars: “[A] remarkably deft fusion of folk, pop, and jazz … the music is smart, smooth, and assured from the first note to the last.”
  • Court and Spark, along with For the Roses, are two of the best sounding albums in Joni Mitchell’s canon. Roughly 100 other listings for the Best Sounding Album by an Artist or Group can be found here.
  • If you’re a Joni fan, and what audiophile wouldn’t be?, this title from 1974 is an absolute Must Own
  • The complete list of titles from 1974 that we’ve reviewed to date can be found here.

Court and Spark deserves to be heard with all the clarity, beauty and power that our Hot Stampers reproduce so well. If there is a better sounding album with Joni Mitchell’s name on the cover, you’ll have to prove it to us.

What you hear is the sound of the real tape; every instrument has its own character because the mastering is correct and the vinyl — against all odds — managed to capture all (or almost all; who can know?) of the resolution that the tape had to offer. (more…)

The Pentangle / Pentangling

More Pentangle

More British Folk Rock

  • Boasting INCREDIBLE Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first, this vintage UK import pressing had close to the BEST sound we have heard for Pentangle’s shockingly well-recorded music
  • The unprocessed quality found throughout the album has its audiophile credentials fully in order, especially in the area of guitar harmonics, as well as drums that sound like real drums actually sound
  • The true foundation of the music is provided by two legendary guitar heavyweights, Bert Jansch and John Renbourn, with Jacqui McShee’s almost unbearably sweet vocals soaring above them
  • The best material from Pentangle’s amazing first six albums, with sound that’s full of British Analog Tubey Magic that no modern record can begin to reproduce
  • Not many compilation albums offer top quality wound, but this one does, and these are some others
  • If you’re a Pentangle fan, this compilation has to be considered a Must Own from 1973.
  • The complete list of titles from 1973 that we’ve reviewed to date can be found here.

This album presents the classic 1969 lineup at its best, with superior sonics to boot.

When I was selling audio equipment back in the ’70s this was one of our Demo Discs. The song Pentangling has beautifully recorded drums and string bass. The first track, “I’ve Got A Feeling,” is lovely as well.

Notice how there is nothing — not one instrument or voice — that has a trace of hi-if-ishness. No grain, no sizzle, no zippy top, no bloated bottom, nothing that reminds you of the phony sound you hear on audiophile records at every turn. Silky sweet and Tubey Magical, this is the sound we love here at Better Records. (more…)

The Doors – Morrison Hotel

More of The Doors

  • A wonderful early pressing of this hard-rockin’ Doors album, with top quality sound from start to finish
  • Rich, big and full-bodied, with clarity and energy to spare, this is the way you want to hear the Doors’ Bluesy Rock
  • Roadhouse Blues, Waiting For The Sun and Maggie McGill are KILLER on this pressing – all you Doors fans are gonna flip
  • Circus Magazine praised it as “possibly the best album yet from the Doors” and “Good hard, evil rock, and one of the best albums released this decade.”
  • If you’re a fan of Jim and the boys, this classic from 1970 deserves a place in your collection.
  • The complete list of titles from 1970 that we’ve reviewed to date can be found here.

A great many pressings are neither rich nor present enough to get Jim Morrison’s voice to sound the way it should. He’s The Lizard King, not The Frog Prince for crying out loud. When he doesn’t sound present, big, powerful, and borderline scary, what’s the point?

Not to worry. On these sides he sounds just fine. Just listen to him screaming his head off on “Roadhouse Blues” and projecting the power of his rich baritone on “Blue Sunday.” Nobody did it any better.

All the other elements are really working too — real weight to the piano, amazing punch to the bottom end, lovely texture to the guitars and so on. The sound is clean and clear but not overly so; you still get all the Tubey Magic you need.

The sound of the organ on “Blue Sunday” is really something, check it out. Where has that sound gone?

It’s hard to find clean Doors records at all these days, we find a small handful each year — not nearly enough to do these shootouts as often as we would like.

Both sides here have the deep, powerful bottom end this music absolutely demands. You’ve got to hand it to Bruce Botnick — he knows how to get real rock-’em, sock-’em bottom end onto a piece of magnetic tape.

And sometimes that bottom end whomp actually makes it onto the record, as is the case here, making for one helluva Demo Disc for Bass (if you have speakers big enough to play it, of course.)

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The Who – Quadrophenia

More of The Who

A Member of the Prestigious None Rocks Harder Club

  • If you want to hear this music EXPLODE out of the speakers and come to life the way The Who wanted you to hear it. this record will do the trick
  • The sound here is so BIG, rich, and powerful it will surely make you rethink the recording itself
  • 5 stars: “Some of Townshend’s most direct, heartfelt writing is contained here, and production-wise it’s a tour de force, with some of the most imaginative use of synthesizers on a rock record.”
  • If you’re a fan of the band, this title from 1973 is clearly one of their best, and one of their best sounding
  • The complete list of titles from 1973 that we’ve reviewed to date can be found here.

We removed this title from our Top 100 List a while back because it has become too difficult to get hold of clean UK copies. Who’s Next is even more difficult, but for some reason we left that one on the list, go figure (it is the better album).

The other Who album that still makes the cut and always will is Tommy. That is one amazing sounding record, when you find a good one on the UK Track label. (Nothing else can touch it, of course, but if you don’t want to pay the big bucks we charge, find one of these for cheap.)

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The Grateful Dead – American Beauty

More Grateful Dead

More Hippie Folk Rock

  • A superb copy of American Beauty with Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • The acoustic guitars are magical on this copy, and you won’t believe how wonderfully breathy and sweet these guys’ voices sound
  • American Beauty is one of Stephen Barncard‘s greatest recording achievements – the richness and clarity are really something here
  • We completed our most recent shootout just last month (with the top copy going for $899), but with some luck we might get another one going early next year
  • 5 star Top 100 album – “A companion piece to the luminous Workingman’s Dead, American Beauty is an even stronger document of the Grateful Dead’s return to their musical roots. American Beauty remains the Dead’s studio masterpiece.”

We managed to find enough clean early pressings to get this always-fun shootout going once again, and this copy had most of the qualities we were listening for. This is an amazingly well-recorded album — and a member of our Top 100, of course — but it takes a special copy to let the recording’s qualities shine the way this one does!

All the Elements Come Together for Once

All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.

You could choose any track you wanted to and find lovely sound here, but I’d recommend “Ripple” and “Attics Of My Life” for starters. Most copies suffer from a glaring lack of highs, but just listen to the ride cymbals on this one to find out that the top end is still alive and well here.

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David Bowie / Aladdin Sane

More David Bowie

More Records with Exceptionally Tubey Magical Sound


  • Outstanding sound throughout this vintage UK pressing of Bowie’s 1973 post-Ziggy classic, earning solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • Remarkable richness, smoothness and warmth, something that all the best Ken Scott Tube Recordings are renowned for
  • Plenty of Bowie Classics: “Watch That Man,” “Aladdin Sane,” “Panic in Detroit,” “Cracked Actor,” “The Jean Genie,” “Lady Grinning Soul,” and more
  • Here are more of our favorite Hot Stamper pressings of recordings with exceptionally Tubey Magical Sound
  • And some reviews and commentaries for the most Tubey Magical Recordings we have ever played
  • If you’re a David Bowie fan, this title of his from 1973 has to be considered a Must Own
  • The complete list of titles from 1973 that we’ve reviewed to date can be found here.

THE BIG BOWIE SOUND for this wonderful follow-up to Ziggy Stardust! We just finished shooting out a number of import pressings of the album, and this import was one of the better copies we heard. This one’s got the kind of Tubey Magical Richness that takes these Glam Rockers to a whole new level. (more…)