Top Artists – Sonny Stitt

Sonny Stitt – Stitt Plays Bird

More Jazz Recordings

More Jazz Recordings Featuring the Saxophone

 

  • With two INSANELY GOOD Shootout Winning Triple Plus (A+++) sides, this original Blue and Green Atlantic Stereo pressing (the first copy to hit the site in over two and a half years) is as good as it gets
  • Here are just a few of our notes for this amazing copy: “tubey, sweet sax,” “nice bass, rich and deep,” “3D and dynamic,” “spacious natural and silky.”
  • No reissue in our shootout could touch it, although it’s tough to find these early pressings with surfaces as quiet as we would like
  • Tom Dowd engineered, which is why the best copies of the album sound so damn good – Dowd recorded many of the best Coltrane albums in the early 60s, so if you like the sound of those, and who doesn’t?, you will no doubt find much to like here
  • 4 1/2 stars: “Sonny Stitt forged his own approach to playing bebop out of the sound and style of Charlie Parker, so this tribute album was a very logical project… Stitt, who mastered bebop and could play hot licks in his sleep, is in top form… making this an essential item for straight-ahead jazz fans…”

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Gene Ammons / Sonny Stitt – Prime Cuts

 

  • This copy of Ammons and Stitt’s 1972 soulful mainstream bop collaboration boasts outstanding Double Plus (A++) sound or BETTER on all four sides – fairly quiet vinyl too
  • Remarkable Tubey Magical richness, as well as the kind of immediacy and transparency that most copies failed to match
  • We’ve known this was a great sounding record for a very long time, and now we have the copy to prove it
  • 4 1/2 stars: “Gene Ammons and Sonny Stitt always made for a perfect team… The two tenors (with Stitt doubling on alto) are heard at their most combative during these consistently exciting performances”

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Sonny Stitt – Plays Arrangements From the Pen Of Quincy Jones – Reviewed in 2004

Outstanding mainstream jazz at its best! Stitt is absolutely phenomenal on this album. His solo work on My Funny Valentine alone is worth the price of the album! The real jazz guys know that his lines are completely fresh and unique. This record is all the proof you need to know what a giant of jazz Sonny Stitt was. He’s also joined by great players such as Hank Jones, Freddy Green, Oscar Pettiford and Philly Joe Jones.

There is a larger group that joins him on some numbers, but the real star of this album is Stitt when he is soloing. Very good sound as well.

Sonny Stitt / Sits in With The Oscar Peterson Trio – Reviewed in 2008

This is an original Verve Black Label LP with NEAR DEMO DISC SOUND. Stitt is amazing on this album.

This is an Older Jazz Review.

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.

As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.

The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.

Not just a good sounding record. A record that was played in a shootout and did well.

The result of our labor is the scores of jazz titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.

FURTHER READING

New to the Blog? Start Here

Helpful Advice on Cleaning Your Records

Helpful Advice on Doing Your Own Shootouts

What We’ve Learned from Record Experiments

Sonny Stitt & Paul Gonsalves – Salt and Pepper

 

  • You’ll find Shootout Winning Triple Plus (A+++) sound or close to it from start to finish on this excellent pressing
  • This copy is hard to fault – big, open, clear, with space and three-dimensionality that modern pressings can only dream of
  • Van Gelder was masterful at the kind of spacious, dynamic, energetic sound found on this vintage pressing
  • “[Stitt’s] beautiful playing behind Gonsalves’ warm melody statement raises the session to the classic level.”
  • 4 1/2 stars: “An exciting match-up of tenors Sonny Stitt and Paul Gonsalves… Highly recommended to bebop and straight-ahead jazz fans.”

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Art Blakey Quartet – A Jazz Message

  • This original Impulse stereo pressing has stunning nearly Triple Plus (A++ to A+++) sound from start to finish 
  • Both sides here are superb — big, full-bodied and super dynamic with a huge bottom end and lots of space around all of the players
  • “Although this session was under Blakey’s leadership, Stitt (on both tenor and alto) emerges as the main soloist, playing his trademark bebop lines with creativity and typical enthusiasm.” – All Music

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