_Composers – Handel

Handel / Water Music – Leppard

More of the Music of George Frederick Handel

  • An original Philips import pressing with KILLER Shootout Winning Triple Plus (A+++) sound or close to it from first note to last – exceptionally quiet vinyl too
  • This copy was simply bigger, more transparent, with more clarity and clearly layered depth to the orchestra than practically all others copies we played
  • Shockingly airy and warm, this is the kind of sound that makes it easy to fall in love with an oft-heard piece such as The Water Music
  • Note how far back the trumpets are in the hall, yet they are still clear, tonally correct and not smeared – that’s the sound one hears in a live performance (and too rarely on a record)
  • This is close to the best combination of performance and sound that we know of, and let me tell you, we’ve played an awful lot of pressing of this music over the last thirty years, none of which do what the better pressings of this recording can do
  • This recording should be part of any serious classical music collection. Others that belong in that category can be found here.
  • There are about 150 orchestral recordings we’ve found to offer the best performances with the finest in audiophile sound, and this record certainly deserve a place on that list.

The performance by the English Chamber Orchestra under the direction of Raymond Leppard is currently my favorite, owing in large part to the fact that it has the kind of sound I find the most natural and enjoyable.

In a way this may not be quite fair to other equally well-known, well-respected performances. We went through an elimination round for the work a while back, winnowing the recordings down to those that had the best sound, regardless of performance — perhaps some of the discarded records had even better performances than Leppard’s. At this late stage who can say?

We audiophiles want the music we play to sound its best, a requirement which more often than not involves compromises of one kind or another. We are happy to report that that does not appear to be the case with The Water Music (keeping in mind the caveat above). (more…)

Don’t Waste Your Money on this Living Stereo from 1962

Hot Stamper Pressings of Living Stereo Titles Available Now

LSC 2612, released in 1962 on the Shaded Dog label, offers Handel’s Water Music and Royal Fireworks with Stokowski conducting, engineered by one of the greats, Robert Simpson.

The sound is terrible however.

The copies we had on hand were loud and crude, with steely strings and not much in the way of hall space. In other words, LSC 2612 seems to suffer from the “old record” sound that we’ve found on many of the hundreds of vintage pressings we’ve auditioned over the years as we were looking for top quality recordings to put in our Hot Stamper shootouts.

If you want a good Water Music, the right stamper pressings of the Philips recording with Leppard are the best we’ve ever played.

The Shaded Dog of LSC 2612 might be passable on an old school system, but it was too unpleasant to be played on the high quality modern equipment we use.

Leave this RCA to the collectors. Some audiophiles are of the opinion that vintage Living Stereo recordings on the original label can do no wrong, but we have never subscribed to that view.

There are quite a number of other records that we’ve run into over the years with similar shortcomings. Here are some of them, a very small fraction of what we’ve played, broken down by label.

  • London/Decca records with weak sound or performances
  • Mercury records with weak sound or performances
  • RCA records with weak sound or performances

1962 was a phenomenal year for audiophile quality recordings – we’ve auditioned and reviewed more than one hundred and twenty titles as of 2024, and there are undoubtedly a great many more that we’ve yet to discover.

When it comes to classical and orchestral titles, more than a dozen are so good that we would consider them Must Owns.

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Brahms / Handel – Variations And Fugue On A Theme By Handel / Mayorga

More Direct to Disc Recordings

More Classical and Orchestral Recordings

  • Lincoln Mayorga‘s wonderful performance of these classical works for solo piano returns to the site for only the second time in years, here with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it throughout this original Sheffield Direct to Disc import pressing
  • As we discovered many years ago, all pressings of this recording are out of polarity – you must reverse the polarity of your system to hear this record properly
  • Out of polarity, it sounds shockingly small, practically mono – with the polarity corrected, it is as big and real as if you were listening to the recital live from the front row
  • Both of these sides are amazingly rich, spacious, and transparent, with an exceptionally clear, solid and present piano and virtually no trace of smear
  • This copy fulfills the promise of the audiophile-oriented recording in a way that few – shockingly few, to be honest – pressings of its kind ever have

This Sheffield Direct-to-Disc LP is one of the best records ever put out by Sheffield.

Lincoln Mayorga is an accomplished classical pianist: this is arguably his best work. (I had a chance to see him perform at a recital of Chopin’s works early in 2010 and he played superbly — for close to two hours without the aid of sheet music I might add.)

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Lincoln Mayorga, Pianist – Reverse Your Polarity!

Hot Stamper Pressings of Direct-to-Disc Recordings

Reviews and Commentaries for Direct to Disc Recordings

This Sheffield Direct-to-Disc LP is one of the best Sheffields.

Lincoln Mayorga is an accomplished classical pianist: this is arguably his best work. (I had a chance to see him perform at a recital of Chopin’s works early in 2010 and he played superbly — for close to two hours without the aid of sheet music I might add.) 

You might want to try reversing the phase when playing this LP; it definitely helps the sound, a subject we discuss below.

With the polarity reversed, this is a top quality solo piano recording in every way.

This is one of the pressings we’ve discovered with Reversed Polarity.

Reversing the absolute phase on this record recently was quite interesting. The sound of the piano itself was already very good. With the phase reversed what really changed with the sense of space surrounding it, which immediately became much more palpable. The piano, though tonally similar to the way it sounded with the phase left alone, came to life more — more solid and punchy and percussive.

How do you change the absolute phase you ask? You must either switch the positive and negative at the speaker, the amp, or at the head shell leads, or you must have a switch that inverts phase on your preamp or phono stage. (The EAR 324p we use has just such a switch and let me tell you, it comes in very handy in situations like these.) If you can’t do any of those, or are unwilling to do any of those, this record will still sound good. It just won’t sound as good.

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Mozart / Haydn – The Best Toy Symphony on Vinyl

More of the music of Wolfgang Amadeus Mozart (1756-1791)

More Classical and Orchestral Recordings

  • An early EMI UK import pressing with STUNNING Nearly Triple Plus (A++ to A+++) sound from first note to last – just shy of our Shootout Winner
  • The amazingly well recorded Toy Symphony on side two (which is fairly quiet by the way) is the real reason to own this record – you will be shocked at how realistic the toys sound, and how spaciously they are arrayed in the soundfield
  • These sides are clear, full-bodied and present, with plenty of live venue space around the players, the unmistakable sonic hallmark of the properly mastered, properly pressed vintage analog LP
  • The first pressing of the album I ever played, back in about 1995, was on the Japanese Soundphile Series, and it blew my mind at the time
  • Fast forward 25 plus years and now we know that, as good as the Japanese pressing can be, the real EMI can be even better.  That’s what shootouts are for, right?

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Handel, Bach, et al. / Pipe Organ Favorites / Rees

More Bach

Side two of this exceptionally quiet London Blueback (CS 6102) has the Super Hot sound we love, with tons of deep bass and plenty of top end air.

It’s also incredibly transparent — you can really feel the space and appreciate just how big the church must be.

Side one is not quite as good, earning a single plus Hot Stamper grade (A+).

[UPDATE: We no longer sell records with the A+ grade.]

It’s rich, smooth and big like side two, but not quite as transparent and not extending low and high the way side two does.

This album comprises a number of quite well known pieces by Bach, Handel and Elgar, so if you already have a plenty of organ recordings you probably don’t need this one. If this is your first it’s a very good place to start! If your system plays deep bass well, so much the better. 

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Handel / The Water Music / Royal Fireworks / Szell / LSO

More of the music of George Frederick Handel (1685-1759)

The Royal Fireworks sound amazing on other copies I’ve heard of this album, the best I’ve heard. DEMONSTRATION QUALITY SOUND on Side 2. This copy should be the same.

UPDATE:

This was written 20 years ago, and now we know that that is not how records work! Still, if you see this record at a good price, pick it up and play side two.

This is an Older Classical/Orchestral Review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.

As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.

The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.

The result of our labor is the hundreds of titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.

Handel / Water Music / Academy of Ancient Music

More of the music of George Frederick Handel (1685-1759)

This original looking Purple Label L’Oiseau-Lyre (Decca) English pressing has some of the best sound we have yet heard for a period instrument recording. There are many good qualities that will recommend this pressing to audiophiles and music lovers alike. The group is smaller and more sprightly than most we heard, the hall they record in has wonderful sound that fits the music perfectly (not too reverberant, and not too dead), and, most importantly, the character of each of the instruments seems to come through in the recording more clearly; their “colors”, so to speak, appear to our ears to be more intense.

This is a lovely quality in a record. Years ago, fifteen I would guess, I remember playing a Telarc recording and noticing that every instrument had a “grayish” color to its sound. Since that day I have never been able to take a Telarc recording seriously. (CDs suffer from this sound even more.) (more…)

Handel / Water Music Suite / Kubelik

More of the music of George Frederick Handel (1685-1759)

  • A+++ on side one – dynamic, huge, rich and open. This is a DG? Yes! 
  • All three suites, and one of the best performances we know of
  • Side two is exceptionally transparent – you hear into it beautifully
  • One of the best DG recordings we have ever played, a true Demo Disc

UPDATE 2022:

This shootout was done many years ago. In 2022 we played some of the DG pressings we used to like and they didn’t sound as good to us as we remember them sounding. Live and learn, right?

The right pressings of the Philips recording with Leppard are so good that we’ve basically given up on other recordings of the work. We’re going to be sticking with the Philips pressings we know well.

They have by far the best sound. They set a standard that no other recording of the work seems able to meet.

Our Old Review

With White Hot and Super Hot stampers respectively, this copy is right up there with the best recordings of the Water Music we’ve heard.

This is of course a well-known, well-respected performance by one of the greatest orchestras in the world, the home to Von Karajan at the time. We went through an elimination round for the work a while back, winnowing a large number of recordings down to those that had the best sound, regardless of performance, and we are happy to say that this one acquitted itself beautifully on all counts.

We audiophiles want the music we play to sound its best, a requirement which more often than not involves compromises of one kind or another. We managed to find three (!) recordings that had both superb sound and top quality performances. On the best pressings all were of Demo Disc quality, and most were pressed on very quiet vinyl. (more…)

Handel / The Water Music Suite / Van Beinum

More of the music of George Frederick Handel (1685-1759)

Reviews and Commentaries for The Water Music

This exceptionally rare original London mono pressing not only has superb sound on both sides, but boasts a performance that is practically unmatched since its recording back in 1958!

This is Handel played with excitement and passion, worlds away from the draggy and listless performances with which you may be more familiar. (We like both Szell on London and Dorati on Mercury but try finding them with good sound and in good condition. It ain’t easy.)

Side One – The Water Music

Rich textured strings are the first of many sonic qualities to catch your ear, followed soon enough by big, rich, solid brass, the kind of brass that mono recordings seem to capture so well.

And no smear to the transients. That alone makes it an exceptional vintage golden age recording.

As one would expect, the frequency extremes are not what they can be on a modern recordings. The midrange, however, is glorious. Also dynamics are better.

The life of the music comes through here brilliantly! A top top performance.

Side Two – The Royal Fireworks

The sound here is richer and tubier, with a more extended top end, but a bit smeary on the strings compared to side one. The sound is transparent, and the strings never get steely or edgy, with no shrillness or hardness whatsoever, which means you can really turn this one up and enjoy the hell out of it from the front row center seat you’ve purchased.

So musical and lively, this is music that belongs in any music lover’s collection. (more…)