Top Producers – Norman Granz

Terry, Hubbard, Gillespie, & Peterson – The Alternate Blues – Our Shootout Winner from 2013

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The Alternate Blues

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

With Hot Stamper sound on both sides, this Pablo disc shows you what three of the greatest trumpeters of the last fifty years can do given the opportunity, nay, the encouragement, to let loose on a handful of classic slow blues jams. Many of the tracks here run in excess of eight minutes, giving the players plenty of space to explore, yet practically all of them are taken at a fairly slow pace, what used to be called a “slow drag”, making them that much more involving and emotional. These are not your classic “blowing sessions” where the players try to outdo each other. No, this is something quite different.

Norman Granz revered the classic “jam session”, of which this is a prime example; he produced dozens for the various labels he owned over the years. Playing this album we can see why. The heart of the blues is here in every measure.

Clark Terry is joined here by Freddie Hubbard and Dizzy Gillespie on trumpet, with strong support from Oscar Peterson, Ray Brown, Joe Pass and Bobby Durham on drums.

The album was recorded in 1980 by Dennis Sands, one of my favorite Pablo recording engineers, the man behind the brilliant Farmer’s Market Barbecue and many others. (Soon enough he crossed over to films and has done the sound for more than 250 to date. He must be pretty good to get that much work, and you can be sure he makes a lot more money for his film work than he would for recording jazz dates.) (more…)

Ella Fitzgerald and Louis Armstrong – Ella and Louis (2005)

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This original Verve Black Label LP plays M-. Top recommendation! One of the greatest duet albums of all time, if not THE GREATEST.     (more…)

Billie Holiday – Music For Torching

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

You’d be hard pressed to find a female vocal album from the 1950s with sound comparable to this one. We just finished up a big shootout for the sublimely titled Music For Torching, and this was clearly one of the better pressings we played. If you love smoky jazz vocals the way only Lady Day can sing them, we think you’ll be absolutely blown away to hear her sound this warm, rich and present. 

The formula is simple: Take one of the best female vocalists in the game, back her with a stellar crew of jazzmen and set them loose to knock out incredible versions of classic torch songs — It Had To Be You, A Fine Romance, Come Rain Or Come Shine and so forth. The good news is that the performances turned out to be some of the best ever recorded by this extraordinary singer, and fortunately for us audiophiles, the mono sound turned out to be dramatically better than we would have expected from Norman Granz’s Verve label in 1955. (more…)

Ella Fitzgerald – Ella Swings Lightly

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  • With two outstanding Double Plus (A++) sides, this original Bow Tie Verve Stereo pressing is going to be very hard to beat – exceptionally quiet vinyl too
  • Lovely All Tube sound from 1958, with a huge, rich orchestra conducted by one of our favorite arrangers, Marty Paich 
  • Grammy Award for Best Improvised Jazz Solo – these were the days when Ella was on top of the world
  • “The bright, sunny optimism of Fitzgerald’s style comes through in several tracks, including ‘If I Were a Bell’ (which also includes several remarkable variations on the melody), and ‘Teardrops From My Eyes’ (which alternates between rock and jazz beats—not a big leap back then!)”

When you are lucky enough to find an album chock full of standards from the Great American Songbook, you cannot help but recognize that this era for Ella will never be equaled, by her or anyone else.

The recording is excellent, with space and midrange richness that might just take your breath away. (more…)

Billie Holiday – Music For Torching

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  • With excellent Double Plus (A++) sound or BETTER on both sides, this is a killer copy of one of Billie’s best
  • Not only that, but this pressing plays as quietly as any we can find – Mint Minus to Mint Minus Minus
  • A superb recording of jazz standards with a great lineup and Billie in top form, as well as Tubey Magical sound, with especially breathy vocals
  • Great versions (and lovely sound) for It Had to Be You, Come Rain or Come Shine, A Fine Romance, and too many more to list
  • “The overall feeling on this 1955 recording… is strictly after-hours: the party is long over but a few close friends remain for nightcaps and, is that the sun peeking through the windows?” — Allmusic

You’d be hard-pressed to find a female vocal album from the 1950s with sound comparable to this one. We just finished up a big shootout for the sublimely titled Music For Torching, and this lovely copy was clearly one of the better pressings we played. If you love smoky jazz standards the way only Lady Day can sing them, we think you’ll be blown away to hear her sound this warm, rich and present. (more…)

Harry Edison & Eddie “Lockjaw” Davis – Simply Sweets Is Simply Wonderful

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  • With stunning Triple Plus (A+++) sound from first note to last, this copy of Simply Sweets simply blew away every other pressing in our recent shootout
  • This is one of the best sounding small group Pablo recordings we have played in quite a while – the sound of this superb jazz quintet is lively and real like you will not believe
  • The legendary engineer Val Valentin put this one on tape, brilliantly – he’s the man behind some of our All Time Pablo favorites
  • “Trumpeter Harry ‘Sweets’ Edison and tenor saxophonist Eddie “Lockjaw” Davis always made a potent pair. They both possessed immediately identifiable sounds, were veterans of Count Basie’s Orchestra and never had any difficulty swinging.” — Allmusic

Both sides of this very special pressing — it looks the same as every other copy we played but it sure doesn’t sound like them — are huge, rich, tubey and clear. As soon as the group got going we knew that this copy was going to be exceptional, and the longer it played the better it got and the more we liked it. There was no other copy in our shootout that could touch it, in any area of reproduction. (more…)

Harry Edison & Eddie “Lockjaw” Davis – Simply Sweets – A Sleeper from Pablo

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  • This outstanding copy of Simply Sweets boasts solid Double Plus (A++) sound on both sides and relatively quiet vinyl too 
  • The sound of this superb jazz quintet is big, lively, open and clear with Tubey Magical richness
  • The legendary engineer Val Valentin put this one on tape, brilliantly – he’s the man behind some of our All Time Pablo favorites
  • “Trumpeter Harry ‘Sweets’ Edison and tenor saxophonist Eddie “Lockjaw” Davis always made a potent pair. They both possessed immediately identifiable sounds, were veterans of Count Basie’s Orchestra and never had any difficulty swinging.” — Allmusic

Both sides of this outstanding pressing are big, rich, tubey and clear. Few other copies in our shootout held this kind of sound.

Titles such as this one are the reason we put so much time and money into hunting down and auditioning every Pablo jazz record we can get our hands on — because some of them sound like this one. Who else was recording jazz this good in the late ’70s and well into the ’80s?

And don’t say Concord. There are maybe five great sounding records on that label. Pablo has ten or twenty times that many, and that’s a conservative estimate. We owe a tremendous debt of gratitude to Norman Granz for starting the Pablo label and keeping the quality as high as he did. (more…)

Billie Holiday – All Or Nothing At All

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I expected our amazing sounding original to win the shootout, but it didn’t!

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The reprocessed fake stereo copy here is to be avoided at all costs. It sounds as bad as any fake stereo record I can remember playing. What were they thinking?

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  • A KILLER sounding copy with Triple Plus (A+++) sound or very close to it from start to finish, on quiet vinyl to boot 
  • This is one of the best sounding Billie Holiday records we have ever heard – it’s even a clear step up from the originals we had on hand
  • This 2 LP set features most of the tracks from the original release plus another handful of recordings from the same period (1955-1956)
  • “… features some of Billie Holiday’s top Verve performances from the mid-’50s… she runs the emotional gamut from summery optimism to pathos-rich musings. Befitting her perennial after-hours mood, the majority of songs here feature Holiday in a low-down mood of the highest order.” – All Music

Naturally, the highest quality vocal reproduction has to be the main focus on a Hot Stamper pressing for any Billie Holiday record we would offer. Her voice should be rich and tubey, yet clear, breathy and present.

In addition to being tonally correct and natural, the pressings we offer must also be highly resolving. With the right room and the right equipment, properly set-up and adjusted of course, you will hear everything that these vintage recordings have to offer, including the three-dimensional space of the studios in which the various sessions were recorded, under the auspices of Norman Granz.

The Sound of the Original

The original Trumpet Player Verve mono we had on hand to play suffered from an EQ problem we run into frequently in our shootouts for vintage vocal albums. Actually, to be clear, there were two main problems in the case of All or Nothing At All: a boosted midrange and occasional sibilance issues. (more…)

Basie’s Farmers Market Barbecue – First Among Equals, or The Best Pablo Ever?

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Musically FMB is a Top Basie Big Band title in every way. This should not be surprising: many of his recordings for Pablo in the ’70s and early ’80s display the talents of The Count and his band of veterans at their best.

Sonically it’s another story. Based on our recent shootout for this title, in comparison to the other Basie titles we’ve done lately we would have to say that FMB is the best Basie big band title we’ve ever played. Since so many Basie big band recordings are so good, we don’t want to get ahead of ourselves; after all, we haven’t done shootouts for all of his Pablo large group recordings. To be safe we’ll just call this one First Among Equals.

The following are some general guidelines as to What to Listen For (WTLF) while you critically evaluate any of the Basie Big Band Pablo recordings (or any other big band recordings for that matter). 

Simply put, we offer here a short list of qualities that we’ve come to appreciate on the best of the Basie Big Band pressings, qualities that we find are often in short supply on lesser LPs (and, as a rule, those that have been remastered onto Heavy Vinyl). (more…)

Ella Fitzgerald & Count Basie – On the Sunny Side of the Street on Heavy Vinyl

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Sonic Grade: D

A weak outing from Speakers Corner and a Hall of Shame pressing.

Their 180 gram copy suffers from the standard reissue MO — brighter is not necessarily better, and definitely not when you have a big band and a vocalist, as is the case here.