Brian Humphries, Engineer

Traffic – Self-Titled

More of the Music of Traffic

  • An original Pink Label Island pressing with solid Double Plus (A++) sound or close to it from start to finish
  • This side one is rich, full-bodied and Tubey Magical yet still incredibly open and spacious, and side two is not far behind in all those areas – there’s an abundance of bottom end weight too!
  • 5 stars: “As [Dave] Mason’s simpler, more direct performances alternate with the more complex [Steve] Winwood tunes, the album is well-balanced… their second consecutive Top Ten ranking in the U.K.; the album also reached the Top 20 in the U.S.”

This vintage Island pink label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Traffic – The Low Spark of High Heeled Boys

More Prog Rock

  • With INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them on both sides, this UK Island pressing (only the second copy to hit the site in four and a half years) could not be beat
  • Here are just a few of the things we had to say about this killer copy in our notes: “rich and dynamic”…”big and tubey”…”great size and energy”…”huge bass”…”tubey and present and 3D vox”…”pretty great!” (side two)
  • Low Spark is clearly one of the best sounding Proggy/Arty Rock records ever made – the space it recreates is huge
  • A Better Records Top 100 album and real Demo Disc on a pressing that sounds as good as this one does
  • This is a lot of money for a somewhat noisy copy, but the sound is so awesome and quiet pressings of the album so hard to come by that we hope someone will take a chance on it and get the thrill we did from hearing it sound right for once
  • 4 1/2 stars: “The commercial and artistic apex of the second coming of Traffic… The standout was the 12-minute title track, with its distinctive piano riff and its lyrics of weary disillusionment with the music business. “
  • Our last shootout for the album was in 2019, and a domestic copy did better back then than it would do now

After doing the shootout for John Barleycorn recently, a record we love in spite of its problematic sound, this album was truly a breath of fresh air. I can honestly and enthusiastically say that the sound we heard on the best pressings was out of this world. This album is a permanent member of our Rock and Pop Top 100, that’s how good it is.

Who knew? We had no idea this recording could sound so incredibly spacious and open. The distortion level is so close to zero that we don’t even want to assign a positive number to it. Let’s just say it’s below the threshold of hearing; does that work for you?

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Traffic – John Barleycorn Must Die

More Traffic

  • An outstanding copy (only the second to hit the sit in two years) with solid Double Plus (A++ ) sound from start to finish
  • These sides have the vintage analog sound we love – they’re full-bodied and smooth, with plenty of Tubey Magic, gobs of studio space, and the right balance of richness and the clarity that is the key to getting top quality sound for John Barleycorn
  • Arguably the band’s best album, certainly their most groundbreaking, original and involving – Low Spark would rank a not-especially-close second
  • “…the band sounds utterly grounded. As the grooves percolate effortlessly along, it becomes clear that unity, not any technical skill, is what makes the music levitate.”
  • This is a Must Own title from 1970, a great year for rock and pop music

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Pink Floyd / Animals

More Pink Floyd

More Recordings Engineered by Brian Humphries

  • This vintage UK copy was giving us the big and bold sound we were looking for, with an INCREDIBLE Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one
  • The best sounding pressing are British reissues, a discovery we made about ten years ago — nothing can touch them
  • For those who appreciate the concept, nothing we have played to date can touch them, but tomorrow we could find a stamper with even better sound – who can say what tomorrow may bring?
  • Forget the dead-as-a-doornail Heavy Vinyl and the domestic pressings too – only these Brits have the Tubey Magical Midrange that this Pink Floyd album needs
  • “Of all of the classic-era Pink Floyd albums, Animals is the strangest and darkest, a record that’s hard to initially embrace yet winds up yielding as many rewards as its equally nihilistic successor, The Wall. Animals is all extended pieces, yet it never drifts — it slowly, ominously works its way toward its destination. For an album that so clearly is Waters’, David Gilmour’s guitar dominates thoroughly …it surges with bold blues-rock guitar lines and hypnotic space rock textures.”

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Traffic – John Barleycorn Must Die (Pink Label)

More Traffic

More British Folk Rock

  • John Barleycorn Must Die is back on the site after a two year hiatus, here with solid Double Plus (A++ ) sound or BETTER on this original British Island Pink Label pressing
  • These sides have the vintage analog sound we love – they’re full-bodied and smooth, with plenty of Tubey Magic, gobs of studio space, and the richness and the clarity that are key to getting a good sounding John Barleycorn
  • Arguably the band’s best album, certainly their most groundbreaking, original and involving – Low Spark would rank a not-especially-close second
  • “…the band sounds utterly grounded. As the grooves percolate effortlessly along, it becomes clear that unity, not any technical skill, is what makes the music levitate.”
  • This is a Must Own title from 1970, a great year for rock and pop music

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Pink Floyd – Wish You Were Here

More Pink Floyd

More Prog Rock

  • A vintage import pressing of this Pink Floyd classic with excellent Double Plus (A++) sound or BETTER on both sides – fairly quiet vinyl too
  • Demo Disc Quality Floyd Magic – our Hot Stamper pressings are bigger, richer, more dynamic, have better bass, more immediacy, and more of just about everything that makes a Classic Pink Floyd album a listening experience like no other
  • 5 stars on Allmusic, a Top 100 title and one that is tough to find with sound this good and surfaces this (relatively) quiet
  • “Showcasing the group’s interplay and David Gilmour’s solos in particular… the long, winding soundscapes are constantly enthralling.”
  • If you’re a fan of the band, and what audiophile wouldn’t be?, this classic from 1975 belongs in your collection.
  • On big speakers at loud levels, this is a Demo Disc of the Highest Order

The sound of this very special import pressing is HUGE, open, and spacious like nothing you have ever heard.  It’s also exceptionally transparent, with substantial amounts of depth and three-dimensionality.

There is a huge room around the drums that we guarantee you have never heard sound as big and real as it does on this very record.

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

Here is the size, energy, and presence to bring the music out of the speakers and right into your listening room! (more…)

Black Sabbath – Paranoid

More Black Sabbath

More Rock Classics

  • Black Sabbath’s killer second album returns to the site with excellent Double Plus (A++) sound on both sides – remarkably quiet vinyl too
  • This copy has the kind of energy, presence, and fullness needed to bring the best out of this Heavy Metal classic
  • This copy is on the second label, which is not a problem for this album because it’s still got the right mastering house mark in the dead wax, which is the main reason it would qualify to be put in a shootout
  • Drop the needle on a good copy and you’ll quickly hear how correct it sounds — it’s got a HUGE bottom end, excellent presence, a good amount of tubey magic and TONS of energy
  • 5 stars: “Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics.”

It’s taken us ages to find good pressings of this album, probably because just about every copy we see has been beat to death by the crazy muthas who originally bought ’em! Let’s face it — this wasn’t an album bought and treasured by people who know how to take care of their records; this was a record bought by kids who probably played it after getting wasted with their buddies. (No shame in that, of course!)

The music is freakin’ great, by the way. Since Ozzy has basically become a cartoon version of himself (as charming as that is) it’s easy to forget that these guys were a serious classic rock band that was duking it out with Zep for the hearts and minds of young hard rock fans in the late ’60s and early ’70s.

This album set the foundation for heavy metal, and I’m not sure anyone ever topped it. Play this album back to back with Zep II and it’s pretty clear the two bands were fueling each other, pushing both bands into creating bigger, bolder, better riff-based rockers.

Allmusic calls this “one of the greatest and most influential heavy metal albums of all time” and when it sounds this good, I’m guessing you’ll agree! “War Pigs,” “Fairies Wear Boots,” “Electric Funeral,” “Rat Salad” (drummer Bill Ward’s answer to Bonham’s “Moby Dick”) and the title track are some of the classic tracks on this album.

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McDonald and Giles – McDonald and Giles

More Prog Rock

  • You’ll find incredible sound on both sides of this very well recorded proggy album
  • These early UK pressed sides are full of the kind of Tubey Magic that makes us (and other right-thinking audiophiles) swoon – thanks Brian Humphries!
  • If you like early King Crimson – they were in the band don’t you know – you will surely get a big kick out of this one-of-a-kind sleeper from 1970
  • 4 stars: “The main attraction is really the performances turned in by McDonald and the Giles brothers — they all sound fabulous…”
  • If you’re a Prog Rock or Art Rock fan, this is a classic from 1970 that belongs in your collection.
  • The complete list of titles from 1970 that we’ve reviewed to date can be found here.

Brian Humphries engineered the album, and although you may not be all that familiar with his name, if you’re an audiophile you know his work well. Take a gander at this group:

  • Traffic – John Barleycorn Must Die
  • Black Sabbath – Paranoid
  • Traffic – The Low Spark Of High Heeled Boys
  • Pink Floyd – Wish You Were Here

Two are of course on our Top 100 Rock and Pop List, and all four — five if you count McDonald And Giles — qualify as State of the Art Rock Recordings from the era. (more…)

Traffic – Welcome to the Canteen

More Traffic

More Steve Winwood

  • You’ll find outstanding Double Plus (A++) sound or close to it on this UK copy of the band’s first live album
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – these imports are the only way to fly
  • 4 stars: “… the playing was exemplary, and the set list was an excellent mixture of old Traffic songs and recent Mason favorites. “Dear Mr. Fantasy” got an extended workout, and the capper was a rearranged version of Steve Winwood’s old Spencer Davis Group hit “Gimme Some Lovin’.” …Welcome to the Canteen’s status as only a semi-legitimate offering was emphasized by the release of The Low Spark of High Heeled Boys. But that doesn’t make it any less appealing as a summing up of the Winwood/Mason/Traffic musical world.”

This vintage Island import pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Spooky Tooth / Witness – Our Shootout Winner from 2009

This very nice looking Island Sunray British Import LP has GREAT SOUND on side one — we rate it A++ or thereabouts. (There may be a copy out there that’s worthy of our Triple Plus grade and there may not; this is the first clean early British copy we’ve played and it sounded so good to us we didn’t think there was much room for improvement, on side one anyway. Hence the grade.)

Although it’s not Glyn Johns that engineered this album, it was recorded at Island and Olympic studios, both of which are top quality locations famous for producing some of the best sounding rock records in the history of the world. (more…)