More Records with Specific Advice on What to Listen For
It’s not easy to find a copy of this album that sounds right.
Many of the copies we played suffer from a “too-forward” quality to the vocals, which make them positively unpleasant to listen to.
Others lacked presence, which left them easy on the ears but ultimately boring.
Then there were the copies that got the vocals right but just didn’t have all the Tubey Magic you want for this kind of simple, folky music.
I’m not going to go out on a limb and say this is an album everyone needs in their collection, but it’s certainly enjoyable. For those of you who get a kick out of this slice of 60s life, you’re going to have a very hard time finding a copy that sounds as good as this one.
It’s nice when the copy in hand has all the transparency, space, layered depth and three-dimensionality that makes listening to records such a fundamentally different experience than listening to digitally-sourced material, but it’s not nearly as important as having that rich, relaxed tonal balance.
A little smear and a subtle lack of resolution is not the end of the world on most of the records we sell, including this one.
Brightness and leanness, along with grit and grain on the vocals, can be.
If the average record sounded even close to right, nobody would need us to find good sounding copies for them. They’d be sitting in every record bin in town and we would have to find some other kinds of records to sell.
The records may indeed be in every bin in town — that’s where we found the copies that went into this shootout — but the sound sure isn’t.
Hint: for the best sound, stick to the Tri-Tone original Reprise pressings. They win every shootout.


