Stampers and Pressing Information

Ambrosia / Life Beyond L.A. – WW, LW, JW? Which Stampers Sound the Best?

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There’s a unique story behind this title, which goes something like this. I recount it because it’s a classic and hopefully instructive case of Live and Learn.

In 2005 we acquired more than a dozen sealed copies. Knowing that no two of them would sound the same we decided to crack them open, clean them up and play them.

All three of the major stamper prefixes for Warners were represented in the various matrix numbers: WW, JW and LW. As we started to play them it quickly became clear that most copies of this record just do not sound good. The typical copy is hard, midrangy, opaque, dull and sour.

Only one of those prefixes — WW, JW, LW — actually has any hope of sounding good, and surprisingly it’s not the one I would normally expect it to be. Live and learn.

Live and learn indeed. This time those stampers did not sound nearly as good as others, another good reason why there will never be a Book of Hot Stampers, not one written by us anyway.

Like we’ve said in the past, if you think the world is in need of such a book, please do us all a favor and write one. We’ll sit back and take potshots at it. There is no chance in the world it won’t be full of misinformation. Hell, if we wrote it would be full of mistakes too, and we think we know as much about stampers as anybody in the world, and probably more. I ask you, under what circumstances would anyone be in a position to know more than we do? (more…)

Cat Stevens / Catch Bull At Four – Yes, Sometimes There Is Only One Set of Magic Stampers

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As is sometimes the case, there is one and only one set of stamper numbers that consistently wins our Catch Bull At Four shootouts. We stumbled upon an out-of-this-world copy of the right pressing about two years ago, a copy took the recording to a level we had no idea could even be possible. (We were going to give it Four Pluses, and probably should have, but cooler heads prevailed.)

Since then we have had many copies come in, but none that could compete with the Magic Stamper pressings. And the best part of this story is that, no, the best stampers are not 1U, or 2U, or even 3U. In other words they are far from the stampers found on the earliest pressings. That’s one reason it took us so long to discover them, because they are much less commonly found than pressings with the earlier stampers. By the time these later pressings were mastered, pressed and released, the album’s biggest selling days were over. For all we know this cutting may have been done just to keep the record in print, possibly undertaken many years after its initial release.

Who knows? Who cares? What difference does it make?

Well, it does serve to make a point near and dear to our hearts: that the idea (and operational premise of most record collectors) that the Original Is Always Better is just a load of bunk. It might be and it might not be. If you want better sounding records you had better open your mind to the idea that some reissues have the potential to sound better than even the best original pressing of the album.

Of course this is nothing but bad news for the average audiophile collector, who simply does not have the time or money to go through the hassle of buying, cleaning and playing every damn pressing he can get his hands on.

But good news for us, because we do. (more…)

The Music of Leonard Bernstein – Hot Stampers Revealed! Get the Scoop Right Here

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If you have a system with the speed, power and size to play this record properly (yes, you will need all three and a whole lot more), it’s hard to imagine it would not qualify as the best sounding classical recording you’ve ever heard. Demo Disc barely begins to do it justice. What sound. What music. What a record! Side two is where the real action is on this album, and it is presented here with SPECTACULAR AUDIO FIDELITY the likes of which you may have never experienced.

Hot Stampers Revealed

Looking to pick up a Hot Stamper locally on your own? Easy — all the best Decca and London copies (British only of course) are 1L on both sides. I suppose it’s only fair to point out that all the worst copies have 1L on both sides, the reason being that all the copies are 1L on both sides, regardless of how they sound.

And here you thought I was actually being helpful. But we are being helpful. We’re telling you the truth. Stamper numbers only tell a part of the story, and they can be very misleading, in the sense that a little knowledge can be a dangerous thing. This is of course a subject near and dear to our hearts, and we discuss it at length in the commentary we call The Book of Hot Stampers. (more…)

Weekend Warriors Will Struggle Mightily with The Fantasy Film World of Bernard Herrmann

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

 

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An orchestral dreadnought such as this requires mastering and pressing of the highest quality.

Herrmann’s music taxes the limits of LP playback itself, with deep organ notes (listen for the famous Decca rumble accompanying the organ if you have the deep bass reproduction to hear it); incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects everywhere — every sound an orchestra can produce is found on this record, and then some.

You will hear plenty of sounds that defy description, that’s for sure. Some of the time I can’t even imagine what instrument could possibly make such a sound!

Your Hard Work Pays Off

A recording of this size and scope will bring virtually any stereo system to its knees. This is the real Power Of The Orchestra! You had better have a top quality front end if you want to play this record properly, not to mention plenty of power and big speakers.

This is not the record for the Weekend Budget Audiophile. If you haven’t put in the years of effort and invested the tens of thousands of dollars in equipment and room treatments it takes to play records of this difficulty, your system is probably not up to the challenge this album represents.

If on the other hand, you have done the work and spent the money, this is the album that will show you what you have achieved. (more…)